The Fountainhead
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Best Character in Fountainhead and why?
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Phillip
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Sep 04, 2013 11:55PM

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Well said! Change is what makes a character

is she not a parasite as said by ayn rand in playboy interview ?

Each one of the characters changed. Howard learnt more about architecture and how to deal with people. His attitude towards dealing with negativity is vastly different in the beginning and the end. To quote Gail from before the final trial-"You are not going to show them pictures again,are you?" Just his behavior at the 2 trials is proof.
Roark let Dominique come back to him because she changed enough to accept the world and its misgivings.
Gail-can't believe I have to explain his change-went from someone who would've pandered to societal expectations to someone who decided to fight the same society,alone if need be.
Steven Mallory went from suicidal to self satisfied.
And Peter Keating, you are right that he was exposed,but he also changed in the sense that he realised the futility of it all.
Catherine/Katie's transformation was the most stark of all,even if it was for the worse.
The only character that did not change, in my opinion, was Ellsworth Toohey.
Comments?

You forgot Guy Francon, who went from being an amoral money grabber to standing by his daughter when it counted (and the father-daughter relationship has grown as well, which actually a rarity for Rand's work).

You forgot Guy Francon, who went from being an amoral money grabber to standing by his daughter when i..."
Thanks Masha! I actually did think of him, but got lost writing the long reply. That interaction between Guy and Dominique is one of the rare tender moments with Dominique in it,beautiful.
And you are right about Roark, but I got the feeling that the younger Roark wouldn't have cared enough to explain his ideals to anyone,much less in such a public trial.

Much as I like Rand's romantic couples, I find t..."
Aryn wrote: "Gail Wynand: He is the only human being in this story of static, cardboard characters. He is the only one who seems capable of learning, changing and discovering things about himself and the world ..."
I do love Roark's equations with all of his male friends, Steve,Mike and Austin. Mike has such little a part in the story, but he is etched so well and echos so much of the book's philosophy an such few words,its amazing.

I would've loved it if someone was to find a back story that Rand had written about Mallory,like where did he come from? Was he ever in love? Why did he become a sculptor?
He is a very interesting character. I love all his interactions with Roark.

It was consistency that was the issue with those parts. I read those parts once, some time back, and almost all the parts that were cutout were in conflict with some of roark's actions that finally made it into the book. There was also a romantic interest of Roark's, who was eliminated entirely, because Rand felt her story line did not have anything substantial to add to the book as a whole.

Her transitions are better fleshed out in Atlas Shrugged, in my opinion. The one that stood out most for me was the Wet Nurse-Tony.

Then how could I know all the tragic decisions they would make before they made them, all the while hoping they wouldn't if they became so different? Age certainly changed their outlooks but not what comprised their underlying characters which were all very shallow.
The ending says it all; an improbable if not an impossible scene. In high heels? Really?

Shanu wrote: "Occamsbeard wrote: "Hoard Roark. I love that he does things for the deontological values of them. Unfortunately in all the Ayn Randian books Her Ideology and narratives are very extreme and very ..."
"Tragic Decisions" is clearly your opinion, not echoed by the author. Howard, Dominique, Steve, Mike, Guy Francon are very happy with the events in the end. Even Peter Keating made his peace with his life. The only "tragedy" was Guy Francon, and the reason clearly was to create a character that was almost Roark, but not.
The book is feels improbable to you because she presents an absolute view. But if you look closely, you will find people fitting each one of those characters in this world. And that is the whole point of the book anyway-to present a world that can be and should be- instead of the one that we live in.
Just out of curiosity, what is your idea if a 'not shallow' character?

I'm not sure if Peter has found peace by the end of the book, but at least he got out from under his mother's thumb and he's painting, which is better than the total fraud that he was at the beginning.


Masha wrote: "Isha- You mean Gail Wynand as a tragic character, correct?
I'm not sure if Peter has found peace by the end of the book, but at least he got out from under his mother's thumb and he's painting, wh..."
Masha wrote: "Isha- You mean Gail Wynand as a tragic character, correct?
I'm not sure if Peter has found peace by the end of the book, but at least he got out from under his mother's thumb and he's painting, wh..."

Ellen wrote: "This may be a dumb question...but aren't all of the main characters actually meant to be a metaphor for segments of society or the embodiment of certain traits rather than an actual individual?"

Yes, I agree with you. Dominique is indeed a powerful character. The love that she has for Roark is mature.

Yes, a struggling actress who lives in Roark's building. She once sneaks into his unlocked room to practice her theatre dialogues. Roark likes her rendition of Joan of Arc and allows her to use his room so long as she doesn't barge into his space. She later falls for him and his ideologies.
Later, she finds movie success, begins to compromise upon her ideology and they drift apart. This whole episode is available in the book 'The early Ayn Rand'

Howard and Dominique are, of course the idealist's ideal dream.
For some reason, I also identified with the nameless cyclist embittered with the world, who stumbles upon Howard's creation , gets inspired and walks away rejuvenated by the mere sight of 'what is possible.'

you mean "the reader", or the "narrator"?

Very few people are born in an era who can bring the revolution, character of Howard Roark is one of them. He will either do great work or not work at all. That's how even Steve Jobs operated and we know how he brought about a revolution.


This exactly how I would sum it up. Thanks saves me time to write
Peter Keating because he reminds me of people I've met in college who has no shred of creativity nor any piece of backbone. Ayn Rand did a job to portraying this character and his repulsive personality. They leech off the backs of others and take credit when they don't deserve it. There is always a Peter Keating in you college classes, study group and office. I grew to hate this character and that's why he is the best.
Vince wrote: "The most interesting character is the reader."
Yeah the reader brings the work to life.
Yeah the reader brings the work to life.



Yes, I believe the Vesta Dunning excerpt is in the book: The Early Ayn Rand.
Vesta was a young actress who was not classically beautiful but was very talented. She was supposed Roarks first love interest before Dominique but AR felt didn't quite fit in the book.
If you like the character Vesta Dunning I would also suggest Ayn Rand's play called Her Second Career. That is also (definitely) in The Early Ayn Rand.


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