Anna Karenina
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Did anyone else absolutely loathe Anna?
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Ian
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rated it 4 stars
Jul 16, 2008 03:53PM

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I keep wanting to give them a good shaking and say "Stand up for yourself, girl!" A lot easier in our modern society, of course, but surely they could have had more pride.
Tolstoy did not have a high opinion of women in general, and I can not recall him writing a sympathetic portrait of a strong, independent woman (please correct me here if I'm wrong).



Didn't Vronsky say that while Anna seemed only to have him to care for, he had many friends and many interests and responsibilities. Adults usually do. Anna was an eternal child, wanting gratification, indulgence, entertainment. In the end she had nothing, not even the strength of will to start over. Anna didn't have the strength of will or self-love that Nora in A Doll's House had to start again.

I agree with the fact that Anna is quite flat - I have no attachments to her other than those which the rest of the characters project on her, for me, this is like hearing gossip about a friend of a friend, I have no investment in her and can only sympathize so much before I'm fed up with her lack of strength.


She seemed like a capricious child throughout, giving absolute control over to her emotions...
Tolstoy's characterization of Anna was meant to show readers what nihilism leads to. While no longer a subject of much concern today, nihilism fascinated Russians in the 1860's and '70's. So ...
Could anyone support me or show me how Anna could be loved for herself?
Nihilism is the opposite of the fear of God, so Tolstoy is saying that without God, there is no way to find anything within Anna to love.
This is a problem with Anna Karenina. Tolstoy is building characters out of ideas, and this falls flat. Kitty (Katya), for example, is Tolstoy's idea of perfect, Godly virtue. But after hundreds of pages of hearing just how perfect Kitty is, her character gets mighty old.
What bothered me more about this book is that Tolstoy constantly disturbs his narrative to weave some ideological point into it, and it gets really obvious. The author interrupts the flow of his own story, so the story never gets a chance to breathe.
I won't even get into all the other problems of the book. But because the only possible good thing in Anna Karenina is the prose, these interruptions made it impossible for me to like the book.

Because we live in a world where women have much more freedom, it doesn't mean that we can translate those feelings to women of different ages or cultures. If I were to get pregnant by a lover and leave my husband, it would be damaging to me and to him; but to society, it would mostly be unnoticed. It was quite different in her day and place.
Of course she and Vronsky brought the situation upon themselves. But her decision to leave her son was torment; at least this is how I felt as I read--as a mother it would be unthinkable. And when Anna visited him on his "name-day" I cried.
Besides, Anna Karenina is a banned book, and how can you hate a banned book? It makes it yummier.

Tyler, bravo to you for your post. You managed to put perfect words to my greatest frustration with the book: "Tolstoy constantly disturbs his narrative to weave some ideological point into it, and it gets really obvious. The author interrupts the flow of his own story, so the story never gets a chance to breathe."


Very good point. I mostly hold Vronsky accountable too. I didn't LOVE Anna, but she was certainly not as bad as Levin who went on and on about farming methods and how he didn't understand politics. Anna was probably the best character.


I cried reading her description of the time when she left Sergei, when she went to visit him on his birthday; i thought that she was selfish and inprudent when she went away with Vronsky to travel around the world, not caring for her son and not really loving her daughter - she never felt any sort of attachment to her: the child was utterly neglected; i was despairing when she started to be sickly jealous of Vronksy and the life that he took back, when they returned to Russia and she felt neglected at home, feeling alone and conjuring all ghosts to torment her.
Anna, to me, is very human, even though i don´t condonne with all of her tantrums and certainly i wish i could say to her "hey, you chose this - get the best you can out of it!".
Bottom line, she chose what she thought was hapiness and a man that she loves and loved her back - it was a mistake, altogether: Vronsky did not love her and i think that maybe she got in love with the idea of love, since she didn´t knew what emotions were, because she was in a loveless marriage, an arranged one.
Vronky was immature and what started as an infatuation developed in to something that he was not prepared for and later on, he must have regreted getting involved with her and in all of her mistique, but it was already too late and too many strings attached to it.
I love it to bits although a bit descriptional at times - and like someone said earlier: Tolstoy tried to convey some ideological bits in to it. Would like to see the story of Dolly developed a bit more.


I did not hate her, at all; she had atitudes that left my skin crawling but i felt that Tolstoy made her very human - not always wrong and not always right.

just want to say you said very well....exactly my thoughts:)

Thank you.



One story line i would have liked for Tolstoy to develop was Stiva and Dolly.


ohh i just realised tht u'v mentioned Kitty in previous comments .

No probs - i just think that in Levin Tolstoy really pushed and shoved all of his ideas, even political ones to readers and KLitty to me, holds really no charms, whatsoever....but not all people have to like the same thing, yes? No problems come from there and we can always agree to disagree....

lots of plots in AK is wut confuses me ,
and Russian people were envious and mean at the time " at least how Tolstoy portrayed most of the characters" ..

You like Kitty because, at some level, you can relate to her - i like some points of Anna because i can relate to her and i also like some things about Dolly because she also has some touching-points with me - so, you see, it´s very similar to you. Since you haven´t finished yet, i will not give spoilers out - when you finish, take a peek at my review of it and see what you make of it - if you agree or not: i wrotte it a few monts later after reading it and maybe i got some points wrong.


Anna Karenina
Tess of D'Uberville
Madame Bovary
Revolutionary Road (April Wheeler)
to name a few.
As an emotional reader, it is difficult to detatch my personal feelings about the characters from a potentially larger picture. I think there is a good thesis buried in these women about gender, opportunity, happiness and the society we live in.
I would contrast them with Scarlett O'Hara and maybe Lady Chatterley.
All of these women, had no good choices available. How could they have pursued a happy and fufilling life within the society they lived in? So in that sense, I feel terrible for them. And why do authors always seem to kill them? As if to punish them for their poor choices. Men typically do not get the same treatment in literature.

When she regretted throwing herself in front of the train at the last second I thought "Good! That's what you get for making hasty decisions without thinking them through!" Not to mention her total lack of consideration for the effect her suicide might have on OTHER PEOPLE! She was so self-centered throughout the whole book that I just wanted to strangle her!


Anna Karenina
Tess of D'Uberville
Madame Bovary
Revolutionary Road (April Wheeler)
to name a few...."Madam Bovary and Anna Karenina so different charachters





Absolutly we (women) deserve rights to custody of the children we bear and raise. Eventhough Anna has beauty, social possition, a wealthy husband she will pursue her passsionate nature and will reject and empty existence. I think Tolstoy is a master when it comes to give a panorama of personal conflicts,he does not make a point..he wants us to have a wider perception of human drama

Anna Karenina
Tess of D'Uberville
Madame Bovary
Revolutionary Road (April Wheeler..."
They are, I think the similarity is in their fate. Perhaps a better comparison for Anna would be Scarlett O'Hara. I didn't add her, because she wasn't axed at the end of her novel (created by a woman..?) As we read these novels today, many dislike both of these characters. I understand, neither one strike me as friend material, but given their choices, their situations - what would the better choice have been? To live a life only for others? To never pursue their own desires or security(in Scarlett's case)?
Let me throw another one out there. Jane Eyre. Rothschild is one of those heartthrobs of English lit. The tortured brooder. But really? He kept his crazy wife locked up in an attic! And he chose to endanger his "love" Jane so he could bed her. Completely selfsish and almost never questioned. (I know Rothschild has been addressed by Jean Rhys in Wide Sargossa Sea at least)
I really feel the way we understand these characters, all characters,reflect upon the way we view ourselves and what women should be.

As for comparing Anna to Scarlett...i beg to disagree: Scarlett made her own way, struggled through hunger, war, deprivation and she rose thought the latter, re-gaoned her social status (or money, that to her was the same) and she made the choices she had to: she chose to marry her 2nd husband because she knew she could manipulate him and had more wits for business; she did not took Ashley because he refused, but either, she would have gotten him - lock, stock and bottom; she chose to meet Rhett when she had to pay the taxes over Tara and later she married him,for security. She was not one to be runned down by adversity - she kicked and screamed along the way.
The death of her daughter and the consequent leave of Rhett brought to her attention that she actually loved him, even though she always said otherwise.
Now Anna - she lived a sterile existence with Karenin; she did not know emotions even if they kicked her in the rear end and when the most desirable young man of the Moscow society took a fancy to her, her whole world of certainties collapsed and she started to live off the emotions, wanting more and more to the point of obcession with him: he could not leave the house for 2 secs that she would frantand thnk that he hadlovers everywhere. I don´t mean to condone with the ideas of the time or those of Tolstoy - he was a man of his time - and women had no rights whatsoever, and if they comitted adultery then they would stand to loose everything and become strangers to all. Anna did not choose for herself - she was forced to choose or rather the circumstances forced her, or made it impossible for her not to take that direction, but she chose Vronsky almost kicking and screaming,not free-willing, and flowy and in love as she was - she went with him to Venice because she had no alternative: everyone knew what was going on,Karenin was on the to themand she was almost forced to go along and playu the innocent lovers.
Nope, I enjoyed it. Would reread it.
Ugh. Anna. I thought she was whiny, and by the end of the book I was sick of her, and her always starting arguments with Vronsky and than blaming him. All in all, I felt bad for Vronsky. I was actually quite happy when she died, but dissapointed that I had spent all my time reading for an ending like that.

It is not truth that Tolstoy did not like Anna. In his wife`s diary we can see that Tolstoy never wanted us to judge Anna. He wanted us to see a desperate woman who`s making bad decisions and who we should feel sorry for.


She was a woman of her time, late 1870's, and forced to behave as such.
She had no possibility of fulfillment with Karenin and took a big chance with the charismatic Vronsky. She loved her children, so ending her "shameless life" was the only way to insure they were not social pariahs.
That such vehemence is expressed over a central character only shows how very well Tolstoy articulated his character.
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