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The Children's Book by A.S. Byatt - the discussion
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message 151:
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Carol
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Aug 27, 2011 05:12PM

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I'm curious to know if one of my impressions of the book was shared by other readers. I frequently found myself categorizing many of the characters in terms of their resonance with fairy tale archetypes. These resonances were fluid evocations rather than exact correspondences. Nevertheless, I frequently found myself thinking of Olive as the evil stepmother; Phillip Warren as the changeling; Bernard Fludd as the evil wizard; Charles/Karl, with his dual identity, as the trickster; Imogen as the peasant girl who marries the King; Pomona as under a spell; and so on. Some of the other characters, Dorothy for example, either didn't have a correspondence with a fairy tale archetype or the correspondence eluded me.
The book stood on its own quite independently of these "resonances," but my impression was that Byatt was using these evocations as a way to enrich the book.
Also, anyone interested in a good cultural history of this period might want to check out The Vertigo Years: Europe 1900-1914. It uses the Paris World's Fair as an anchor point and has a particularly strong chapter on the British Suffragette Movement.

I hadn't specifically seen the correspondences Brian but I'm not surprised that you would find them. Fairy tales and myths seem to be very important to Byatt as is obvious from the central placement of all types of tales in The Children's book, including Olive's tales for her own children. Byatt's next book is based in Norse myth.
I also appreciated the "leisurely pace" which I believe allowed all the details to unfold fully, in a way the reader could absorb.




http://web.archive.org/web/2007083116...


I have loaded up a bag of books to go to the book exchange (after having piles of books fall on my head twice!) so I can grab the copy of Possession that's there anyway.
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