The Mookse and the Gripes discussion
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Booker Prize for Fiction
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2023 Booker Prize speculation

Has been on the Goldsmiths listopia for some time - he's an author that appeals in theory but not in practice when I've read his books.


I put Boy Parts aside as the timing wasn't right but it wasn't an ARC and I didn't review it, I hadn't read enough and knew I'd go back to it. But I did read the extract of Penance on NG and wrote a 'review' which Faber liked!

I put Boy Parts aside as the timing wasn't right but it wasn't an ARC and I didn't review it, I hadn't re..."
That's both weird and frustrating.


The comparison to Washington Black is interesting, given that Esi Edugyan is chairing the panel this year.

Another book that's being described as something that would appeal to fans of Edugyan is The East Indian by Brinda Charry. I loved Washington Black and haven't found anything with a similar vibe since then.

Another book that's being described as something that would appeal to fans of Edugyan is The East Indian by Brin..."
Indeed, it has the same vibes as Washington Black especially the first chapters

I thought Washington Black was supposed to be sort of steampunk, but I don’t remember why I thought that.


"I didn't initially set out to write a slave narrative. Several years ago I came across a real-life story about the famous Tichborne case that happened during the Victorian era in England. I started digging into it and found this completely absurd story where Sir Roger Tichborne, a young aristocratic man from a wealthy household, was shipwrecked and missing at sea off the coast of South America. His mother refused to believe he was dead and put notices in newspapers all around the world. A man in Australia claimed to be the missing man and she sends a man named Andrew Bogle, a former slave from a Jamaican plantation and now a member of the Tichborne household, down to Australia to identify him.
"I started thinking about what Andrew's life might have been like, to have been born a slave and raised in such brutality — with a sense of this is your destiny — to be suddenly wrenched out of that life to live in a completely different way and to grapple with a completely different society and set of rules. That's where the interest came from."
Zadie Smith for the longlist?

https://www.theguardian.com/books/202...
Boy Parts sold 60,000 copies - wow.



The author’s next book sounds good - which F+F acquired at the same time as this one.
She’s Always Hungry, a collection of cinematic body horror and speculative fiction. The synopsis explains: "Taking readers from California to Newcastle, from frontier-era America to an unexplored planet in the near future, from a pub down the road to an incel-occupied office IT department, She’s Always Hungry celebrates a darkly comic revelry in everything it is to be human."


I note that Maggie O'Farrell had this to say about the novel in The Guardian: Moore is always a deft, precise writer whose stories bore through to what lies at the core of the human heart, and whose observations acutely pinpoint the world we are living in. Obligatory reading.

Our Hideous Progeny is great fun but it's more Women's Prize than it is Booker material. It's best described as Frankenstein meets The Essex Serpent wrapped up in a lesbian love story.

Isn't it 208. I had thought about reading it since Isabel Waidner recommended it - but that had concerned me.



The Mayr picked up some fans here during the RoC.



Isn't it 208. I had thought about reading it since Isa..."
The US edition clocks in at 193 pages Paul.

Paula wrote: "Loot is eligible for next year, David, the UK edition pub date is January 25, 2024.
I am reading Loot right now, and am finding it quite wonderful. Only halfway through though.

I agree completely. I loved reading it--a real lark!--and funny!--but once finished, I have not thought of it again.

Yes we definitely did, would have made a great short story if the final sections were cut.

Yes that makes all the difference. I really really hope the US editor just deleted the last 15 pages.


I've just started it now. Like you, I'm a fan of her work except for A Gate at the Stairs, so I have high hopes.

Eliza Clark is drawing on the true crime genre particularly the subsection devoted to rather gruesome murders that provoke speculation about society or about place. Some of her influences are more commercial - podcasts etc But also echoes of writers like Capote in In Cold Blood and Gordon Burn who wrote in a variety of genres but was a kind of literary giant when it comes to true crime, his Happy Like Murderers and Somebody's Husband, Somebody's Son were well-received critically but also sensational enough for more commercial audiences. And tbf they are beautifully written, he also wrote fiction that sometimes emulated or at least built on factual material like Alma Cogan, and Born Yesterday, the news as a novel. So Clark's work has an obvious affinity.


I think GY was being slightly flippant. He does that. I think all he meant to convey was that her recent novel is an excellent fit for a prize set up in Burn's memory.


I think GY was being slightly flippant. He does that. I think all he meant..."
I do do that.
But she also explicitly mentions Gordon Burn in the book - the fictional writer of the novel says that Gordon Burn was his inspiration.


You mentioned Let Us Descend on the other thread. I was thinking that might be a Booker possibility too, but it's scheduled for a 3-October release (both in the US and UK).
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Thirlwell was in fact twice Granta nominated which is impressive (and now impossible)