The Great Gatsby. Students' Book.
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What's so great about The Great Gatsby?
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C.J.
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rated it 5 stars
Feb 28, 2020 09:58AM

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"No. You were there all along... In every idea, in every decision." 😊


Same



well said. even though i also belong to the group of people who did not like the book so much, your explanation makes me think, oh maybe so.

Agreed.
(190 pages, actually, in my Scribner's edition. Either way, it's tightly wound.)

In TGG, Fitzgerald exposed the dark underbelly of a narrow social stratum known by its thin gilded veneer and material trappings. In doing so, he warned us about entrusting our money to Wall Street, but you won't see this portrayed in film, except the HBO version.

My review should help: https://www.goodreads.com/review/show...

It's not so much about character as it is upward economic mobility, the quest for a better life. I don't think social class has much to do with it. Daisy was perfectly happy with Gatsby until she learned he was a criminal.
Here's a pretty good definition of The American Dream per Wikipedia:
The American Dream is a national ethos of the United States, the set of ideals (democracy, rights, liberty, opportunity and equality) in which freedom includes the opportunity for prosperity and success, as well as an upward social mobility for the family and children, achieved through hard work in a society with few barriers.In TGG, Fitzgerald satirizes the American Dream by revealing Gatsby as a man of low character, a cheater, a common criminal. At the moment she learns of this, she rejects him (as should the reader.) All his accomplishments went out the window when the illicit source of his largesse was laid bare by Tom Buchanan, whose wealth was legitimate.

Here are my words: "I don't think social class has muchto do with it. " I did not say "nothing" to do with it.
Yes, Daisy's social class was important to Gatsby, but that's not the main theme, which is the corruption ("foul dust") attached to Gatsby's wealth. Gatsby was involved in a fraudulent bond scheme, and Daisy's social connections were a pipeline for Gatsby to gain access to them to peddle his worthless bonds. Gatsby needed wealthy people to come to his parties so his sales team* could have access to them. Daisy had wealthy friends and family. Hence her social status made her all the more important to him.
Gatsby is posing as a member of the wealthy class not because he wants to be one of them, but because he's involved in a scam to peddle them worthless bonds.
*Nick noticed the sales team (a group of well-dressed Englishmen) the first time he went to one of Gatsby's parties, even mentioning that they might be selling bonds. He devoted a small paragraph to these observations. It is puzzling that so many critics failed to pick up on this.

If Fitzgerald wanted the reader to believe Gatsby truly loved Daisy, he's a good enough writer to make that clear. If he loved her he would tell her he loves her, which he never does. Instead, what we have is a string of dreamy speculations by Nick about how Gatsby supposedly felt. Yes, Gatsby gazed across the bay at her house, but that could as easily be the greed as love. We only have Nick's speculation.
Gatsby declares his love for Daisy only once, in the Plaza Hotel scene, but even then, he doesn't say it directly to her; he says it to Tom, her husband. reducing Daisy to a mere bystander to her own relationship.
Tom wrote: "If Gatsby is just a money obsessed con artist, I clearly did miss the point of the book."
This is a complex, multilayered novel, laced with subtext and symbolism. You have to read it more than once to get it. It has glaring flaws. Upon initial publication it was panned by critics and sold less than 20,000 copies. Twenty years later, the government printed over a hundred thousand copies and gave them out to troops during WWII. Then Fitzgerald died and in '49, Hollywood made a film starring Alan Ladd that made it a love story and ignored half of the book. Wolfsheim isn't even mentioned. Subsequent films also emphasized the love theme. Now everyone who reads it, goes in expecting a love story and finds what they're looking for.
You have to read every blinking word and backtrack multiple times to get it.

A fair assessment of a work of art involves consideration of the mores of its milieu of origin. Hemingway's contribution was to give a great shove of Western literature away from the florid style of the Victorian period. He was influential in the modernist breakaway from traditional ways of writing.
Today, his writing doesn't stand out much because his "minimalist" style has become widely used. He didn't invent it, but he helped promote it. And he was good at self-promotion, with his "he-man" antics and self-destructive habits
Also, society has moved on, so that his anti-semitism, homophobia and blatant sexism are generally offensive, making him a literary artifact, an example of what was wrong with society during his era.

Despite his reputation and my good intentions, I have yet to have the pleasure of a James novel, but will put this on my list. Thanks for the recommendation.



personally i totally loved it, the style and the period its set in, the slow beginning and the story in itself, a truly great book about a great unrequited love and a beautiful, romanticible time period

"This is a valley of ashes—a fantastic farm where ashes grow like wheat . . . where ashes take the forms of houses"
“And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.”
“He smiled understandingly--much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced--or seemed to face--the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.”
“So we beat on, boats against the current, borne back ceaselessly into the past.”
And my favorite of all:
"For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened – then the glow faded, each light deserting her with lingering regret like children leaving a pleasant street at dusk."
I rest my case.




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