Software Engineering discussion
Gödel, Escher, Bach
>
Introduction: A Musico-Logical Offering
date
newest »


The room will become entangled with strings and 3D artifacts connecting concepts from each of the three walls to the focal point and then more connections between the focal point to the "braid-wall" I imagine a kindergarten mobile-paper-and-strings extravaganza of representational creations attached to the G,E,B walls, hanging from the ceiling, and interconnected with colored string becoming interwoven as it converges on the focal point until it becomes an entangled rope projecting from the focal point to the Braid wall.
To take this structure to a higher level I would add features allowing one to see select connections through the confluence of ideas. The colored strings will be illuminate-able. Flip a switch or two to see certain connections glow in specific colors. Alternatively, the ceiling could be composed of separately movable sections so conceptual threads could be raised or lowered like props on a stage.
Now, does this show a frustration with a kindergarten teacher who didn't hang up my masterpieces 49 years ago? Or is it the fantasy of a financial analyst itching to allow creative chaos to explode out of strict ledger columns? Rather, it’s a desire to get away from the desk and computer and explore new ideas as we did as children: learning in 3D by moving through space, engaging our hands, arms, legs like when we ran about the yard playing tag. As children we had a lot of physical movement in our learning but as adults it is predominantly cerebral.
The value will not be in the completed structures in the room described. But like music the value will be in the creation or the performance. I have experience in music, including the ricercar and fantasy musical forms. They are Medieval and Renaissance predecessors to the Baroque fugue of Bach. I have little experience in the visual arts, since I did not spend much time learning to draw; even less experience in mathematical proofs or number theory.
The introduction of GEB introduces a lot of information about strange loops, paradoxes, and the convoluted structures of Bach's music, Escher's paintings, and Gödel’s theorems. There are numerous ideas hinted-at of being connected which prompt me to build a 3D representation to keep track of it all. GEB will be a close encounter and like the main character in the Spielberg film by that name, who sculpted a model of Devil's Tower, the convoluted structures Hofstadter introduces will best be experienced in three, and possibly four, dimensions.
Steph,
Your vision reminds me of an author who described the kind of room everyone should aspire to have in their home. This exploratorium would be setup to explore art, music, science, math, etc. It was a broadening of the notion of a "study".
I have been racking my brain trying to remember where I read this, but I can't recall...
Your vision reminds me of an author who described the kind of room everyone should aspire to have in their home. This exploratorium would be setup to explore art, music, science, math, etc. It was a broadening of the notion of a "study".
I have been racking my brain trying to remember where I read this, but I can't recall...

I think the book cover art mentioned can be viewed at the wikipedia page: http://en.wikipedia.org/wiki/G%C3%B6d...
The anecdote about Bach and the King is the kind of intro that gets me hooked, but I can see that might not be everyone's favorite type of thing.
Alot of major people and topics were introduced: Godel, Escher, Bach, Zeno, Turing, strange loops, self-reference, and things that are true but not provable.
I liked the sub-introduction that discussed why there are chapters and dialogs. The Escher art is a nice addition too. Who doesn't enjoy pictures in books?
The dialog was entertaining. I can see some meaning in there. Again, I expected to be able to skip the dialogs, but I'm glad I didn't.