Movies We've Just Watched discussion
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Saving Private Ryan
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by
opǝɹɟ1ɐ
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Sep 27, 2009 09:30PM

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i am a huge fan of saving private ryan, and i think the movie illustrates to the audience of how WW2 really was, and yes too accurate is needed make a great drama, i mean most of the movies other than saving private ryan are accurate but not too accurate, accuracy is the key to a sucessful movie

Gene, why do you think that "accuracy" is so important? Are directors/filmmakers ever smart to use creative license?

My favorite part of the film is the soldiers march from Omaha Beach through the rain, and the raindrops and thunder begin to morph into staccato maching-gun fire and artillery. He shoots close-up (very Malick-esque) on the leaves and puddles as muddy boots stomp nature into oblivion.
I saw this in theatres opening weekend and after the film I was in the bathroom as a group of WWII vets (in full uniform) were washing their hands. I couldn't help but listen to the conversation as they spoke about the realism and lack thereof: one gentleman said that the plumes of smoke from the german 88s were much more black in real life and another said he remebered hiding in a ditch as a Tiger tank rolled by, and the ominous bass really captured the groundshaking and bonerattling rumble of this steel beast.
There are many WWII films I would recommend such as Klimov's COME AND SEE or Wellman's BATTLEGROUND and THE STORY OF GI JOE.


i am just thinking that the more accurate a movie is the better it will be in terms of popularity, people want to experience how the war was really like, its difficult to imagine it in a book, but this movie gives insight on how it was like during that war



;)
i love all of the films he made in russia. i'm not as keen on nostalghia and the sacrifice. but all the other stuff just makes me swoon. tarkovsky is one of those great artists i would have loved to have met. i have a few million questions for him.

Yeah, dig me some Tarkovsky. He was definitely an acquired taste, it took a few films to really get it, but a teacher I respected was a big proponent and it was that lucky period in the 80s where NYC repertory cinemas actually showed Tarkovsky fairly frequently. I felt some glimmers when I finally saw STALKER, that wonderful indoor rainstorm toward the end just knocked me out.
I wish Criterion would do for ANDREI RUBLEV what they did for SOLARIS.

