The Mookse and the Gripes discussion
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Booker Prize for Fiction
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2021 Booker Prize Speculation
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Robert
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Jul 21, 2021 10:47AM

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I read the first half of The Living Sea of Waking Dreams. If it does not develop a major flaw, this is the first book that would disappoint me if it were not listed. The book has that wonderful Zeitgeist element we want and some memorable lines.



Well, I learned a new word today.

..."
Sam I think if you liked the first half you are likely to like the second. It feels like another book that divides opinion (certainly fairly sharply between me and Paul/Neil - the two people I most discuss books with - when we all read an ARC at the same time some months back) - but I do not recall our views changing from one half to the other.
In some ways I think Flanagan was very lucky to get one Booker already so much as I loved this (and think it would be great to discuss alongside Bewilderment in particular as there is so much in common) I would not be too upset if it missed out and we know the Booker has developed an anti-Antipodean bias recently.
Assembly for me is the non-negotiable especially now we know for sure it was submitted. (I guess we can take that for read for Living Sea also given its a free entry)


I think Assembly is a very interesting submission. No question it works as a complete book, despite its length, and it is blisteringly powerful. But I can't imagine it actually winning.

The mix between the realistic and surrealist elements of the book felt disjointed to me. I get the symbolism, but the book felt too real to be surreal and too surreal to be real.
For what it's worth, I was blown away by the ending and I'm glad I stuck with the book.

Haven’t managed to read as much as I would like this year so far (work and other family commitments) but with the Booker season upon us, I’m excited and hope to get through the longlist and hopefully discover some unexpected treasures.
I get what Paul says about the unevenness of Living Sea, I felt that also, but for some reason I didn’t experience it as random or incoherent, more as a tension that perhaps reflects the chaos and difficulty of meaningfully responding to our strange times. For me the past few years have felt like a chaotic mess of realism ( Covid and climate change are very real) and surreal (much of the response to all of this). Might give Living Sea another read if it gets listed to see if my original impression and regard for it still hold up.


Has anyone though had a positive experience of reading it?

I don’t know if it will be long listed, but it was worth the read.

I can't really see how they can longlist that and maintain any credibility. It's not a "lifetime achievement in essays, poetry and plays" prize.


Agreed - I just came across this interview which I really enjoyed and thought was very detailed
https://www.esquire.com/entertainment...


I can I think opine with more confidence on the book's readability - I don't think it is - without a lot of knowledge - at least based on Paul/Neil/Roman Clodia's views and my own experience of the first 15%.

Assembly
Lean Fall Stand
Beautiful World, Where Are You
Bewilderment
Cloud Cuckoo Land
The Wrong End of the Telescope
Matrix
Harlem Shuffle
I have also been reading The Living Sea of Waking Dreams, and while I found it quite impressive I didn't like it as much as The Narrow Road to the Deep North. For me the first half was stronger - although I could see what Flanagan was doing with the symbolic elements, I found the disapperances increasingly distracting. For me the best parts were the most realistic ones, i.e. the experiences of the dying woman.




And Paul what you say is interesting but … they bombed Darwin.

I would be happy to mail you my copy.

Narrow Road is incredibly bleak and depressing, especially all the railroad scenes. I found the book itself quite mediocre, frequently tedious, and strongly believe that Ali Smith should have won that year. As a result, I am apprehensive about reading Living Sea.

..."
Debra, that's marvelous! Thank you! I've really been hankering to read this. I'll contact you via DM.
It is a long time since I read Narrow Road, so I can't be sure I'd feel the same way if I reread it now.

It really bares no resemblance to the Booker winner (my main issue with that was that it felt like reading a script for Tenko and I could not see how it was telling a new story in any way).
Flanagan is nothing if not versatile - for example First Person or Gould’s Book of Fish are both very different from his other books (if not most other books)


There’s just something about Sea of Waking Dreams that struck a chord with me in the midst of 2020. Gould's also a wonderful read. Road to the Deep North, I agree with many of the views here, for me not one of his stronger works, but I still do admire it. Although sounds like Hugh prefers Narrow Road to Sea of Waking Dreams.

You made an interesting observation earlier in the thread about a "tension that perhaps reflects the chaos and difficulty of meaningfully responding to our strange times" -- and point to the world's surreal response to the very real problems of climate change and Covid.
For me, that helps put the disappearances into better perspective. And I don't mean just symbolically, but more in terms of my feelings/reaction to them (this tension, you refer to). The disturbing/jarring/macabre nature of the disappearances made it really hard for me to "enjoy" the book -- but I guess that was the whole point.

Debra that was my impression on a first read. I'm keen to give it another read though as I do from time to time find my reaction to a novel change on revisits. I'm interested in exploring or at least being open to Paul's read on this that it is actually a flawed messy structure. Perhaps it's both :) I did find the disappearances jarring and disruptive, but my interpretation is that this is intentional. But clearly doesn't quite work in that way for many readers.

I may be able to read one or two more before longlist day. They will be Second Place and Maxwell's Demon. I'll add my picks to the eligible list Sunday evening or Monday. I feel quite content with my Pre Booker reading. I don't feel overwhelmed or tired and am ready for the judges picks, whatever they may be. I enjoyed our discussion in preparation. We still have left some books either undiscussed or briefly mentioned.
Ruth Ozecki, Miriam Toews, Willy Vlautin, Nathan Harris (present Oprah pick) are just some of the names. Five days and counting.


The best is yet to come. For me, the ending more than made up for my other reservations about the book.


I love Gould's Book of Fish: A Novel in Twelve Fish. After finishing the book I read about the copy with plates of paintings of fish and ordered that edition too.
I ordered a proof for Assembly on abes so I have to order the published edition when it’s available.

With this latest book and I can sort of get the idea that a book with the attention span of a gnat reflects our social media world post Covid but it feels to me like an excuse for poor writing.
But I agree that he is a versatile and impressive author and look forward to what he does next. Just hope this one doesn’t make the Booker list, particularly given the prize has already picked another week Flanagan.


At the end of the day, they are both quite critical of its effects on society and on their female protagonists. But whereas Oyler's perspective seemed to come from a place of personal, and deep, experience with social media, Flanagan's felt cursory, scolding, and sneery. I question whether he has spent as much time engaging with social media as he has expounding upon it.
I found Fake Accounts clever, nuanced, and hilarious. I'd love to see it make the long list, though it seems like a long shot.

I am not sure I think Oyler’s book quite strong enough to make the longlist - I think she is a better critic than an entirely coherent novelist - but it’s a fascinating book. But given it was missed from the women’s prize longlist - a real shame as her and Lockwood on a shortlist panel would have been brilliant - I would be pleased to see it get recognition.

I think that's about how long it takes him to write the books.

I often confuse Flanagan and Keneally.
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