The Mookse and the Gripes discussion
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Booker Prize for Fiction
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2023 Booker Prize speculation
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Yahaira
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Apr 21, 2023 08:36AM

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https://www.goodreads.com/review/show...
I have been holding off for weeks waiting for other views but oddly no one else seems to be reviewing it either here or on NetGalley - although it seems to be gathering new author blurbs every day (Isabel W I see now).
I would be surprised not to see this on the Booker longlist but had a bit of a strong reaction to it myself which I am not sure was what the author intended or not
I suspect I will revisit this book once published and after reading author interviews and definitely if longlisted.

https://www.goodreads.com/review/show...
I will await Paul setting out everything I have missed.

I see you gave up on any hope of anonymity and claimed your twin brother. Paul, where is your review?
I can’t wait to get this novel.

https://www.goodreads.com/review/show...
I will await Paul setting out everything I have missed."
The Orton connection makes this tempting, loved his diaries and find his plays fascinating.

As GY pointed out Myers has stiff competition: Hungry Ghosts, Losing the Plot, Corey Fah…, Victory City, 2 Cormac McCarthy novels, but I still think this has a very good chance. Of course it’s all up to the judges.

The ARC is currently on UK Netgalley but the description didn't appeal to me either."
Might be worth having a second look at Chain-Gang All-Stars as I started it today and am loving it. It *is* violent but not gratuitously so as violence is part of the message. It actually reminds me a bit of They Shoot Horses, Don't They? though more explicitly politicised about race, capitalism, mass entertainment and the prison complex.
Loretta Thurwar and Hamara Stacker are great characters and I'm all in on this book!

It is very US centric though - I really could not see much cross over to UK prisons and I do know quite a few people who have spent a lot of time there in let’s say a range of different functions.

meanwhile:
Booker 2023 judge writes: "I draw a very sharp line between fiction and nonfiction"
https://www.theguardian.com/books/202....

"On the other hand, I understand how deeply people want to connect with Shakespeare the man, with Anne Hathaway, with Judith Shakespeare: they lived, they died, their internal lives went largely unrecorded. And it takes a talented writer to bring that to life. But that’s not the stuff that I do. I don’t write that; but somebody needs to.”
So I think he's supporting fiction's ability to imagine creatively things that historians can't access.

The first chapter is hard for the sheer barbarity, I agree. I admire it and am also caught up in the storytelling.
Yes, it is very US-centric, not just in the capitalist prison complex but also the massive amount of money that is involved in mass entertainment like Superbowl (though, admittedly, I know practically nothing about sport).

It’s doing some clever things though even in the way it inspires feelings (positive and negative) in readers just like the fictional TV show does in the book.

And I like the energy behind the writing and the whole project - it's not 'nice' or bland or grey.

The US used to have the highest incarceration rate in the world, now we’re second to China and there is a direct link between the harsher school discipline for boys of color-suspension and expulsion, and the likelihood of incarceration.
I won’t read this book because knowing this happens it awful enough. I don’t want to go be in that world.


Isn't that bizarre as well? He has some distinction as to what is absolutely true and what is inferred / guessed / supposed / remembered, all of which blur that line. The Guardian to be fair does have a habit of writing interview headlines that aren't always a direct quote so perhaps he didn't say or mean this.




He's completely supportive of readers' desire for a personal, more sentimental engagement with Shakespeare's family and supports other writers' fictional projects such as Hamnet.
Drawing a line between his own academic work and the writing of others seems perfectly fair. He's not setting this as a criteria for the judgement of Booker or other fiction.

I totally identified with what he said about Maggie O'Farrell's work. I haven't read Hamnet because I know I would hate it. I really dislike facty-fictioning and fictive-facting. That does not mean I (or Shapiro) am not on board with writers playing with form and genre. It's just a subgenre that I dislike. Obviously he puts it a bit more nicely than that!


There’s room for both as he clearly stated.
I want to read historical books about Shakespeare and I enjoyed Hamnet, but I knew what I was reading was fiction.

- Old God's Time - Sebastian Barry
- Birnam Wood - Eleanor Catton
- The New Life - Tom Crewe
- Fire Rush - Jacqueline Crooks
- Hungry Ghosts - Kevin Jared Hosein
- Demon Coperhead - Barbara Kingsolver
- Yellowface - R.F. Kuang
- August Blue - Deborah Levy
- In Ascension - Martin MacInnes
- Cursed Bread - Sophie Mackintosh
- Cuddy - Benjamin Myers
- Victory City - Salman Rushdie
- In Memoriam - Alice Winn
What would be some other predictable choices?





I will be disappointed if Derek O and Isabel W are not there.

How does the new Waidner compare to SKG in terms of accessibility and readability for a wider Booker audience?

Totally agree with In Memoriam, Hungry Ghosts and The New Life (my prediction for the win).
Didn't like Birnam Wood and although I liked Yellowface will be really surprised to see it on the longlist.
Chain-gang All Stars? Just started reading this. Feels fresh, relevant and full of vitality.

I’m wondering which books could be on the longlist that won’t have been released by the time of the announcement.
There seem to be a few contenders:
The Fraud, by Zadie Smith
The MANIAC, by Benjamin Labatut
The Vaster Wilds, by Lauren Groff
I’m also curious about whether Paterson Joseph’s Peep Show connection to Robert Webb improves or dampens his chances of snagging a nomination for The Secret Diaries of Charles Ignatious Sancho.

I haven't paid as much attention to anticipated fall releases as I usually do. The three you mentioned should hopefully get in the discussion. I'd be curious if others here with an ear to the ground know of other titles.


I can also see it causing some debate here. 700 plus pages and a book set in India by I think someone who studied there for around 2-3 years more than 50 years ago?


The Covenant of Water is giving Anthony Doerr meets We Measure the Earth With Our Bodies meets...Valli? vibes.
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