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How do you deal with your self-doubt?

All true. Stories with more unlikable characters are generally more interesting, in their own way. I don't go to huge extremes (at least I don't think so) where they slaughter innocent people and laugh about it, or whatever. I like to show them as bad, and then compare them to the real bad guys... and then turn both sides loose on each other.
I have started with all hell breaking loose before, in a story I'm working on. I established the setting, place, and date in a brief paragraph. Then I had a bad guy drop a grenade in a shopper's bag at a hypermarket. Boom. Instant hostage situation with the protagonist and his partner caught in the middle--both cops, up against ten or so thugs. And you're right, I have read that you should have everything established first. I try to think of 'reading rules' as more guidelines than full-on 'author laws you must abide by.'
True, you can't please everyone! Best to find an audience who enjoys that kind of stuff and stick with them. But like all doubts, as you most likely know, the whole 'must please everyone' thing will always creep up every once in a while. But you're right, it ought to be ignored. :)
The ending will always be a challenge for me. Perhaps I should look at it as a punchline, where as soon as everything's over and done with, the character will look at the sky, or walk away, or say one last thing. And then just end it right there. Doesn't even have to be a witty ending, just an ending. I've always had a thing for 'abrupt' endings in movies. Something happens and then suddenly the credits roll.
Good advice on the style. I think instead of trying to change it, I should hone it. Not really alter it, but just make it more fluent and workable.
Thanks a lot! :)
For me, the problem is recognizing when the question, "Oh, what's it about?" is just polite conversation. After a minute or two of expounding on the Anthelion Galaxy and the dwellers therein, I get the "OMG! I'm talking to a lunatic" stare. "I write Science Fiction," is usually a much safer initial response.

If I give some people just a short synopsis they look at me like I'm insane. Two minutes is about tops.
Also I tried to find some of your work on your profile and didn't see any. :(
Alexander wrote: "Stories with more unlikable characters are generally more interesting, in their own way."
But, of course! A character that comes across as perfect is dull to read about. We want to see their flaws. And as writers we want to see them develop. Hard to develop a character that has nothing left to learn or gain.
Alexander wrote: "I try to think of 'reading rules' as more guidelines than full-on 'author laws you must abide by.'"
Same here. Most rules for writing are not set in stone. Yes, your spelling, punctuation and grammar matter. Yes, it is good to have a plot, characters and to keep that plot moving and keep those characters growing and developing. The writing must be interesting enough so you don't lose all your readers by page three.
Literature, like all art forms, must evolve. We cannot keep writing the same stories our great-grandparents read.
A good example is I have heard a number of people complain that too many books today are written in first person, present tense. I don't write that way myself, but I have read some books written that way. It's a little hard to get used to, but it's just part of the evolution of literature. After a few pages I don't think about it anymore and can enjoy a story written that way as much as any other.
Alexander wrote: "But like all doubts, as you most likely know, the whole 'must please everyone' thing will always creep up every once in a while."
It is discouraging when a reviewer says they don't like your work. But, we have to remember we can only do so much. A great deal of disappointment in a story may come from things we can't control, such as reader taste and expectation.
Alexander wrote: "The ending will always be a challenge for me. Perhaps I should look at it as a punchline, where as soon as everything's over and done with, the character will look at the sky, or walk away, or say one last thing. And then just end it right there. Doesn't even have to be a witty ending, just an ending. I've always had a thing for 'abrupt' endings in movies. Something happens and then suddenly the credits roll."
I thought of something that might help. Write the ending of your story the way you want it to end. Don't think about it while you're writing, just do what comes naturally. Then, when you're editing or rewriting you can take a hard look at the ending and chop out anything that is not necessary. Often times good writing is not just putting words in that work, but taking words out that do not.
But, of course! A character that comes across as perfect is dull to read about. We want to see their flaws. And as writers we want to see them develop. Hard to develop a character that has nothing left to learn or gain.
Alexander wrote: "I try to think of 'reading rules' as more guidelines than full-on 'author laws you must abide by.'"
Same here. Most rules for writing are not set in stone. Yes, your spelling, punctuation and grammar matter. Yes, it is good to have a plot, characters and to keep that plot moving and keep those characters growing and developing. The writing must be interesting enough so you don't lose all your readers by page three.
Literature, like all art forms, must evolve. We cannot keep writing the same stories our great-grandparents read.
A good example is I have heard a number of people complain that too many books today are written in first person, present tense. I don't write that way myself, but I have read some books written that way. It's a little hard to get used to, but it's just part of the evolution of literature. After a few pages I don't think about it anymore and can enjoy a story written that way as much as any other.
Alexander wrote: "But like all doubts, as you most likely know, the whole 'must please everyone' thing will always creep up every once in a while."
It is discouraging when a reviewer says they don't like your work. But, we have to remember we can only do so much. A great deal of disappointment in a story may come from things we can't control, such as reader taste and expectation.
Alexander wrote: "The ending will always be a challenge for me. Perhaps I should look at it as a punchline, where as soon as everything's over and done with, the character will look at the sky, or walk away, or say one last thing. And then just end it right there. Doesn't even have to be a witty ending, just an ending. I've always had a thing for 'abrupt' endings in movies. Something happens and then suddenly the credits roll."
I thought of something that might help. Write the ending of your story the way you want it to end. Don't think about it while you're writing, just do what comes naturally. Then, when you're editing or rewriting you can take a hard look at the ending and chop out anything that is not necessary. Often times good writing is not just putting words in that work, but taking words out that do not.
Charles wrote: "Charles wrote: "For me, the problem is recognizing when the question, "Oh, what's it about?" is just polite conversation. After a minute or two of expounding on the Anthelion Galaxy and the dweller..."
Thanks for looking Charles, There's nothing on the profile because I will be publishing Dancing With The Dead this year, as soon as I can guarantee the arrival of the sequel, Alvar's Spear will be ready to go within two months of pub date.
Thanks for looking Charles, There's nothing on the profile because I will be publishing Dancing With The Dead this year, as soon as I can guarantee the arrival of the sequel, Alvar's Spear will be ready to go within two months of pub date.

Yeah, I try to keep my plots fast-paced for the most part. My series isn't generally fast-paced but that doesn't stop a lot of stuff from happening in each volume. They're just long volumes. My shorter stuff, of course, gets the job done faster.
People complain too much about how a story is structured. Nowadays, people don't generally have the patience to sit through something like The Godfather and just dismiss it because of its length or 'wordiness.' It's really quite sad. :/
I'm not particularly discouraged by negative criticism so long as it's creative and helpful criticism.
I completed the first draft of my latest novella the other day and I really liked how it ended. It was sudden, but it got the point across like a punchline, and it didn't leave the final action of the character in that scene as ambiguous. So I think, in that regard, I'm improving. :)


People in the book publishing industry are sticking their heads in the sand the same way the newspaper and magazine industry did with the internet, and the same way television is continuing to.
The worst is when doubt just completely stops you from writing for days. I wish I knew how to get rid of that mess.



I hear that Lorena. Like the reviewer that said, "Promising plot but too many updated slang terms for my liking." about Breath of the Titans. I was actually going for that, so I didn't mind that she didn't like it, and was happy that it stood out.


I really like that sentiment. Write because you want to... Otherwise, why do it at all, right? I've always been of the mind that you have to write the stories that you want to read, and I think your point fits well with that. We write the stories we write because we enjoy it, and they are stories we are excited about. If nothing else comes of our writing, at least we've been true to our own self. I'm kinda butchering the whole idea, but I think you get my point.


HI Chris,
I've been reading your comments on how to deal with self-doubt... and I have a little story for you.
I too have moments of self-doubt about my writing, like every writer I'm sure. To calm my fears when I have these moments I think back to an event I went to last August. It was an evening with Veronica Roth and Tahereh Mafi. They were both speaking about their books and how they got started. There was one thing Veronica Roth said at that event that will stick with me forever. In speaking about her editor, Veronica said her editor told her "Don't be afraid to be bad at something, before you are good."
Write more, read more and share more... It's the only way to get better at being an author.

I like that, makes sense.

How do you deal with all of the doubt?"
Yikes. Well, I just keep on trying to write the best novel I can write. I know my writing style and narrative evolves with each book, so I sometimes hold on to that and reassure myself that this is my best effort at this time in my writing career. Some days, I want to quit; other days, I am energized to push myself further.
Writing is as much who I am as what I do, even if I didn't publish. So, I publish and share my stories with others, remembering that every book has its reader.

Sometimes I get to the point where I can't stand the sight of my book, and can't look at it objectively. When I feel like that, I put it away for a while and do almost anything else instead. When I do return to it, I'm often pleasantly surprised. So much of it can be due to the mood you're in at the time or a bad review; don't let that taint your writing experience.

Whoa, I thought I was the only one who did that! You are right, though. You can't let your mood, or a bad review kill your writing. People really seem to think that an author can't look at their work objectively because they will just think it is the best thing ever, but often it's quite the opposite.

It's up to us to shut the self-doubt down and labor on with what we love to do-write!
So, to all of the writers/authors, I say, "Do what you do best and ignore the self-doubt. And it may be hard to give yourself a swift kick in the *** but do it anyway if the obnoxious neighbor known as self-doubt comes knocking on your door." Let's go writers/authors!


Philip wrote: "If you had no self doubt and believed in yourself and your works all the time, you would not grow."
Agreed. Most everyone with a passion to write has some strengths and something unique. We all have talents. But, none of us is perfect. We all have areas in which we can grow. A nice balance of doubt and confidence is good.
Agreed. Most everyone with a passion to write has some strengths and something unique. We all have talents. But, none of us is perfect. We all have areas in which we can grow. A nice balance of doubt and confidence is good.
Hi! I am new to the group although I have been with GoodReads for about a year now. I truly love reading and writing but I do have that little niggling self-doubt thing going on, unfortunately. Just today I posted a question in another forum about how to handle that and I somehow stumbled across the group here and read through some of the posts. I have won several contests with my short stories and poetry. I joined another group (not through GoodReads) and have received mainly nothing but harsh critiques. I am okay with constructive criticism but some of the things people from this new group have said just seem downright mean! Am I too sensitive to be a writer? How do you harden yourself to harsh comments but still remain flexible and lucid enough to continue your dreams and desires? Any advice is greatly appreciated!
Melissa wrote: "Hi! I am new to the group although I have been with GoodReads for about a year now. I truly love reading and writing but I do have that little niggling self-doubt thing going on, unfortunately. ..."
What you're describing is EXACTLY what we're trying to avoid here, better to lift people up than put them down imho!
What you're describing is EXACTLY what we're trying to avoid here, better to lift people up than put them down imho!
Melissa wrote: "I am okay with constructive criticism but some of the things people from this new group have said just seem downright mean! Am I too sensitive to be a writer? How do you harden yourself to harsh comments but still remain flexible and lucid enough to continue your dreams and desires? Any advice is greatly appreciated!..."
If the advice they're offering is helpful, even though it might hurt your feelings a little, that's part of the business. But if they're mean just for the sake of it, or to show off their cleverness without offering any advice you can use, it's time to leave that group and seek out those who can be helpful.
If the advice they're offering is helpful, even though it might hurt your feelings a little, that's part of the business. But if they're mean just for the sake of it, or to show off their cleverness without offering any advice you can use, it's time to leave that group and seek out those who can be helpful.
Thanks, Riley and Ken! If I am a terrible writer then I would like to know so I can drop the charade of trying to be something that I am not suited for. I like wonderful comments just like everyone else, of course, but I don't want anything sugar-coated either. I guess it's a fine line on how we perceive comments and how thick our skin is, so to speak.

I left a group on goodreads because of one person's terrible attitude.
Charles, Many years ago I self-published a novel (I wish I had done it differently now) but I contacted a lady with the publishing company because of some concerns and she treated me like total crap. It was horrible! I cried for days and days and gave up on writing all together until I came to GoodReads. I still loved to read and was just going to talk about books I have read and whatnot. I joined a group and everyone was so super nice that I started writing again. I am working on a new novel (although I haven't gotten very far) and I think it's much better than my last because of feedback on short stories and poetry. I keep having to tell myself that those negative people out there are just a handful and few and far between ... but it is a blow when you think you are doing well and someone trashes you. It takes me a while to recover, unfortunately!

I agree with you Melissa. When you put your heart and soul into something and someone trashes it, it is like a piece of you slowly dies. I just had to learn that not all writing is for everyone and not everyone will like what you put out. But it does take me a min to get over harshness as well.




I'm not really referring to people that say general things like "Its not really my cup of tea". Moreso I'm referring to the venomous individuals that believe everything must be molded to fit their limited world view, or its garbage. There is only their way, and everything else is wrong.
You have to take things for what they are, and not what you expect them to be.
Like the lady who told me I use to modern of slang in my epic fantasy, but that's exactly what I was going for. So I'm glad she caught it.

Pffft wearing all black and bacon cheeseburgers aren't going anywhere.

I think one of the best ways to deal with self-doubt is to accept the bad criticism as unavoidable, and also accept that you are going to make mistakes and people are going to pick up on them.
It's all part of writing, the same as any other art form.
Mind you, I say that from my high horse but actually when I get bad criticism I walk around my room in a rant, calling the criticiser every name under the sun, then go downstairs and sulk with a cup of tea for an hour or so. That makes me feel better too :)
Lorine, So true! In a way, I feel like each piece of writing - short story, poetry or whatever the case may be is an extension of myself. My thoughts, my feelings, my baby so to speak and when someone just rips it apart it hurts. I do try to take into consideration that not everything is for everybody. I like mysteries but I'm not much into romance. I have read certain things that are very well-written but it's just not my genre or on a subject that really interests me. It doesn't make it any less important to the person who wrote it though. I know I need to develop a thicker skin but it is really rough to do so sometimes!

Putting yourself out there is hard...terrifying...My advice for dealing with self doubt...take a deep breath and dive. Ps. I wrote a blog about this too: https://bkraine.wordpress.com/2015/03...
Great point BK! And you have to trust yourself to tell the difference in where the criticism is coming from. :)

Charles wrote: "Pffft wearing all black and bacon cheeseburgers aren't going anywhere."
In 500 years, cheeseburgers will be our masters.
In 500 years, cheeseburgers will be our masters.

In 500 years, cheeseburgers will be our masters."
Now that's an idea for post apocalyptic satire. Ruled by Cheeseburgers after they gain sentience.
I did end up changing the cheeseburger to a rare delicacy in the text because of it though.
Speaking as an autistic author who woke up about 50 minutes ago with hypoglycaemia severe (I have diabetes, just to add to the fun) enough to necessitate crawling along the floor with very limited sight or sensation of where the goal was, I have this much to say.
There is self-doubt, and there is self-doubt.
If you have the ability to feel no doubt that you can take care of yourself and live weeks, months, even years without any loss of that ability, then all else follows. You can learn to write a masterpiece, learn to travel everywhere by backflipping, whatever the hell you feel ready to devote the time to.
I could wake up tomorrow unable to feed myself. I do not say that in an effort to be competitive. I say it because of the point in the above paragraph. If you have no doubt about your ability to get up tomorrow, walk to your bathroom, and get yourself ready for a new day, then all else from learning a new musical instrument to winning the lottery can follow from there.
People who have spoken to me here might find it enlightening in terms of my choice-making process when I say that for me, the future seems a race between attainment and disaster. To me, that is what self-doubt means. When you are so doubtful that you will win this race that you are willing to risk everything for the sake of a speed boost.
Carry on.
There is self-doubt, and there is self-doubt.
If you have the ability to feel no doubt that you can take care of yourself and live weeks, months, even years without any loss of that ability, then all else follows. You can learn to write a masterpiece, learn to travel everywhere by backflipping, whatever the hell you feel ready to devote the time to.
I could wake up tomorrow unable to feed myself. I do not say that in an effort to be competitive. I say it because of the point in the above paragraph. If you have no doubt about your ability to get up tomorrow, walk to your bathroom, and get yourself ready for a new day, then all else from learning a new musical instrument to winning the lottery can follow from there.
People who have spoken to me here might find it enlightening in terms of my choice-making process when I say that for me, the future seems a race between attainment and disaster. To me, that is what self-doubt means. When you are so doubtful that you will win this race that you are willing to risk everything for the sake of a speed boost.
Carry on.
Even the greatest and best of protagonists should have some flaws. Taking that to some extreme may lose you a reader here and there, but no matter what we do some people will not appreciate our writing. Write what you feel compelled to write. Chances are there's someone out there that will enjoy reading it.
Alexander wrote: "Since I mostly write action stories, I quickly establish the setting and briefly describe who's there before all hell breaks loose."
Have you considered starting with all hell breaking loose and then later give the details? If done right, this can be effective. One of my many stories I'm working on begins with the main character waking up at the bottom of a ravine, bloody, broken and covered with glass. I'm sure someone somewhere told you, or you read it, or you've seen it done in a million books, that you must start by describing a setting and then the characters present. But, this is your story. You set the rules for how it will be written. As long as your mechanics are good, the style and the way you tell the story are completely up to you.
Alexander wrote: "Of course, that'd get old pretty fast, I'm sure, as my sense of humour (dark, crude, and cynical) isn't exactly for everyone."
My sense of humor goes all over the place: puns, word play, black humor, gross humor, absurd humor, satire, parody and so on. It isn't for everyone. But, guess what, Alexander? No writer has ever written anything that pleases everyone. Don't reach for that star or you'll go mad. Write to please you.
Alexander wrote: "I can resolve everything in a story, but actually concluding the whole story with a final line is difficult for me."
I used to struggle with that, but here's one little trick I developed: When the point of the story has been made, the story can end. Don't put the ending too far from the point you're trying to make.
Alexander wrote: "I have problems with both styles..."
Every style can be problematic. Go with the style(s) that are most comfortable for you.