Chicks On Lit discussion
Archive 08-19 BR & Challenges
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Where I'm Calling From - Sep/Oct 2010
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Nobody Said Anything
Bicycles, Muscles, Cigarettes
The Student’s Wife
They’re Not Your Husband
What Do You Do in San Francisco
Fat
It's always interesting adjusting to the different rhythm of a new author. If I were to rank these 6 stories, Nobody Said Anything I would put first, and that made it easier. My heart went out to the kid.
My second favorite was They’re Not Your Husband. Sort of an O. Henry ending. Not startling, but unexpected. And perhaps more real than we really want to know.
You've read him before - were any of these rereads?

It did take me awhile to re-warm up to him in this section of stories. When I read him, I read a lot of authors with similar styles. So it was a bit strange going back after so long. I haven't read any of these.
I didn't really like Fat. It was actually the first one I read because I was short on time that night.






I also personally felt the first two pages seemed a little disjointed from the rest. The tone seemed different to me. Curious about what you think.
It is true though, they don't seem to be excelling at the art of marriage.

What’s in Alaska?
Neighbors
Put Yourself in My Shoes
Collectors
Why, Honey?
Are These Actual Miles?
First, I reread The Student's Wife. Glad I did. Perhaps I should be rereading all of them. ;-) Anyway, when Nan first started talking she asked Mike to remember a camping trip they had taken between high school and his starting college. He remembered . . . "What he did remember was very carefully combed hair and loud half-baked ideas about life and art, and he did not want to remember that." Mike reads her to sleep, she talks him to sleep. Not happy marriage. I think the sunrise is symbolic. The light comes slowly and it dawns on Nan that the marriage is in real trouble.
Lots more on the troubled marriage theme in this week's selection.

What are your thoughts so far of the collection and his writing style?



You probably know I live in Alaska. I was thinking all through that one, especially for the time period of its writing, that they'd probably find pot just as easily in Fairbanks as wherever these people were supposed to be living. I was also somewhat astonished that the husband didn't seem to think his skills as a mechanic would be useful in Fairbanks. But Carver surely knew that. Was there something about his wife getting the job, that they would move for her job that was making it difficult for him to accept? That seems in keeping with the time period.






Gazebo
One More Thing
Little Things
Why Don’t You Dance?
A Serious Talk
What We Talk About When We Talk About Love
Distance
The Third Thing That Killed My Father Off
I think this was the most powerful group of stories we've encountered. All the hopefulness of a young marriage, the realization that what they thought of as the strength of a young marriage could just wither away.

As a side note, I have done Little Things with a few classes last year. Oddly enough, it was placed in an American Gothic Literature anthology I had purchased. I started the debate with whether it should be considered Gothic Lit and then had them respond to the story. The level of intense discussion really shocked me on such a short story. All levels of students got into it. My honors class discussed and debated this story for two full class periods. So its a personal favorite of mine because in so few words there is so much a reader can pull from it.


So Much Water So Close to Home
The Calm
Vitamins
Careful
Where I’m Calling From
While these continued on the same theme, I began to feel there are nuances to the stories that make each different than the others. I didn't feel this earlier.
So Much Water and Calm were different in that they told about rural life. I know these people. In fact, I feel I know them all, though I never quite saw the consistent hard drinking that we've seen throughout. I guess I shouldn't be surprised. I was living in Sacramento at the same time as the author. Hunting and fishing is a way of life here in southeast Alaska.

I agree that there was a different feel about these stories. I liked having something more to hang onto. I really like the struggle depicted in So Much Water So Close to Home and how this one incident means so much for them.
I found myself looking for reasons about why these stories, though about different people, have a lot of connectivity. I don't usually delve into background, though I believe many authors pull their experiences into their stories. You seem to have a better understanding of his life and surroundings.
I knew he died young of lung cancer. I was not surprised to find out considering the content of his stories that he struggled with alcoholism until about 1977. It explains a lot of the references to the drinking. He must have really been exploring where he was at. I am curious to see if it continues in the newer stories when he finally broke from the disease.

I was thinking about the title story, which was the last in this group. I didn't design it that way, that it is the last of a group, but I'm expecting it to be the end of something, a turning point in his life and these stories.
I was telling my husband about the story in the barbershop. He nodded about the guy with the toothpick and the son being hung over. This story was different because the narrator was an observer, rather than a participant. Anyway, I feel sure it comes from his background as a child in Washington. That area is logging country, so wooded, and hunting would have been a common fall activity. Carver might have remembered a similar story waiting to get his hair cut, or even sitting in the chair just like the narrator was.

It's great that you can connect with the location and the characters. I think you said earlier that you feel you know all of these characters and it is true. In such short stories, the snapshots we have into their lives really resonate with the reader and develop a full picture.

Chef’s House
Fever
Feathers
Cathedral
A Small, Good Thing
I have to apologize. I'm behind on this week's "assignment." I have read the first two stories only.
They say write about what you know, and as far as I can tell, this holds perfectly true for this collection. Still, I've got to wonder where Fever came from. It is so completely different than any of the others. Perhaps it is from his Sacramento period, when he was attending school, and is about one of his acquaintances there.
1. About 70 pages, discuss starting 9/9
Nobody Said Anything
Bicycles, Muscles, Cigarettes
The Student’s Wife
They’re Not Your Husband
What Do You Do in San Francisco
Fat
2. About 70 pages, discuss starting 9/16
What’s in Alaska?
Neighbors
Put Yourself in My Shoes
Collectors
Why, Honey?
Are These Actual Miles?
3. About 75 pages, discuss starting 9/23
Gazebo
One More Thing
Little Things
Why Don’t You Dance?
A Serious Talk
What We Talk About When We Talk About Love
Distance
The Third Thing That Killed My Father Off
4. About 85 pages, discuss starting 9/30
So Much Water So Close to Home
The Calm
Vitamins
Careful
Where I’m Calling From
5. About 80 pages, discuss starting 10/7
Chef’s House
Fever
Feathers
Cathedral
A Small, Good Thing
6. About 100 pages, discuss starting 10/14
Boxes
Whoever Was Using this Bed
Intimacy
Menudo
Elephant
Blackbird Pie
Errand