Short Story lovers discussion
Linked Short Story Collections
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As a short story writer, I think it's hard enough to produce a group of stories to make a collection.
The decision to link stories or not is something that every writer has to figure out on her or his own.


Also would recommend _Later, At the Bar_ by Rebecca Barry. A short collection of linked stories about people in a small town in upstate NY who gravitate toward a particular drinking hole.


This past July, I spoke about my book (as yet unpublished) to a church group and a lit professor told me afterward that I had created a short story cycle. I'd been working in an established genre without realizing it. The lit prof also gave me the name of a classic short story cycle: Winesburg, Ohio by Sherwood Anderson.

Also wanted to mention: Sketches from a Hunter's Album: The Complete Edition (perhaps the earliest book in this genre? does anybody know?) I've not read it yet but I've always wanted to. I liked his novel Father's and Sons.





Don't get me wrong - I do love it so when it's done well. Some of my favorites:Our Kind: A Novel in Stories, Ideas of Heaven: A Ring of Stories


As for Russian novels, their writers will use all three names of a single character throughout a book. Dostoyevsky is particularly known for this as he will sometime use the formal name, the nickname or the family name for the character. I would suggest writing down all three names for a character, memorizing them, and then when you encounter any of the names, refer back to your notes. Otherwise, you have my sympathy. As much of a masterpiece as it is, BROTHERS KARAMOZOV was an arduous odyssey of monikers.



I've been reading a lot of linked story collection and have given a talk called "From Winesburg, Ohio to Olive Kitteridge" in which I discuss a lot of examples. It all leads up to my own book, In an Uncharted Country, which isn't as tightly linked as some but follows in that tradition. Here's the video of a talk that I gave at a local college recently:
http://www.youtube.com/watch?v=8JBdlV...



I just re-read Alice Fulton's The Nightingales of Troy and loved it even more this time. This is a beautifully crafted, funny, and moving book. The connectedness of the stories locates it between a novel and a linked collection, but each of the stories is so dazzling as "story" that I guess it belongs firmly on the linked stories shelf. Fulton's sentences are exquisite, and a number of reviewers have attributed her style to the fact that she's a poet. But this isn't a "poet's fiction" -- Fulton really gets plot, character, narrative. As far as I know this is her first fiction. If you have The Best American Short Stories 2009, check out "A Shadow Table," which is from The Nightingales of Troy.


Many believe the self imposed limitation of the form is made up for by the close up view one gets of the main character as he passes through those most wonderful,most terrible years that challenge us all.
Two of the stories were selected as finalists by Glimmer Train. Another was a finalist in the Tom Howard/John Reid International Short Story Contest.
Of course, in Our Time Time has long been read and enjoyed for almost ninety years. Like my tribute to Hemingway, both were first books.



I agree. Although it's been a long time, I have never forgotten the image of the (mules?)floating in the water.I also remember(vaguely) that the "inter-chapter's" were important.
Of course, when I was college age I very much appreciated Hemingway's assurance in "The Three Day Blow" that ,"Friday was a good thing to have in hand." It's not an exact quote, but it was very reassuring to me nonetheless to believe that when one of my own love affairs had come to an end there was still that friday night hope of finding a replacement.
There's really not a poor story in the collection."Indian Camp" introduces Nick to the reality of death although he is still young enough to believe that with his father's arm around him nothing bad can happen. The "End of Something" and "The Three Day Blow" show Nick how even those close to him can cause him great pain. I think the most important jolt to his youthful belief in his own invulnerability comes in the story about the crazed boxer. I think in that one Nick comes to learn that we are at risk even from those who neither know us nor care to. By "Big Two Hearted River," Nick is scarred, but wise enough to realize that while he cannot avoid the swamp-like branch of the river he can postphone it for another day.
My character in Half-Past Nowhere undergoes his own rite of passage, but like all of us discovers the same bitter truth... Our individual life is of no serious concern to Nature. The endless and perhaps ultimately meaningless perpetuation of our species is all that is of even temporary concern.


This week I am leading a panel discussing linked collections at the AWP Conference in Seattle, with Clifford Garstang (who has commented above) as a member. His "novel-in-stories" What the Zhang Boys Know is another must-read, though he's too modest to plug it. I'm not, so I will add that my own Stoning the Devil (Skylight Press, 2012), which was longlisted for the Frank O'Connor Award, is worth taking a glance at too.

Time Enough for Love

Books mentioned in this topic
Time Enough for Love (other topics)The Nightingales of Troy (other topics)
Pharmacognosy (other topics)
Our Kind (other topics)
Ideas of Heaven (other topics)
More...
Have any of you read linked collections that you love? What about ones that fail? For those of you who write short stories, how do you think about this issue when you think about a collection?