The Mookse and the Gripes discussion
note: This topic has been closed to new comments.
Booker Prize for Fiction
>
2021 Booker Prize Speculation

I didn't (don't think I'd even heard of it before Cusk) and didn't feel that that was a problem in that Second Place was still a 5-star book for me. It's so much in dialogue with Cusk's earlier work and other books that deal with art, gender, time, narrativisation etc. that I didn't feel it as a pressing absence.

- Descriptions of specific paintings
- Raised by indifferent relatives
- Loneliness and poverty in later years
- Died in his 60s, alone, from heart failure
etc
Did Cusk confirm in interviews that "L" was based on Lovis Corinth?

And yes I am not sure I have heard Cusk mention Covinth in interviews so perhaps we called that wrong.
Although there seem Covinth similarities as well - e.g. the night paintings (https://www.fullmoon.info/en/blog/moo...) and having a stroke (https://eclecticlight.co/2017/01/23/c...), or did Hartley also have those?
So feels a bit of a mixture of the two - and adds to the fact that it is likely wrong to think the only thing going on here is a Lorenzo in Taos rewrite

You are supporting my point Paul. One wouldn't understand how Cusk is altering the material of Luhan's memoir, unless one read the memoir. If one is privy to allusive source material whether Lorenzo in Taos or Death in Venice, one is reading potentially a different novel than one who is not. My query was prompted by the name Jeffers, since every time I read Jeffers, I was thinking Robinson Jeffers and it was creating setting chaos with my reading. I read the Luhan to clear the Jeffers image. (Though it happened to be the same) Having now read only a few pages of the Luhan creates a much different idea of the novel. At this level of literature, an artist can expect that her sources will be fathomed and scrutinized, so her thoughts really are irrelevant at this stage.

But this is why it should be on (possibly win) the Booker - it is a very rich novel.


Agree 100%.

And to be clear I do think it's an odd part of the book and an odd comment that she wishes she hadn't mentioned it. I barely got past the first few pages before googling "Dear Jeffers" (and I'd not heard of Robinson Jeffers, so it wasn't recognition, just there was clearly something odd going on).

And to be clear I do think it's an odd part of th..."
Thanks Paul, I do not belong to that group. You'll have to fill us in if we continue the discussion. Also, I haven't quit the debate. I am just saving my arguments for Flanagan if it gets selected.

1.The Living Sea of Waking Dreams
2. No One Is Talking About This
3. This One Sky Day
4.The Yield
5. A Passage North
6. The Other Black Girl
7. The Great Mistake
8. Transcendent Kingdom
9. Klara and the Sun
10.Intimacies

18 Assembly;
17 Klara & The Sun;
14 This One Sky Day;
13 The Yield;
12 Transcendent Kingdom;
11 Bewilderment; Detransition, Baby; Lean, Fall, Stand; Open Water;
10 No One is Talking About This;
8 Harlem Shuffle; The Living Sea of Waking Dreams
7 China Room; Second Place; The Promise;

40 Klara & The Sun
32 Transcendent Kingdom
23 The Yield; The Living Sea of Waking Dreams
19 Second Place
18 Assembly
15 No One is Talking About This;
14 Lean, Fall, Stand; This One Sky Day; Open Water
13 The Committed
12 Unsettled Ground; The Promise
Generally similar lists.
The Committed is the main one getting a lot of Listopia votes but just one vote on the M&G/blogger list. And Bewilderment is doing less well on Listopia.

- Assembly, by Natasha Brown
- Klara and the Sun, by Kazuo Ishiguro
- little scratch, by Rebecca Watson
- Luckenbooth, by Jenni Fagan
- The Magician, by Colm Toibin
- Open Water, by Caleb Azumah Nelson
- Panenka, by Ronan Hession
- The Promise, by Damon Galgut
- Second Place, by Rachel Cusk
- This One Sky Day / Popisho, by Leone Ross
- Transcendent Kingdom, by Yaa Gyasi
- We Are All Birds of Uganda, by Hafsa Zayyan
- The Yield, by Tara June Winch

Then I need to have a Rachel Cusk week. I have yet to read her trilogy.


Among the top 30 results of the listopia, there are only a few books that do not have Canadian or US release dates - these are Panenka, My Phantoms, and We Are All Birds of Uganda. (Whereas Luckenbooth and Fake Accounts have release dates set for early 2022.)
So I suspect we will see at least one of these titles on the list - or perhaps something within even fewer votes (which I think is likely, considering there are often choices that no one saw coming).
-----
Regardless of your feelings about the book, I think Klara and the Sun would be a most surprising omission. Personally, I quite enjoyed it and think it deserves a longlisting - but I would be saddened to see it make the shortlist (or win) because I think there are (at least) 6 better books than it this year (if not 13).
Obviously, Assembly is getting a lot of attention in this group as well. I think its omission would be quite upsetting - although there is the question of length to consider in that I was unable to find the definition of "long form" that the Booker adheres to. (Though if we are comparing to the standards for the International Booker, it certainly qualifies if The War of the Poor qualified.)

I would be delighted to see Lockwood on the list.
Really looking forward to Luckenbooth but can't get my hands on it. I'm reading Palmares right now and really enjoying it - nobody is talking about it, so guessing it won't make the list.
I never made it through Ducks, Newburyport (not because of lack of enjoyment, but because of lack of attention span) ... am listening to it now, the audio is genius. Some books are just made for audio. And though I didn't love Popisho, the author narrated and she was incredible.

What we can’t know at this stage is what kind of a jury we have this year - we have seen all sorts of variants
2017 - basically pick the best known and most widely liked books. If we had a jury like that we would I think see a lot of overlap with the forum/listopia choices. From memory that year it was something like the top 10 were in the listopia top 20. Of course we then had the almost contrary shortlist choice - as if the judges were upset their longlisting was seen as a little “safe” and so picked their only two surprise choices (two not that well liked debut novels) for the shortlist, discarding all the heavy hitters which then won pretty well every other prize.
2018 - completely change the idea of what is perceived as a Booker book : graphic novel, genre fiction etc. Although then with an experimental winner that pretty well no one has read pre Booker
2019 - bias towards heavy hitters - I think with that jury we would definitely see the two Nobel winners not just on the longlist but also the shortlist
2020 - strong emphasis on debut fiction (some not that well known) and on sequels

https://vanderleeuwlezing.nl/sites/de...

https://vanderleeuwlezing.nl/sites/de......"
Although seems Marsden is equally key - the Paris story is, as was pointed out by But_I_Thought_, a rewrite of parts of Transit where Marsden was the painter.

Thanks GY for the Cusk lecture.
It seems most other published books are ignored forgotten once The longlist comes out unless they are a particular member favorite or a candidate for another prize longlist. I am hoping we don't completely forget these books this year.

Sorrow and Bliss
The Great Mistake
Transcendent Kingdom
Assembly
Open Water
Klara and the Sun
Mr Wilder and Me
No One Is Talking About This
Detransition, Baby
The Prophets
Palmares
Fake Accounts
The Yield

Apart from the won't be published bit, I hope there is s..."
I agree with you on this, which is why I am hesitant to make predictions. GY's recent post talked through the likelihood of this judging panel picking "safe" or "predictable" titles for the longlist, and it seems as if we are all assuming that they will do that. I was overall quite let down by last year's longlist (although not by the eventual winner), and I'm hoping the same thing does not happen this year.

The Fortune Men by Nadifa Mohamed
Assembly by Natasha Brown
China Room by Sunjeev Sahota
This One Sky Day by Leone Ross
The Fugitives by Jamal Mahjoub
Matrix by Lauren Groff
The Performance by Claire Thomas
Bewilderment by Richard Powers
The Night Always Comes by Willy Vlautin
Intimacies by Katie Kitamura
Open Water by Caleb Azumah Nelson
Little Scratch by Rebecca Watson
No One Is Talking About This by Patricia Lockwood
Nightbitch by Rachel Yoder
The Lamplighters by Emma Stonex
The Island of Missing Trees by Elif Shafak

Apart from the won't be published b..."
Every few years there's a list which can be considered a 'dud' The Booker always surprises but I think that this year's longlist will not be a repeat - for starters I doubt if there will be skim reading, as what happened last year (Sissay admitted it)

I have added author where they are books that have I think not been already widely predicted and discussed here. The first two of those (and Open Water and Assembly so four of his list) are from the Guardians annual debut authors to watch feature so I am wondering if he has been biased by that listing the winner last year.
Assembly
The Other Black Girl
Klara and The Sun
How Beautiful We Were (his favourite)
First Woman
Open Water
The Island of Missing Trees
Sorrowland
Moth by Melody Rakak
Dead Souls by Sam Rivière
Bestiary by K Ming Chang
Matrix by Lauren Goff
The Thirty Names of Night by Zain Joukhader



* Assembly by Natasha Brown
* Beautiful World, Where Are You by Sally Rooney
* Chronicles from the Land of the Happies People on Earth by Wole Soyinka
* Detransition, Baby by Torrey Peters
* Double Blind by Edward St Aubyn
* Klara and the Sun by Kazuo Ishiguro
* Open Water by Caleb Azumah Nelson
* The High House by Jessie Greengrass
* The Living Sea of Waking Dreams by Richard Flanagan
* The Yield by Tara June Winch
* This One Sky Day by Leone Ross
* Transcendent Kingdom by Yaa Gyasi
* We Are All Birds of Uganda by Hafsa Zayyan
I will be travelling Tue–Wed so I will probably not join the immediate discussion over here.

Dead Souls was one I was thinking of when I mentioned other good books besides prize winners. I have not gotten to it yet.


1. Bewilderment
2. Assembly
3. Cloud Cuckoo Land
4. Klara and the Sun
5. The Book of Form and Emptiness
6. Sterling Karat Gold
7. The Promise
8. Panenka
9. Lean Fall Stand
10. Razorblade Tears
11.This One Sky Day
12. Second Place
13. Moth
And a few extra:
14. Beautiful World, Where Are You
15. The Prophets
16. Sorrowland
17. We Are All Birds of Uganda
18. Sorrow and Bliss
19. Leave the World Behind

So I thought I would try a pre the event link to the judges based I think on books we have largely discussed as having some kind of link.
I know the Chair has written a kind of Conrad biography and is also one about the few brave American colonists who actually stayed loyal to their home country but I could not see a link there to any books so I concentrated for her more on colonial themes. Lean Fall Stand is due to the tragic loss suffered by Natasha McElhone and I picked the only book on acting/theatre I could think of. Lonely Man as Horatia Harrod is rather obsessed with Putin and I also picked her colleague’s book. I think Obiama will focus on Africa. Rowan Williams I went for the book he just blurbed and two others on religion.
My bonus choice is Panenka as a number for f the panel are football fans.
The Lonely Man
The Performance
Chronicles from The Land of the Happiest People on Earth
Lean Fall Stand
How Beautiful We Were
Transcendent Kingdom
Tomb Guardians
Little Scratch
The First Woman
How Beautiful We Were
The Prophets
We Are All Birds of Uganda
A Burning

thanks! (I am in the states)


Also hoping for some unexpected choices. Not long now...

Yes some good picks there and accusations of hindsight countered.
I'm still sure we had a 'oh of course that judge's sister-in-laws next door neighbour has a dog called Burnt Sugar' moment last year, but I may have imagined it!



I'm in the camp that felt it derailed the narrative a bit. I had not read Lorenzo in Taos and have only taken a cursory look at it to date, but Second Place randomly caught me in the middle of reading Lawrence. And I felt I took issue with her depiction of Lawrence (I did not realize it was perhaps a depiction of someone else).
Also, I adore Cusk and adore Lawrence and have always been under the impression that Cusk adores Lawrence too, so I found myself reading what was happening in conflicting ways, as she certainly doesn't seem overly positive about the L character.
And I found that the more I looked into Dodge Luhan and the other characters who have been transported into Cusk's book, the less I understood. I particularly didn't understand why, of all people, Frieda Lawrence had been cut from the narrative. I'm interested to read Luhan's book though.

I have just finished Razorblade Tears and really liked it. Reminded me of An American Marriage. Explores race, class and homosexuality and societal attitudes. Thought provoking read and well written.


It took me a while to actually like the novel: admittedly I felt irritated for the most part, but ended up loving it by the end. Part of the irritation stemmed from the way Cusk’s writing is so very recognisable: the narrator here talks almost exactly like in the Outline trilogy (just add more exclamation marks), i.e. through a lot of abstract nouns and a lot of “in other words”.
I have just finished Assembly and I guess I’m not quite as excited about it as some people here. It’s definitely Booker worthy and I loved many things in it, but as a whole it appeared to me more as therapeutic autofiction plus social critique in the form of a novella or short story rather than a full-fledged novel. Am I becoming the opposite of Paul in terms of preferred page count? I don’t know, but I thought that We Are All Birds of Uganda touched on many similar issues but in a more developed way. Be as it may, it’s still a very strong read (and a strong four stars).

Actually I have just finished the book that I added to the last place on my wishlist: In The End, It Was All About Love
Couple of interesting things in that book:
Firstly the author is a writer after my own heart. It's another 150 page type book, and he has said "I’m obsessed with saying the most I possibly can in the least possible words." Words every author should heed!
Secondly, I recall on The Prophets we discussed that the author deliberately made little concession to a wider audience - "In my mind, the audience was totally Black and mostly queer and likely in America, if not American themselves"
Okwonga has taken the opposite approach. His narrator is black and bisexual but he writes the book in the 2nd person, and e.g. he only mentions his sexuality until later in the novel:
My idea was to start off with very universal experiences, like arriving in Berlin – anyone can do that, white, straight, whatever – and you’re reading it, you’re into it, so by the time something happens that is not specific to your experience, you’re already emotionally invested. I wanted to put the reader in a place where they would actually walk a mile in my shoes.
I will be very surprised if the list includes more than 4 books that I have read - it could easily be none this year.
This topic has been frozen by the moderator. No new comments can be posted.
Books mentioned in this topic
The First Woman (other topics)The Great Mistake (other topics)
The Island of Missing Trees (other topics)
Savage Tongues (other topics)
Insatiable (other topics)
More...
Authors mentioned in this topic
Frederick Forsyth (other topics)Jordan Tannahill (other topics)
Sarah Hall (other topics)
Katie Kitamura (other topics)
Tara June Winch (other topics)
More...
Apart from the won't be published bit, I hope there is something unexpected on the list - is it just me or are all the predictions looking... um... predictable?