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I’ve read five Murakami books so far and this one has been on my list for awhile so I’m glad it won the poll. Wind-Up Bird was my first, and probably my favorite as I had no idea what I was getting into with this author. It was so different and unexpected, but a total delight. The latest one I read was Killing Commendatore and it was excellent as well.
Looking forward to starting 2020 with a Murakami book alongside all my Chunkster reading buddies! :)




Could have got it free from Overdrive, but, hey, $4.99 is practically free, right?



Could have got it free from Overdrive, but, hey, $4.99 is practically free, right?
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It is a sign Christopher!! A New Year’s sign! you were meant to join us 😊

I think I’ll set it up so that it’s a reasonable number of pages per week - I’m shooting for between 60 and 70 which brings us around to the end of April. Welcome!

Suki - wonderful! I bet you will catch so many additional nuances this time around - you’ll have to let us know!

Fantastic Bron! I can definitely relate!

Very happy you are joining Tammy!

Super, welcome Lyndi!

I suspect I will be on a Murakami kick after this - the writing is absolutely beautiful!

Have any of you read any Murakami before? This book is characterized as a dystopian novel - have any of you read other dystopian novels? Have you read this novel before, or started it?
In this novel, the year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.”
The novel was first published in three volumes in Japan in 2009–11. Wiki notes that: Murakami spent four years writing the novel after coming up with the opening sequence and title. The title is a play on the Japanese pronunciation of the year 1984 and a reference to George Orwell's Nineteen Eighty-Four. The letter Q and 九, the Japanese number for 9, (typically romanized as "kyū", but as "kew" on the book's Japanese cover) are homophones, which are often used in Japanese wordplay.
The New York Times has noted that "Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.”