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I agree. My point being, it didn't take me long to spot the things that turned me off.
I know people will read Mr. Shufeldt's book and be completely enraptured, and I know I can't get over certain bad writing habits that others couldn't care less about. (I care about the craft of constructing good prose, if I can say that without sounding like a pompous twit. Others don't even notice. Fair enough.)
To reinforce my original point, I can usually spot a poor craftsman within a few pages and nothing from that point forward will redeem the story. For me.

This. Yes, it is possible for a STORY to improve (I’m not a zealot about an explosive beginning), but if the prose is deficient, it’s unlikely to improve, and it demonstrates a lack of care that deserves to be called out.
My own barometer would not usually lead to 1-2 star reviews for bad stories that are well-written, although I recall specifically one that was so dull and NOT funny (it was a “funny” book) that I felt ripped off. (That author, incidentally, is very prolific and sells a TON. I don’t know how or why, but she does.)
Bad prose is bad prose. You know it when you see it, and when I see it on novels with scads of squeeing 5 star reviews, it irks me.
Tidal waves of dreck on KDP turn a LOT of readers away from even considering indie novels - as do the sometimes dramatic responses said authors have to criticism.
Books mentioned in this topic
Rebellion (other topics)Loisaida -- A New York Story (other topics)
The Friends of Eddie Coyle (other topics)
The Friends of Eddie Coyle (other topics)
The Friends of Eddie Coyle (other topics)
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Try Rebellion by Ken Shufeldt. Rebellion. All those were present by page 12.