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Michael
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Dec 06, 2018 10:27AM

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Agents are no longer like Maxwell Perkins.
Beware of agents who just HAPPEN to have a reader (editor) standing by, often the husband or wife of the agent.


Finding an agent...do you mean someone who line edits or a copy editor? There is the literary agent who represents the go-between us and the publisher.
It has been difficult to find an editor to read my novels and make corrections, or tell me to make corrections; they do but not enough. It seems that they get bored, or not really the right person to edit my genre.
It would be great for Writers' Digest to have a list of editors who specialize in a particular genre. My experiences have been negative. Not being able to have face-to-face interviews with editors or even telephone conversations that let me ask questions about their achievements. Provide one or two names of books...
I have invested in ProWritingAid and Grammarly to help me edit. I still want to find a qualified person.
My genre is suspense-espionage.
Good luck. Karl Braungart


My next book I plan on looking harder for an editor. Finding the right genre seems crucial or as Karl said, they get bored.

Editor: For self-published authors, the Editorial Freelancers Association is a great resource. I'll type the link here, not sure if Goodreads allows that or not but it says some html is ok: the{dash}efa{dot}org Almost all of the editors list genres on the EFA website (and you can search by genre), and almost all have their own websites so you can check their backgrounds and usually references. If the editor can't explain the difference between line-editing, copyediting, and proofreading, or cite repeat customers, you do run the risk of not getting what you expect -- James, sorry you had the bad experience.
Agent: I was unable to get an agent using the traditional "mail an unsolicited pitch letter" route, but a few rejections were specific enough that I could tell the agents had read at least some of the sample pages. There's a Guide to Literary Agents published each year, listing genres for each agent (or at least each agency), but I've found it necessary to supplement that by going to the current websites for current wish list and submission guidelines. I've had lots of people like my first novel, but I don't have the resume of other writers and I think that hurt my chances with agents. Several writers' associations have conferences that include "pitch sessions" where you basically speed-date with agents for that genre -- always a meaningful cost, but at least you can tell if your plot seems publishable to them and then gauge feedback if they ask for sample pages (or, in some cases, the entire manuscript).

On the topic of agents, there are a few non-book related things that may assist with your search for an agent. Things such as platform and past book sales have a huge impact on whether an agent will take you on as a client. They want to be sure you have the ability to sell books, otherwise, they'll go to the client with an equally as impressive book and the platform to help market it.
As far as editors go, finding a good one is essential, as is being clear on what you're expecting from the editor. If you're looking for reasonable prices with skilled editors, I can guarantee that anyone from Taylor University's Professional Writing major has the abilities. Some of them have even created their own editing company, called Sherpa Editing Services found at sherpaediting(dot)com. (If you're interested, I also freelance, my prices can be found on my website under services, find the link on my page.)
If you're looking for ways to pitch, joining Twitter pitch parties can be useful. In Twitter pitch parties, you tweet your pitch with the proper hashtags and editors and agents scroll through and heart the pitches they want sent to them. Then you send your proposal to the proper editor/agent, and hope for the best.
Writers' conferences are also invaluable but somewhat expensive.
Hope this helps!


After checkin g out a number of editors I found the cost more than I could afford. I then heard about Fiveer.com. After trying a few of their edittors I found what to me is a good editor at very resonable cost. She has now done two of my books and just completed editing my published novel that had previously been edited by someone else. I will for sure be using her again. I suggest to check out Fiver.com for yourself.

I could not afford the cost you paid, so more than pleased with the far less cost of under $200 that I paid to have my novel edited. See above post.

Yes, a good editor is not cheap. However, I've never found one that charged less than $.02/word. If you know of any, please post them.






Or write me with your questions.