The Fountainhead
discussion
Best Character in Fountainhead and why?
message 51:
by
Janki
(new)
-
rated it 5 stars
May 10, 2012 10:39AM

reply
|
flag

Well, "best" is a relative term. It could mean the one you admire most, the one that's most memorable, most unusual, best developed, or the American pollster favorite "the one with whom you want to share a bottle of beer." Roark is the hero to admire, but other characters are actually more complex and lend themselves to more analysis, so some readers may prefer them.

Well, "best" is a relative term. It could mean the one you admire most, the one that's most memorable, most unusual, best developed..."
Yes, all the characters have been given a personality that needs a deep analysis and only few people go deep into it to know what the characters might say. What I meant was when the best of all qualities is found in Roark, how could I prefer another character. If this question is put for Atlas Shrugged, it is a question I'll have to think about. I only wish I find a Roark in flesh and I can be his Dominique....


Above all the author bulldozes so much philosophy to suffocate the reader.


- "the creator"
- the society
- the society "commercial" character(s)
- a guy, who manages some society strings
- the power-guy
- complex personality of the emotional women, who sees the big picture at all times
- we have an A-grader
- some like-minded creators, sharing the hard destiny of the free spirit.
It is the mindset and the connections between all of the above characters that make this book so great.


I like Roark because, he makes me believe to believe in myself and become a hero of your own, no matter what the world thinks of you!!
And I like Waynand because he gives a human touch to the Superhuman-like figure of Roark!! :) He is someone you can see around you or inside you!!
Whereas, Roark is what you idealise!! :) I feel that both are great!! :)

Well, when it comes interesting characters, I love HR, PK and ET. These 3 characters, particularly interest me. I see the combination of these 3 characters in me.
In my opinion, every human being, should have extremes. It is the middle path, one should lead to get a balanced life/choices. I see, PK & HR in extremes, of course with HR, the character is highly interesting. With ET,I feel, he is mostly in the middle, however, utilizing the destructive skills of his own. Too much of cleverness is not recommendable. HR is not clever, but talented. ET is talented, but choses to use his cleverness.
I will read the last 100 pages again and again, till I get tired ;-)


actually u r kinda right. almost all characters of the fountainhead becomes ur favourite at one time or another. its like different aspect of one life only. we all behave diferently under different situatons. n truth is we r like all the characters of this book. when i read this book, it feels like as if am reading myself not a book

very true sameer...we all want to be like roark but hardly any of us have the courage to do so

I didn't see Wynand that way at all. I thought he contrasted Roark in that he gained wealth and illusory power by feeding the sensational appetites of his tabloid readership, whereas Roark stayed true to his values.
Wynand could have been like Roark (and his rise from Hell's Kitchen had great potential) but at the end he came to realize he had sold himself to the lowest denominator. And by the end of the book it haunted him and caused his exit.
Howard Roark never sold out. Indeed that's why he was willing to go do manual labour in a quarry rather than take on lucrative projects that did not support his unique aesthetic.




Much as I like Rand's romantic couples, I find that she truly excelled at male-to-male relationships, making them actually more realistic than male-female. Roark-Wynand and Roark-Keating relationships were both very well done, esp. towards the end of the book.

The name of the electrician- not foreman was Mike Donnigan. His devotion to perfection in his work was remarkable. Of note is the fact that he expected the same devotion from others. I am so glad someone remembered a character besides Roark, Dominique, Wynand, Keating and Toohey. Mike was a glimpse into the idea that Rand does not expect everyone to be a genius, but she does expect people to attempt to achieve perfection. The idea was further expanded of course in the Atlas Shrugged where there were characters from vastly different backgrounds.
Though like most people, Roark is my favorite, there are so many more characters that define the philosophy of the book. Kent Lansing says it best when he defines integrity as-"Integrity is the ability to stand by an idea. It presupposes the ability to think". And another one of my absolute favorites is Steven Mallory. All the interactions between Roark and Mallory are so rich in ideas.

yeah..Roark seems quite out of the world.Rand's apathy towards socialism or communism might have transcended into her characters.But yeah,you could find bits of all these characters within us.I'd say just like communism, Rand's world's surreal.

"Roark is a bizarre blend of Dr Sheldon Cooper (The Big Bang Theory) and a Marvell superhero."





That was the point Miss Rand was trying to make throughout the book,her hero does not change posseses no need to learn and nothing is worthy enough to be discovered by him, he was born with the awareness of his innate perfection and calling, she deified her protagonists at every opportunity, making them into the very frozen Gods she refuses to believe in in the process. Do you rememember the conversation between Steven Mallory and Dominique about how each of us dies a little bit every moment we absorbe change and discard bits and shards of our older selves eventually resulting unawares in a completely different organism, with a starkly different even contrary set of ideals, while Roark is the only true immortal in that he feels absolutely no compulsion to pay heed to the world he has no use of and is frighteningly at ease with himself,content and self-sufficient and assured of his perfection..change is an attribute ascribed to mortals and lesser beings not heroes, a lack of it scares us hence our aversion and at the same time awe of Roark..

One Rand analyst pointed out that The Fountainhead actually does have two transitional characters. Guy Francon transitions from an indifferent merchant of mediocrity to supportive father who discovers importance of ideals (also one of few Rand examples of non-toxic family relationships). Peter's fiancee (Catherine?) transitions from a girl full of life and wonder to a joyless spinster. So Rand actually was capable of writing transitions; she just mostly chose not to.
As to realism (or lack thereof), Rand wrote in the Romantic tradition, where realism takes back seat to ideas and stark contrasts. Not everyone's cup of tea, to be sure, but I believe in judging art on whether it accomplishes what it intends to do, rather than what we want it to be.

Of course plenty of characters change and transition states in her books, but most of them are secondary to the story, the operative word in my previous statement was the "protagonist" does not however change, and we are in fact privy albeit very discreetly and subtly to what went into the making of Roark, I read the book years ago so I can't explicitly sepcify but an instance I remember is the conversation between the Dean and Roark where the latter mentions he had known he wanted to be an architect since he was 10, his reasoning of life has pretty much been shown to be congenital further established by Mallory, Heller and Dominique's ritual effusiveness.
As to her fierce adherance to the Romantic tradition, she is after all a modern philosopher who chooses to propound her philosophy through the story,and that can only be done with an art that deals in "concepts" (Romanticism) rather than "incidents/occurences" (Naturalism). Despite her rationale behind defending Romanticism I think it is logically impossible to write any other way if one is projecting an entire school of philosophy through the story, she is bound to take the liberty of ignoring tawdry reality and besides as time progresses I notice philosophy lends itself lesser and lesser to the details of our temporal existence, to the rather non-philosophical lives of its readers..so any amount of abstraction that restores a bit of profundity or rigour to an otherwise morbidly lazy world is welcome..




That's an interesting way to put it. Would you like to expand? I'd love to hear from someone familiar with the subject which I assume you are in some way?

Why not? I'm just curious (as to why you won't, not necessarily who is your favorite)




all discussions on this book
|
post a new topic