The Mookse and the Gripes discussion
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The Goldsmiths Prize
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2021 Goldsmiths Prize - speculation

https://booksinthemedia.thebookseller...
Based on this Sam Byers has a good chance, Max Porter very little - First Love (we discussed above)

https://www.goodreads.com/list/show/1...

1. One book will surprinsingly miss out - it will then turn out the author once passed within 1 metre of the Goldsmiths University for two minutes and was pinged by the new Trackandtraceineligbleauthors app
2. Gumble's Yard and/or Neil will have read at least one of the books in ARC, but failed to mention it as a contender, largely as it didn't seem that innovative
3. There will be overlap with the Booker list, although not always the obvious book
4. The list will (unfortunately) lack ethnic diversity with more white Irish than BAME authors
5. Several of the authors featured will be past longlistees or past or future judges (hard to verify the last until some time passes but nailed on to happen)
6. We will debate whether one book is truly original when it is clearly in the style of another innovative book, possibly by the same author
7. The winner will likely not be the best book


The Goldsmiths lecture (by Lucy Ellmann) and shortlist announcement event is now open for registration (as an online event). This is the link:
https://twitter.com/GoldsmithsPrize/s...
https://twitter.com/GoldsmithsPrize/s...

Agreed - and as one of the judges seems to like the book (and for example found the links to Corinth) - but that in essence is the issue of the Goldsmith - it really should have different novels and authors every time

"My Study Hates Your Study" - Lucy Ellmann will be talking about the relationship between science and the arts.
I have to say I have not always been that impressed with the author's views on science - it oddly seems to line her up with Trump a little too often.

"Some books I hadn’t and probably would never have heard of (barely reviewed, barely mentioned) that have completely beguiled me and I can’t wait to sing their praises"


Of course Neil per rule 2 had you not mentioned it, it would have been bound to appear, but now you have .....
* as an aside, had an author on Twitter last week excited to see her book on the Women's Prize Listopia. Hope people realise it has no official standing


I saw an interview this weekend with the author where he suggested Monument Maker needed to be re-read a few times to properly appreciate it. It's 912 pages....!

Lose-lose for me. I actually debated with myself whether to post my comment for exactly that reason. But I wanted to highlight the book in support of David's comment.

Needed to submit a proof by 26 March and final copy by 25 June.
For books to be published by 31 October - so proof is needed 7 months before publication potentially.
I'm sure several books miss out every year with prizes that have rules like this.




Albeit I can see in a way a good year would be one where there are no books from the listopia (assuming the books that are picked are worthy ones - one of our worst year's for prediction was the year the judges seemed to reinterpret the prize rules to be more Booker like)

Assembly
Checkout 19
Lean Fall Stand
A Shock
Sterling Karat Gold
The Tomb Guardians
Having said this, I very much hope to be surprised!


That though would be 3 past shortlisted authors which even by Goldsmith-incest standards seem high
And not sure many fit the "Some books I hadn’t and probably would never have heard of (barely reviewed, barely mentioned) that have completely beguiled me and I can’t wait to sing their praises" comments of the chair.

- Claire-Louise Bennett, Checkout 19
- Natasha Brown, Assembly
- Musa Okwonga, In the End, It Was All About Love
- Keith Ridgway, A Shock
- Sam Riviere, Dead Souls
- Isabel Waidner, Sterling Karat Gold
Worth saying again that as Paul points out Natasha Brown may not be eligible
I really hope to see her on some other lists if not

Open Water
Little Scratch
My Phantoms
and (new to me) but suggested by our very own Declan ....
Florilegia by Anabel Dover

A Shock is the one I haven't got to.

..... and a surprise book
by "A Shock"
It was only when I saw John Self also recommend it that I realised

yes and no - its definitely not "my" listopia - I normally manage to sabotage it every year by not even mentioning 1 or even 2 books I have read and reviewed which then make the shortlist.


Sterling Karat Gold (my winner)
Checkout 19
Second Place
Tomb Guardians
Mrs Death Misses Death
Seesaw
Except I have a 2nd list I almost equally like which reads:
Little Scratch
Dead Souls
A Certain Slant of Light
This One Sky Day
Siphonophore
My Phantoms
And a 3rd that reads:
Ezra Slef
Luckenbooth
In The End It Was All About Love
Fox Fires
Diary of a Film
Variations
Any of those 18 would be very worthy shortlistees
That's assuming Assembly is ineligible in which case it must be there and (sorry Isabel) wins

And I just hope Monument Maker doesn't make it - hopefully Xsabeth was entered instead (only one book allowed per author)


ok managed! - there was a zoom link in a previous email

Did you get another email with a Zoom link in it - it seems a bit weird to me, but it's through that rather than eventbrite. (that's how it worked for me, anyway). The email was entited: Tonight's New Statesman / Goldsmiths Prize Lecture - Link to Join
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Variations (other topics)Siphonophore (other topics)
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Caleb Azumah Nelson (other topics)Nell Stevens (other topics)
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Riley writes about ordinary life with a mordant clarity that recalls the writing of Alice Munro and Denis Johnson. The dialogue is superb, yet you are aware of the gap between what is being said and what’s really going on. Like many female writers of her generation, she strains at the idea that women in fiction need to be likeable. Her characters are misfits, hard to place. Most of them are isolated, some are a bit mad. They often do things that make no sense. Yet these struggling individuals feel so agonisingly real you can’t look away.
The other review in the Times - presumably one was the Sunday Times - was a bit more snarky, although positive overall, and rather speaks to the 'is this that original'
Her first five books won breathless praise from critics and were shortlisted for the cleverest prizes. Even their curt, two-word titles are there to remind us that this is a woman who will never write one of those “The Unexpected Summer of Miss Molly Fevertree” type efforts. Riley’s dark little oeuvre ain’t broke, and My Phantoms won’t fix it.