The Phantom of the Opera
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She should have chosen the phantom
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Andrea
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Apr 02, 2013 06:39PM

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Now Erik obviously wanted the world for his Angel of Music, and sometimes he was like "Stay away, get away from me-I'm no good for you," his childish side took over and he was begging her to stay.
It's a never ending guessing game! But I do agree with some of the people on here,while Erik talked about how he could create a new life for himself and Christine, where would they have gone? Erik would still most likely be super untrustworthy and sadistic, and Christine, alway second guessing herself as to if she made the right choice. I think maybe in the end, she was afraid. And I have to admit, aside from being TOTALLY taken with the Phantom, I would have been a little freaked.
Oh, not to mention the ridiculous AGE DIFFERENCE BETWEEN THE TWO! That's like dating your grandfather...eww
But still- LONG LIVE PHANTOM!!!

Full of chemestry is a good way to describe their relationship!


No your not, I wanted her to pick the phantom and I know how you feel and mean! :)


But then again, we all learned from frigging Twilight that having a stalker for a boyfriend is TOTALLY OKAY as long as he's sexy and mysterious.


Yes I pity the child of Erik it lived a horrible life but in no way does that give anyone the right deformed or not to murder people, kidnap women and brainwash them. We only like the Phantom because he is the central character but he is a twisted individual, I still love the character regardless but I am happy Christine went with Raoul, remember when she took his mask off and basically went off the wall? Who knows if he'd do that again to her, keep all that in mind and watch/read the book and it seems like a very possessive relationship. Shes scared of him and says so multiple times but then randomly goes on about how she loves him, its brainwashing and pretty wrong on any moral standpoint.


In the movie... yes, he was a messed up killer, but he seemed to care about her a lot more than Raoul did. Should she have chosen him? I have no idea, I don't think we see enough of him to judge. He's an awesome character, but a stable relationship really isn't going to work for him. He'd get bored- imagine what would have happened if he'd never met Christine. He'd never have been happy just living in the Opera House, he needs something to do.
I think mostly it was my dislike of Raoul that made me want her to end up with the Phantom while watching it- he was not at all a good choice for her, and I don't think their marriage would go well at all. Also, he's an idiot- his plan to catch the Phantom is completely ridiculous.
In the end, I think that even the Phantom realizes that a relationship just isn't going to work for him. He loves Christine, but he's able to see that he isn't right for her (especially with the age difference- also, doesn't her father die when she was seven? What about Christine at seven was so attractive that two men fell in love with her? That's a little weird) and let her go.
I want Christine to end up with the Phantom just because I like him as a character and feel sorry for him, but if I think about it more it's really creepy. I do plan to read the book and maybe that will help me with my decision. :)
A few more things:
A few people are using his freaking out about the mask as an example of his mental instability- I don't know about in the book, but in the movie I felt he was justified. He obviously wore the mask for a reason, she could see plenty of his face (I understand that in the book his face was pretty much covered and she would have been far more curious), and he'd been hiding his face from people his whole life. He'd already let her into his hiding place, which was a huge display of love and trust (especially since he lets her leave again, even after she sees his face) and then she suddenly pulls away the only thing that made him feel safe being anywhere near other people. No wonder he gets upset. What's important is that he doesn't actually hurt her and can calm down again.
Did anyone else feel that in the movie his face wasn't nearly disfigured enough? When she first pulls off the mask there's pretty much nothing wrong with it, and even when we get an up-close look, it doesn't look bad enough to make him hide his entire life, especially in an opera house. He could easily have saved his salary, bought a house, and lived an ordinary life with people knowing and understanding about his wish to wear a mask.
Edit: I'm reading the book now, and I can't believe the movie did that. A slightly disfigured (but otherwise rather good looking) guy in a tiny mask does not equal Erik!
Last thing- in the movie, at the end, when his mask is pulled off in front of everyone, he undergoes a complete transformation- his hair changes completely, the disfigured side of his face changes several times, and his voice sounds different for some of his lines. When I first watched it I wasn't even sure it was the same actor, the difference was so great. Does anyone know why that is?
Edit: I'm now halfway through the book (I started it about two hours ago), and while I pity Erik, he really is a lot more insane than the movie version- although he also loves her more (the Phantom in the movie loved her, of course, but somehow we were just sort of told that instead of actually seeing it most of the time). And he does overreact about the mask, although to be fair he does warn her and he hurts himself more than her. I don't like Raoul either... he's too jealous and wimpy. Erik really is in love with her, though, and Christine is pretty mean so far about rejecting him. I'm withholding judgement about the book characters until I finish it.
Edit (again): Just finished the book. That was really sad. Poor Erik.
I don't think Erik was right for her, but neither was Raoul. The movie tries to turn him into a hero, but even they can't make Raoul likable (however many swordfights they put in- seriously, how did they turn Raoul seeing Erik and fainting into an epic duel? Not that that worked too well either... my impression was that the phantom was swirling his cloak to distract from the fact that he was about to drop his sword, while Raoul tripped over everything possible. Not that this matters, as the phantom isn't capable of aiming well enough to hit him, even when he's lying perfectly still. Raoul is of course cut in the spot that might as well be scientifically labeled the part of the arm where heros get cut in epic duels, but that was more of an accident than anything. At one point they manage to get their swords stuck in the same fence. Raoul wins simply by not being quite as terrible at sword-fighting as the phantom is.) Christine needs to just learn to say no.


Eric was amazing! He made her a star! He loved her!
Yes he was a bit insane but life made him act that way!!!
If she had stayed with him from the beginning everything would have been different!
But she chose the rich "beautiful" guy...Yeah...right... -_-
Also I want to believe that the story is true, and I believe it, even though it is said that it's fiction.
It's so brutal, yet romantic, that makes it so amazing... But if it is true...Christine, THANK GOD I was not alive then, because if I was there I would have killed you and your precious Raoul...!!! :P

Eric was amazing! He made her a star! He loved her!
Yes he was a bit insane but life made him act that way!!!
If she had stayed with him from the beginning everyth..."
Keep in mind that Erik followed her around like a stalker and threatened to blow up an entire opera house full of people (with him and her IN IT) if she didn't marry him.
Erik is an awesome fictional character, but if someone "loved" me like that in real life, I would have called the police a LONG time ago.

anyway, fiction or not, this is a great story, don't you agree? :)

A bad childhood doesn't fully excuse evil behavior. There are plenty of people who have had horrible childhoods and lead very rough lives, but they are upright citizens who do good deeds and treat their fellow man with respect and kindness.
But yes, this is definitely a good story! Erik is a villain, but he's also one of the best-written, most complex, and most fascinating literary characters of all time.

And yes, there are these kind of people you mentioned, but there are lots of them in clinics and jails too...
Don't forget the bad side of life...
I just can't see him as a villain but as someone who deserved a better life.

Wow you hit it right on the dot. Erik is evil and killed people but yet we should let him have some sort of love. Nah. I loved that he died.


You can sympathize with the man that was, but its what we do with what we learn from the past that shapes the kind of individual we become. Erik used the fear and hatred that he felt for his whole life and used it as a weapon against innocent people. He's not as nice nor as lovely as people make him out to be, he's a monster.



I used to think the same way, until I grew up and learned about psychologically abusive relationships.
"She was asking to be kidnapped..."
That still gives him no excuse to kidnap her. Just because a woman is wearing super-short shorts doesn't mean she's asking to be raped.
"...do you really think he would do anything to harm her?"
No, he wouldn't have harmed her. He loved her, but he did not love her as a human being. He loved her in the same way that a dragon loves gold, or that a child pageant mom loves her show-child. He fashioned her and groomed her and lived out his dream-life through her, and then when she started to make her own decisions and break free, he locked her away and hoarded her in the dark.
Yes, he loved her, and no, he would not have harmed her, but she would have been MISERABLE. She would have spent the rest of her days in a cage. Doted on, well-cared for, but living in a cage all the same. What kind of life is that for a human being?


Christine she did not exactly choose to stay in the beginning (pre-unmasking of Erik). She just felt that she was in the hands of a (an albeit gentlemanly) madman, and had no chance of escape, so she just accepted her circumstances and tried to make the best of it. I also feel that she was a little bit in denial, and still wanted to believe that Erik really was the Angel of Music.
But I feel that you're missing the point. Erik told Christine in so many ways that if she didn't marry him, he'd kill himself, her, and everybody in the entire opera house via an explosion of gunpowder. Let me repeat that. Kill HIMSELF, kill HER, and ABSOLUTELY EVERYBODY in the opera house if she didn't marry him. And that's not even counting the casualties of passersby on the street getting hit by flying debris.
Does that really sound like good boyfriend material to you?

All he needed was love and someone to show him how beautiful life is and how to live it like a normal person!

All he needed was love and someone to show him h..."
i agree but Claire your missing the point it's not the threat it's what actually ac-cured he told christine to leave because he wanted her to be happy and she left how could she do that she murdered him she destroyed everything that was him and how could she not want to be with him after that selfless act she isn't the naive gullible optimistic girl everyone makes her out to be she's a selfish para-sight she should suck it up and stay with him he deserves at-least that much and i doubt she would have been miserable like before she would have made the best of it and persuade her career!



Abusive relationships are founded on that kind of logic (or rather, lack thereof). "So what if he threatened to kill my friends if I didn't spend more time with him! So what if he threatened to blow up a building if I didn't marry him! It just means that he's angry and lonely and sad and just really really loves me! Really!"


I enjoyed your insight into Raoul's character. A lot of phans seem to miss that.
By the way, which movie were you watching? The Lon Chaney one or the Gerard Butler one?

I've seen both movies. I enjoyed the Lon Chaney one more because it is the one and only film adaptation which is closest to the source material. Gerard Butler is WAY too sexy to make a convincing deformed psychopath.
I'm actually surprised (and pleased) to see you not take Erik's side after watching that particular film. Most people just seem to be so dazzled by Erik's artsy-ness and dashing good looks (in the musical, anyway. Erik in the book is actually REALLY creepily deformed on his whole face, not just a sunburn on half of his face) that they quickly forget how EVIL he is.
And I tried Wuthering Heights, but I sadly just couldn't get into it. I felt like I was reading the Victiorian literary equivalent of a soap opera/reality tv show. I may try it again someday, though.

did you read the book? well if not don't pass judgment! and in the movie the only person he killed was in the carnival and no one can say that was wrong and when you say that they where not in love maybe in the movie it seem's that he means nothing to her and the only one who is in love in the movie is the phantom well i disagree i think they where in love in the movie and the book but more in the book if you have not read the book you know nothing of there complicated relationship so don't judge them till you have read the book!

Did YOU read the book? I think you're forgetting Joseph Buquet, Raoul's brother Philippe, and then the untold number of people he personally assassinated and/or tortured while he was in the service of the sultan. If ya haven't read it, don't pass judgement!


There just aren't enough facedesk gifs on the internet for this kind of foolishness.

Actually I think he would have hurt her eventually. If Christine ever grew a spine and wanted a life beyond Erik, I don't think he would have taken that well. What if she wanted something he didn't? With his penchant for killing people, I could totally see him hurting her.

Oh excellent analysis! I never thought Raoul was all that bad. I certainly don't think the character deserves the kind of vitriolic hatred I've seen. Did anyone read Phantom in Manhattan? God God, Raoul certainly didn't deserve THAT!

As was pointed out before, the Phantom is abusive, manipulative. Regardless of his past, you can't just go around killing people, kidnapping, etc.
And I think that in the end he did find redemption, by letting Christine go. If she would have chosen to stay with him then, it would all, to me, have come across as another act of manipulation. It ended with the beast regaining his humanity, even if it came at the cost of his life.

I agree! To me, the act of letting Christine go meant that there was a chance for Erik to save his own soul. I always thought that after he left the opera house, he probably left Paris and settled somewhere. And eventually found a true love.

After all, he manipulated the entire Opera staff and killed two of them, just so he could get her.

Raoul hadn't seen Christine in years and when he became the Patron of the Opera, he ignored her because she was just a Corus girl. But later when she takes Carlotta's place, he's smitten. He only paid attention to her because she was in the spotlight, AKA worthy of his attention. Raoul was privilaged and most likely looked down on people like Christine growing up.
Now for Erik.
He was there for Christine in her darkest times. When her father died, he gave her hope that someone still cared for her. He taught her how to sing and in the process, fell in love with her over time. Not in three seconds like Raoul, OVER TIME!!!! Like real romance should. I think he truely cared for her and wanted what was best for her. Raoul only saw a pretty face.
Christine made a terrible choice and I think Webber realised that with "love never dies"



the ending was beautiful but you see the phantom of the opera isnt just a book it's more it's like a biagraphy and it's painful to see how it ended also the only thing better bought the movie is the music

Raoul hadn't seen Christine in years and when he became the Patron of the Opera, he ignored her because she was just a Corus girl. But later when she takes Carlotta's place, he's sm..."
of course what you say is true bought Christine and Erik but love never dies was the biggest mistake ever made!
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