The Mookse and the Gripes discussion
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Booker Prize for Fiction
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2021 Booker Prize Speculation

Definitely but its got to the stage that I suspect publishers no longer enter Australian books for the Booker/Women's Prize (albeit Living Sea … is a free entry I think as a past winner)

But most of the interesting international options for the Booker prize are eligible for the International version due to this odd feature of most people not speaking English as their first language!

Hope The Great Circle doesn't make it - lots of mentions of the word "epic" in reviews which usually means one thing.... - but would be good ..."
Planning to read both The Living Sea of Waking Dreams (extremely interesting author talk on that at Hay Festival yesterday) and The Yield as soon as I can. Both sound excellent. I wouldn't think Great Circle is Booker-style, despite the great reviews.


Although he is a straight white male so can't possibly win apparently per John Banville and others, and indeed that's why he failed to win in 2014 and the judges awarded the prize to Ali Smith instead despite her novel being much better than his and winning almost everything else.

And Cusk American? Wow I had never thought of it like that - I know she was born in Canada but to British parents, li..."
Trying to include Canada and extending America for all novels stemming from the hemisphere.

Sam as for International options - the 2022 Listopia is here https://www.goodreads.com/list/show/1......"
I did mean the English Booker and used Internatonal instead of Commonwealth to include all non UK novels including US. I think the group has the UK eligible covered pretty well but the rest of the world seems spotty. The American nominees usually have a big publisher hyped book that has mixed reviews, (like The New Wilderness) an older favorite author, (Tyler, Ondaatje) something topical or diverse, (Such a Fun Age) or a book from a recognized great (Overstory, Lincoln in the Bardo). I think Ishiguro fits the older favorite author category this year, so I would not expect an American in that role. Lots to consider for other categories.
BTW, we probably could benefit from a 2022 International Booker eligible list.
The Yield is eligible? It seems 2 years old now. How about The Rain Heron? Is that eligible?
I repeat Whereabouts seemed weak to me. I don't think it rates a nomination. The Anuk Arudpragasam
has different titles depending on where published. It is also known as In Search of the Distance.
Paul I feel your pain on epics.
The Canadians acknowledge Cusk as one of their own was what I meant. So she can get a nomination and it can be considered American

ELLE: You were born in Canada, right?
Rachel Cusk: I was born in Canada, but we left when I was a small baby and moved to L.A. We stayed there until I was eight, then we moved to a village in Suffolk in England. And I went to boarding school, and then I went to university, and that was that.
As much as I'd love to be a Canadian female novelist, that's a token piece of nationality, really.
But when she was Giller Prize listed she discovered she was Canadian after all: https://globalnews.ca/news/2337470/ca...
Perhaps a citizen of nowhere like all the best people

That was the link I posted: https://www.goodreads.com/list/show/1...


That was the link I posted: https://www.goodreads.com/list/show/1..."
Duh! Even when I do read I miss half the words. Thanks Paul.


“Books, and all the arts, naturally and endlessly inspire change because they free up the possibilities between reality and the imagination, and the possibilities for change in us. They never stop doing this. It’s one of the reasons the current powers that be are hellbent on controlling the arts, devaluing them, removing easy access to them and controlling history’s narratives. Last week I read a debut novel called Assembly by Natasha Brown. It’s a quiet, measured call to revolution. It’s about everything that has changed and still needs to change, socially, historically, politically, personally. It’s slim in the hand, but its impact is massive; it strikes me as the kind of book that sits on the faultline between a before and an after. I could use words like elegant and brilliantly judged and literary antecedents such as Katherine Mansfield/Toni Morrison/Claudia Rankine. But it’s simpler than that. I’m full of the hope, on reading it, that this is the kind of book that doesn’t just mark the moment things change, but also makes that change possible.”
I have to say I loved the novella - published this Thursday - also

It is all of those things, and it's on ever summer buzz book list that's come out so far, but I have a hard time imagining it as a Booker book, I must say.

GY, completely agree. I've always thought of her as English (and of her work as quite English in its approach and affect).

“Books, ..."
Two things:
First, I am hearing more and more wonderful things about Assembly, which is only making me more eager to read it.
Second, Stibbe interviewed Lockwood at 10 pm Wales time to close yesterday's Hay Festival sessions. It was a fascinating 30 minutes of discussion and made me even more appreciate of what Lockwood achieved.


I probably won't get to Great Circle till it makes a longlist. I have quite a few books planned already and I'm still catching up 2020, have at least twenty obtained or on hold for 2021, and meanwhile, I'm reading classics and nonfiction. Lol.

On The Other Black Girl I would suggest to read it as soon as possible and as blind as possible - the book will quickly be spoilt by MSM reviews I think.



Once again, stressing the number of good eligible books, I wonder if we will have a sampler of different styles and topics or a potpourri of
different books with shared connections.
I am not sure how the UK is recovering from the pandemic, but I wonder will there be an optimism reflected if things are getting more normalized?

Re optimism well our prime minister is both his fans and detractors would agree a strong optimist (which he has naturally transferred to Covid) - I think people would just disagree on whether to add natural/inspiring or deluded/lying before optimist.
At least if I take Twitter as a guide I would say most of the U.K. literary world is firmly in the pessimistic camp over Covid partly because optimism kind of lines you up with the prime minister.


Agree. It sounds from the descriptions like more of a psychological thriller than anything else.

NYC is too cleaned up now, but we still love it.
Edited to add: I just ordered The Other Black Girl, so I might not orders The Great Mistake. (I’m getting better at not ordering every book as soon I hear of it.)

And of course Ellis Island, but my favorite is the Tenement Museum.
Perhaps sometime in the future if you have a visit of a couple days my friend and I could meet you and tour the museum together. I visit my friend in NJ a couple of times a year and it’s less than an hour by train into the city from NJ.

Wasn’t mentioned in this week’s NY Times article on 15 new books coming in June or this week’s Washington Post “20 Books to Read This Summer” feature. Quite the oversights for the Guardian reviewer’s “likely to be the best American novel of the year”. I read Lee’s previous novel High Dive and was really impressed so even though I live in a rural flyover state I’ll probably pick it up at some point.


I would have loved to live in the city when I was young and had no kids.

Odd review of it today in the Guardian which while generally positive comments “Brown’s beautifully crafted brevity is stylistically potent, but can feel like an excuse for not fleshing out her story.” I think “padded out” is the phrase, not fleshed out and let’s praise an author, particularly a debut author, for deciding 300 pages and multiple additional stories aren’t needed when it’s so much more powerful in 100.


“Within a neat 100 pages, Natasha Brown’s precise, powerful debut novel says more about Britain’s colonial legacy and what it’s like trying to exist within that as a black British woman than most could achieve with three times the space.”
Just then can’t resist deciding perhaps it would have been better “fleshed out”.
Just finished Dead Souls which I liked a lot, almost 5 stars and actually which has a lot to say about privilege in publishing amongst other topics. Perhaps a little too publishing focused though for wide appeal.

It’s evident now, obvious in retrospect as the proof of root-two’s irrationality, that these world superpowers are neither infallible, nor superior. They’re nothing, not without a brutally enforced relativity. An organized, systematic brutality that their soft and sagging children can scarcely stomach – won’t even acknowledge. Yet cling to as truth. There was never any absolute, no decree from God. Just viscous, random chance. And then, compounding.


Oop. Those are not supposed to be sold but good find!


Oop. Those are not supposed to be sold but good find!"
I have a number of ARCs, but I alway buy the book when it is published so I don’t feel like I’m stealing from the author and publisher.


Oop. Those are not supposed to be sold but good find!"
I have a number of..."
Publishers have relatively recently woken up to the idea that librarians should be marketed along with booksellers, and as a result I get a fair number of ARCs, sometimes randomly but mostly simply by asking. I always put them in one of the local little free libraries when I'm done (unless they are signed, which also sometimes happens). My current load includes Cloud Cuckoo Land (the new Anthony Doerr), How to Find Your Way in the Dark (the new Derek Miller) and Once There Were Wolves (the new Charlotte McConaghy). I'd be happy to send any along to anyone who wants.

Oop. Those are not supposed to be sold but good find!"
I h..."
Did you read the new Anthony Doerr?
Generally whenever I request an ARC, I end up buying a couple of books from their website. Considering the cost of postage, I thin it's only fair.
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Sam as for International options - the 2022 Listopia is here https://www.goodreads.com/list/show/1......"
I don't think that is what Sam meant - I assume he meant international options for the 2021 Booker prize (ie non Australian, American, Canadian. British/Irish)