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Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture by Ross King
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Robin
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Oct 09, 2010 09:41PM

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Robin wrote: "Yes, and they also had to drink wine since the water was unsanitary. For the most part I like the book because of the rivalry and being that Brunelleschi's is the older man but he is very insightf..."

Hah!



LOL -- oh well...
I just linked to the first thing that came up on google -- the point was simply that wine was drunk in a highly diluted state -- 3:1 or 5:1, and that when a writer like Petronius says that Trimalchio drank his wine 'merum', it is to indicate -- by that single word - that he was an epicure (in the modern sense of that word, of course...).



Like Jeannie says the author really shows how low Rome got - only 20,000 population at Bruneschelli's time when it had been a million in Rome's heyday.
also I enjoyed how the author shows how drawn out the whole process was - I'm not sure if anything today rivals how long the building of the dome took from inception to completion.
Additionally I like how the author describes the various players and the Florence scene in such detail.
Overall, it seems like a fun/informative book and I can't wait to go see the dome as well as the Sophia dome in Istanbul for comparison.

Roman Life: 100 B.C. to A.D. 200
by John R. Clarke
I just found this book and am looking forward to reading it. I see that Susanna has read it and gave it a good review. I wonder if reading it would give more insight to the life and times of the Romans previous to the time of Brunelleschi. And then I can understand his time in Rome where he studied the ruins and architecture of the Roman Empire.


Roman Life: 100 B.C. to A.D. 200
by John R. Clarke
I just found this book and am looking forward to reading it. I see that Susanna has read i..."
I haven't read it, but it is well regarded - I've been told. The classic is Jerome Carcopino's Daily Life in Ancient Rome -- which is very readable and authoritative. If you really want a stunning, granular book on Rome, its daily life, how houses were built, pottery was made, sold...; its history (the 3rd cen. collapse especially) -- the inflation (really a hyper-inflation), the civil wars -- read Mikail Rostovzeff's Social and Economic History of the Roman Empire -- You want to make sure you get the hardbound (it is cheap, as Oxford reprinted it some years ago at a very low price), since the second volume has the plates and notes (both of which are extensive and tightly integrated into the text. It is one of those books that everyone should read, regardless of their field. It is an overwhelming book.
http://www.amazon.com/Daily-Life-Anci...
http://www.amazon.com/gp/offer-listin...

I also could feel the pressure placed upon Filippo by the Opera del Duomo and his peers. I loved the letter submitted to the Opera by Giovanni while disclaiming any fault upon himself...sounds too much like today in the business world.
I found myself watching the historic rescue of the Chilean miners closer...especially the construction of their pulley system.


Then, as I listened to more and more of the book, I got the feeling that the dome became part of the people involved and the people became part of it.
So when they looked at the Dome at various times, I think they saw themselves in the building and got a great deal of satisfaction from being an actual physical part of the process as well as an aesthetic pleasure from viewing it.

And you're right, Jim. I think the people took pride in their creation for it's ability to be the largest dome in Italy not using the visible supports. They all wanted to be a part of it.








They had the foresight to think of friction and to use sea water or spoiled wine to wet the huge ropes which could cause the friction and thus a fire. They used smooth walnut tubes to encase the drum to minimize the ever-present threat of fire. They used elm trees to 'resist the elements' since the machine was to be used for many years to come. There are so many more details that I find fascinating. And, no, I still can't really envision the contraption he came up with but it does say "The machine was centuries ahead of the technical understanding of the time".







"The Opera therefore contracted for hundreds of thousands of bricks and Filippo began designing special wooden molds in order to shape them."



Monica, I am sure you will find the book.







Books mentioned in this topic
History of Italian Renaissance Art (other topics)Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture (other topics)