Writers and Readers discussion
Writers Corner
>
Questions and Help

I do!

I do, after a few quizzes, I feel myself thinking like them, and I just want to get them out... I guess. It's a little hard to explain, considering I don't fully understand it! And plus, it's fun and simpler than "interviews" or journal entries.

Tough Love 101 for writers, it's filled with good, simple tips: never use adjectives; avo..."
I love "On Writing" as well. But I just recently read "You Are a Writer (So Start Acting Like One)" by Jeff Goins. I loved it. And I had just finished reading "On Writing" for the 2nd time the week before and "The War of Art" before that.
All good reads if you want to focus on writing.

I also created a "wrote" shelf. Only 1 entry... so far!
Bill wrote: "Question for authors. Do you add your own book to your "read" bookshelf and rate it? I just did it for mine. I hope that isn't too tacky 8=)
I also created a "wrote" shelf. Only 1 entry... so far!"
Most authors do that on this site, so I wouldn't worry about it. And I like the idea of the wrote shelf.
I also created a "wrote" shelf. Only 1 entry... so far!"
Most authors do that on this site, so I wouldn't worry about it. And I like the idea of the wrote shelf.

Thanks A.F. It felt a little weird, but I've always been a bit shy when it comes to promoting myself. Good to know I wasn't out of line 8=)

I also created a "wrote" shelf. Only 1 entry... so far!"
I like this idea, Bill! You worked hard for your "wrote" shelf, and I think it's great to have 1 entry!
Jessa wrote: "Anyone know where one can find willing betareaders for contemporary romance shorts?"
Why don't you post a request here in the group. You might find some willing subjects among the writers here.
Why don't you post a request here in the group. You might find some willing subjects among the writers here.

A.F. wrote: "Bill wrote: "Question for authors. Do you add your own book to your "read" bookshelf and rate it? I just did it for mine. I hope that isn't too tacky 8=)
I also created a "wrote" shelf. Only 1 ent..."
rjray here AF: where should i post?
you bombed my earlier post
now what????
robert wrote: "Jessa wrote: "Thanks A.F. :) Where should I post?"
A.F. wrote: "Bill wrote: "Question for authors. Do you add your own book to your "read" bookshelf and rate it? I just did it for mine. I hope tha..."
Perhaps you should review the group navigation folder: http://www.goodreads.com/topic/show/7...
It explains what the folders are for.
A.F. wrote: "Bill wrote: "Question for authors. Do you add your own book to your "read" bookshelf and rate it? I just did it for mine. I hope tha..."
Perhaps you should review the group navigation folder: http://www.goodreads.com/topic/show/7...
It explains what the folders are for.

Tough Love 101 for writers, it's filled with good, simple tips: never use ..."
I am currently reading "On Writing" now and it is one of my favorite to read. It is practical and it feels like Stephen King is right in the room there with you just giving his opinion on what works.

I review debut authors on my blog. I would be happy to be a betareader for you and if you would like, once published, I'd be happy to review it and give feedback.

´Here is one draft. What do you think?
http://www.goodreads.com/story/show/3...
Manipi wrote: "I am writing a story. Or I have a story in my head, but I have some problems with developing the charachter.
´Here is one draft. What do you think?
http://www.goodreads.com/story/show/3......"
I'd be happy to take a look, and for future reference there's a Critique Folder (http://www.goodreads.com/topic/show/3...) in the group for posting links to stories you want feedback for.
´Here is one draft. What do you think?
http://www.goodreads.com/story/show/3......"
I'd be happy to take a look, and for future reference there's a Critique Folder (http://www.goodreads.com/topic/show/3...) in the group for posting links to stories you want feedback for.




For my new book title would I...
Come October, Here
or
Come October Here
I have been using the comma, but now am not quite sure.
???

That is if I understand the meaning you're trying to convey.
Thayer wrote: "I have a question about a comma.
For my new book title would I...
Come October, Here
or
Come October Here
I have been using the comma, but now am not quite sure.
???"
Yes, it does seem a bit awkward. Perhaps, "Here, Come October" would be better.
For my new book title would I...
Come October, Here
or
Come October Here
I have been using the comma, but now am not quite sure.
???"
Yes, it does seem a bit awkward. Perhaps, "Here, Come October" would be better.

It's a poetic way of saying Come October...in this place, so Come October Here is an arrival of the month of October in a specific place. Perhaps it is too archaic and that could be a problem for a book title. I don't want it to sound awkward.
Edited to say: An example of the archaic would be Thomas Tyron's Harvest Home. Harvest Home is when the harvest is brought in from the fields...brought home.
Still, I don't want to sound awkward. I'm thinking a comma would not do at all if I were to decide to keep the title.
Thanks again :)
Thayer wrote: "Thanks for the responses!
It's a poetic way of saying Come October...in this place, so Come October Here is an arrival of the month of October in a specific place. Perhaps it is too archaic and t..."
That's the trick isn't it? Getting the archaic feel without it being awkward for modern readers.
It's a poetic way of saying Come October...in this place, so Come October Here is an arrival of the month of October in a specific place. Perhaps it is too archaic and t..."
That's the trick isn't it? Getting the archaic feel without it being awkward for modern readers.

Could you use "Come Here October"?

Crazy how one question can turn out to be a discovery of something far more more vital. Thanks again everyone!
Thayer wrote: "It might be best to go with something simple like Haunted October, although I worry such a title might sound too cliché.
Crazy how one question can turn out to be a discovery of something far mo..."
I like Haunted October.
Crazy how one question can turn out to be a discovery of something far mo..."
I like Haunted October.

Crazy how one question can turn out to be a discovery of s..."
I like Haunted October too. It is a catchy title with no time restriction, it could work for any time period. :)

I have an eBook that I wrote and self published back in March. The title is Time Management for Work at Home Moms -- and Dads Too! It's quite a mouthful but it explains the content and target market for the book quite well. Plus it's full of the keywords that I'd like to target with it.
But I'm working on the 2nd edition (I hoped it would be done already, but you know how that is) and I'm thinking of changing the title. I'd keep the current title as the subtitle and the new title would be either Tick Tock Tyranny or Tick Toxic. The second one ties in with the site I'm building for personal development/health issues which is called Toxic Habits.
Anyway, I'd like to know if changing the title for a 2nd edition is a good idea. And if it is, which of the 2 title options would make you take a closer look at it?
Thanks so much for your help!
I don't think changing the title for the second edition is too big a problem, especially if you've added or changed any content. For the new title, I like Tick Toxic, it's short and catchy. I'm not sure the first one works as well, for me tyranny has a distinctly political overtone.

I'm new to the joys of goodreads. I write a little [it would be alot but work keeps making me go in] and have just set up a amateur writers group in my home-town.
My problem is that the first few weeks have been better then we could have hoped. Now we have over a dozen members all writing in different ways. Does anyone have any ideas for taking a group like this forward in a focused way. Everyone seems eager to learn but we don't really have any teachers.
Thanks for reading.

I'm new to the joys of goodreads. I write a little [it would be alot but work keeps making me go in] and have just set up a amateur writers group in my home-town.
My problem is that the f..."
Maybe you could divide into smaller groups by genre, and critique one another that way. By doing this, you are focusing into areas of interest as well as expertise, so the critique would also be more focused. As a reviewer, I have found that it is much easier to review the genres that I prefer, although I do read almost all genres. I have been thinking about focusing more on a certain genre however, because my blog has taken off as well with almost more requests than I can handle. In some ways, I hate to do it, because I enjoy books from other genres too..so, that is still an issue for me. For you though, I think this would work. If you try it, let me know how it works out for you.

I'm a writer who's recently finished and is polishing an MS for submission to 'traditional' publishers and agents (spreadsheet, first and second rounds selected, etc.). Since I try to be realistic, I've done similar research into self-publishing also.
The question I have is this: My research into traditional and self-publishing has left me uncertain as to whether or not to pursue traditional publication, at least with this first MS. The rationale for serializing the first half of my novel and then self-publishing is fairly strong. And today I read something about new non-compete clauses here that scared the pants off me.
Are they, indeed, as standard as this writer seems to think? Do publishers really walk if you won't sign a non-compete? I've been to law school (I'm a dual-degree student), and am well aware of how tough contract disputes are to resolve, and how much they cost the smaller party. I've read a lot of scary things about traditional publishing, but nothing till now has made me question whether it's worthwhile--only whether it's achievable with my first few books.
Opinions, please, and experiences from writers who've signed publishing contracts recently? I'd really appreciate any information you can offer. Thank you.
Sumi wrote: "Not sure if this is the thread on which to post a contract question; apologies to mods if it isn't.
I'm a writer who's recently finished and is polishing an MS for submission to 'traditional' pub..."
I agree with the author of the piece about not signing a non-complete clause; it is always a good idea to have a lawyer look over a book contract. Smaller press publishers may not be so pushy though, so you may still want to shop around.
I'm a writer who's recently finished and is polishing an MS for submission to 'traditional' pub..."
I agree with the author of the piece about not signing a non-complete clause; it is always a good idea to have a lawyer look over a book contract. Smaller press publishers may not be so pushy though, so you may still want to shop around.

Thank you for responding, A.F. I hadn't thought about differentiating small-press publishers from the bigger ones in this regard; thanks for the heads-up. (And I certainly will have a lawyer look over any contract.) Is it your opinion/knowledge that such clauses have indeed become standard for larger publishing houses, then?
Sumi wrote: "A.F. wrote: "I agree with the author of the piece about not signing a non-complete clause; it is always a good idea to have a lawyer look over a book contract. Smaller press publishers may not be s..."
On that I don't know, though it wouldn't surprise me if it had become standard. The big presses do seem to be getting more aggressive these days towards writers.
On that I don't know, though it wouldn't surprise me if it had become standard. The big presses do seem to be getting more aggressive these days towards writers.
Sumi wrote: "Not sure if this is the thread on which to post a contract question; apologies to mods if it isn't.
I'm a writer who's recently finished and is polishing an MS for submission to 'traditional' pub..."
It didn't occur to me in my original reply, but an excellent place to check out book publishers is Preditors and Editors: http://pred-ed.com/peba.htm
They recommend good ones and flag the less-than reputable.
I'm a writer who's recently finished and is polishing an MS for submission to 'traditional' pub..."
It didn't occur to me in my original reply, but an excellent place to check out book publishers is Preditors and Editors: http://pred-ed.com/peba.htm
They recommend good ones and flag the less-than reputable.


Rose--I thought I just posted a response to your question, but it seems I must have made a mistake. Anyway, I'll try again. I am considering your creature's three "halves." Hmmmm. Is that even possible? LOL! Anyway, how about: Meander? Or Glide (all three of your creatures would). Or, Saurian (a suborder of reptiles including lizards and crocs). So, to bring in the snake part, you could give it two names: Saurian Glide. ?? I'm still thinking. . . .

Karen wrote: "I'll soon be putting out a new edition of my SF novel Twin-Bred, with a cover combining the original art and the design from the sequel. The new paperback design includes space for a few short quot..."
I don't think it's detrimental as long as the quote is presented professionally; many readers rely on book bloggers to find new authors.
I don't think it's detrimental as long as the quote is presented professionally; many readers rely on book bloggers to find new authors.

I think it depends on what you are writing. I've done some work with getting some Japanese-themed stories I had translated, and for short stories, sometimes a person will charge based on word count. BUT, the most important thing is to find a translator who can write well in their native language. I'm not sure if a translator can receive royalties for your work (since they didn't create it) but I know giving credit is definitely something one must do.

Dear Marcus, Dear Angela!
Yes, Translators should be good writers in the languages they translate and their mother tounge - which must not be the same! Giving credit- definitely. If you pay for the translation (which can be up to 3000€ or sometimes mor depending on how long and complicated the work is) then you only have to give credit for the translation - no royalties. If you do not have the money to pay the translation 100% you can make a contract where the translator may get 5% of the surplus from the saled books. Seems complicated - my advice: find some student of translation science and ask whether he/she would do it for free if you give them a litlle more time and big Thank You in the book (Thanks to everyone who...)
If you want a translation to german you may contact me.
Hope it helped.
Have fun.
Books mentioned in this topic
Twin-Bred (other topics)Fantasy Encyclopedia (other topics)
Fabulous Beasts (other topics)
The Writer's Complete Fantasy Reference: An Indispensable Compendium of Myth and Magic (other topics)
I've never done this before, but it does sound interesting. Do you feel like it really helps you to get inside your characters' minds?