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The deconstruction of old tropes in science fiction and fantasy books.
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It consists so far of the following books
Oath of Swords (also in a second edition with an introduction and a new story)
The War God's Own
Wind Rider's Oath
War Maid's Choice
The Sword of the South
(The last is set a good many decades after the earlier books, and the original protagonist, and some supporting characters of importance, have substantial but relatively secondary roles.)
Weber explains in the expanded edition of the first volume that he set out to take a new look at overly familiar fantasy cliches, mostly pale imitations of Tolkien (whose influence is the reason they became so widespread, of course).
(view spoiler)
By the way, Weber makes use of a lot of diacritical marks in names, giving a rather Tolkienian impression of philological precision, which Kindle editions completely, and inconsistently, garble.

Creed wrote: "I don't like it when novels portray the human race 100,000 years in the future as not having warp technology. It's annoying. I know that FTP travel is supposed to be physically impossible, but still."
My actual question about Humanity in 100,000 years would be: how will we look like physically? Huminids went from Neanderthals to Homo Sapiens only 40-50,000 years ago. This would be even more pertinent as a question if you take account of what advanced genetic manipulations could do to us.
My actual question about Humanity in 100,000 years would be: how will we look like physically? Huminids went from Neanderthals to Homo Sapiens only 40-50,000 years ago. This would be even more pertinent as a question if you take account of what advanced genetic manipulations could do to us.
I will venture a prediction for the Human race 100,000 years from now: we will be basically physically similar but with longer lives and more resistance to diseases, but may have developped mental powers, like telepathy and telekynesis. Do you know of books with this view?

I have read something like this but the name escapes me at the moment. I'll post the title as soon as I remember the darned thing.

Not set 100,000 years in the future, but Greg Bear's books Darwin's Radio and Darwin's Children are kind of along these lines, exploring the possible next steps in human evolution.
Marrow by Robert Reed is set in the very far future and humans are a little different from now. It's a while since I read it, but I think maybe longer lived due to genetic engineering?

I don't recall if this checks all of your boxes, but the title is Psion by Joan D. Vinge.

Well, these books are about 100 years or so in the future, and the past, but have all of the above requirements:
The Many-Coloured Land is the first book written by Julian May.
The first prequel is Intervention


The City and the Stars comes to my mind. It’s definitely way into the future and humanity is both the same and very different at the same time.

The classic treatment of human evolution into the very distant future is Olaf Stapledon’s “Last and First Men,” which has a short companion volume, “Last Men in London,” in which the ultimate form of humanity ponders the First Men (ourselves). On an even vaster scale is Stapledon’s “Star Maker,” which applies the same approach to other planets, and eventually to entire galaxies.


He did write one story of aliens being discovered by the Empire, which was not included in the book-form canon of the original Foundation hardcovers. It is also remarkable for being written in part in bureaucratic jargon he had to use while working at the Brooklyn Navy Yard in WW II. (Co-workers were Robert Heinlein and L. Sprague de Camp: the latter found a mistake in the jargon.)
For a science-fictional rationale for a human-only galaxy, see his novel The End of Eternity, which was retroactively absorbed into the background of the final Robot/Foundation novels, although you have to look sharp to recognize what he was doing if you don’t know the book firsthand.

I think they/them is a rather recent invention as far as referring to one person. As it could also be used to refer to an Alien, I didn't see it as lessening the "its" to subhuman.

Of course, Foundation or Dune with aliens would be much more interesting. I guess I'm a bit weird, but when I read science fiction with star empires without aliens (good or bad), I feel something like claustrophobia. It's as if the author is trying to close the reader (i. e. me) in a dull and monotonous space.
By the way, I would love to read your book. It sounds interesting!
Ian wrote: "The Foundation series was set in a humans-only galaxy because Asimov was tired of his editor, John W. Campbell, Jr., tampering with stories to make humans superior. "
What was he, an interstellar racist? :)
Wow, humanity has yet to encounter aliens and some genius publisher has already decided that humans would definitely be superior. That's just great.

As for Asimov referring to hermaphrodites as 'it', I just put that down to a certain old-fashionedness of his language. Incidentally, there was a nice young woman in the book called Bliss who adopted a little hermaphrodite and decided to call 'it' a girl because 'its'/her ability to produce offspring in the future seemed female to Bliss.
So Asimov gradually begins to write 'she' about this sweet child. I don't think he hated hermaphrodites or anything. He just lived a very long time ago.

I'm not so sure about people developing telepathy or telekynesis, but people will probably live very long in the future. Life expectancy is already increasing, although in different ways in different countries, and it will certainly increase in the future.

It consists so far of the following books
Oath of Swords (also in a second edition with an introduction and a..."
A while ago, I started this series, but for some reason I only read the first book. I probably should have read the others as well. Thank you!

Sounds good. This is my least favourite trope in fantasy. :)
By the way, I remembered another pretty good book that deconstructed tropes that were already old and tired in the Middle Ages.
It's Barbara Hambly's Dragonsbane. This wonderful book starts with a lady rescuing a knight who was trying to save her from bandits. And then all the old tropes about dragons and noble knights are turned upside down on almost every page.

Books mentioned in this topic
Fate of the Fallen (other topics)Oath of Swords (other topics)
The City and the Stars (other topics)
Intervention (other topics)
The Many-Coloured Land (other topics)
More...
Authors mentioned in this topic
Julian May (other topics)Joan D. Vinge (other topics)
My favourite example of deconstruction is the prophecy story in Memory, Sorrow and Thorn by Tad Williams.
(view spoiler)[ The characters followed a false prophecy throughout the series. They collected magic swords and brought them to the castle at a certain time to destroy the main villain. But as it turned out at the end of the book, the villain himself needed those swords. (view spoiler)[
Another good example of deconstructing old tropes from the days of the chivalric novel is Dragonsbane by Barbara Hambly. Starting with the scene where the lady rescues the knight from bandits, the whole book is one big (and wonderfully written, I might add) deconstruction of old tropes. (hide spoiler)] (hide spoiler)]