Vaginal Fantasy Book Club discussion
Aug 2014: He, She and It
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Discuss He, She, and It
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Katherine
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Aug 08, 2014 09:29AM

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I'll try to stick with it but I think I'm going to lem it.

I have been thinking about this, as well. I always thought androids/cyborgs would need a fluid that would cool circuitry and lubricate. And then they mentioned that Yod eats every few days so he must have a need and a way to break down glucose. And here is an article about MIT scientist making fuel cells that run on the body's glucose:
http://io9.com/5918672/brain-implants...
But why white? Well they would not have to have hemoglobin if the didn't need to carry oxygen. But there is also a blood replacement in medicine that IS white, made from fluorocarbons and it does carry oxygen in case your cyborg had biological bits that needs oxygen ;) http://en.m.wikipedia.org/wiki/Fluosol
Katherine wrote: "Also what is with the milky fluid as blood replacement in cyborgs?"
The purpose of using a different color blood is to graphically demonstrate to the reader the inhuman nature of the entity. This occurs often enough that it can be called a trope (see 2nd last paragraph). Also, since the publication of this book postdates the film Alien by twelve years (1991 vs 1979), it's safe to assume that either the white blood was inspired by the film, even if only indirectly through popular culture, or that it is based on Fluosol, as mentioned by Stephanie in the previous post. In fact, Fluosol was in use at the time the movie was being made, and it may have been the original inspiration for the white color.
The purpose of using a different color blood is to graphically demonstrate to the reader the inhuman nature of the entity. This occurs often enough that it can be called a trope (see 2nd last paragraph). Also, since the publication of this book postdates the film Alien by twelve years (1991 vs 1979), it's safe to assume that either the white blood was inspired by the film, even if only indirectly through popular culture, or that it is based on Fluosol, as mentioned by Stephanie in the previous post. In fact, Fluosol was in use at the time the movie was being made, and it may have been the original inspiration for the white color.


The Prague bits do pick up as well. When the story of the golem starts relating more to the story of Yod, it makes a bit more sense. The early Prague chapters are beyond tedious, though.


Brittany wrote: "For those of you having a hard time getting into the book at the beginning, I suggest starting at Chapter 5. You miss some world building and the bits where her husband gets custody of her son, but..."
I think the general consensus is that the first few chapters need some editing. If you are going to quit, I would suggest that you start at Chapter 5 as Brittany suggests. These aren't really spoilers for chapters 1-4, so I'm not going to hide them, but if you haven't read them and still want to, you should stop reading this post now.
Global climate change has ravaged the planet. Governments have failed, and the majority of people now live in domed cities run by corporations or in the violent ghettos (Glops) that surround them to escape the heat and UV radiation. After Shira loses a custody battle for her only son, he and his father emigrate to an orbiting satelite out of her reach. Financially strapped from the court case and disillusioned at the corporate lifestyle, she takes a job in her old home town, Tikva, with the father of her childhood love, who is secretly building a cyborg to protect their town. Meanwhile in a story told to the cyborg, Yod, by Shira's grandmother, Malkah, a man receives a vision to construct a golem, a magical man made of clay, to protect the people of the Jewish ghetto in 1600's Prague.
I think the general consensus is that the first few chapters need some editing. If you are going to quit, I would suggest that you start at Chapter 5 as Brittany suggests. These aren't really spoilers for chapters 1-4, so I'm not going to hide them, but if you haven't read them and still want to, you should stop reading this post now.
Global climate change has ravaged the planet. Governments have failed, and the majority of people now live in domed cities run by corporations or in the violent ghettos (Glops) that surround them to escape the heat and UV radiation. After Shira loses a custody battle for her only son, he and his father emigrate to an orbiting satelite out of her reach. Financially strapped from the court case and disillusioned at the corporate lifestyle, she takes a job in her old home town, Tikva, with the father of her childhood love, who is secretly building a cyborg to protect their town. Meanwhile in a story told to the cyborg, Yod, by Shira's grandmother, Malkah, a man receives a vision to construct a golem, a magical man made of clay, to protect the people of the Jewish ghetto in 1600's Prague.

I have the same "problem" here, Sara. I actually finished it a week ago, and I still am not entirely sure what to think about it. I didn't really "hate" it, though all the Joseph passages were really hard for me to get through (and I admit that finally I skipped or fast-read a lot). But I didn't really enjoy it either.
I like it too, when books make you think about stuff. But I don't like it, when you get the feeling of finger pointing about some morality issues in combination with explanations why you should act this or that way. I want to make up my own mind about why some actions are good or not. To me it is a bit like explaining a joke: you'd rather want to get it on your own.
I also felt a lot of redundancy about the whole cyborg morality matter and other stuff. Not that I don't like these topics, but she could have tried to avoid repeating herself. Maybe she was juggling a bit too much with all her ideas. I mean, there is really a lot of (really interesting but maybe too many) things going on: religion, future, feminism, family matters, pressure, history, myth, realtionships, how your past influeces you in every possible way,… all the way up to cyborgs.
What I really liked though was the way she described the relations between the characters. Some things she totally left unsaid, but you could feel them anyway. I also was fascinated by the fact that this book has really little dialogue and gets along with that really well. I usually like a lot of dialogue but here it was nice to go without it and to get the story on a more mental level.

Plus the sexual relationship betweeen Malkah and Yod, then Shira and Yod made me feel a bit uggh. Grandma's sloppy seconds.



I was stuck on the first two and a half chapters for a week, but it is starting to find its pacing. Also, Shira's grandmother is AMAZING. She starts talking about her sexual history I nearly fell over laughing.

Yes, I liked this comparison as well. Another thing I thought of while considering this comparison is that in the bible, god creates Adam out of dust/clay (and the breath of life) which is also how Golems are made.
If we are descended from Adam (and Eve), doesn't that make us Golems as well? And what does that mean for the issues of morality in creating sentient beings but keeping them enslaved via programming?

Here are some more translations:
Rebitzin - Rabbi's wife
zoftik - overweight and/or round figure (but meant as description, not a put down)
Rosh HaShanah - literally "head of the the year" - Jewish New Year celebration that usually occurs in Sept.
Rosh Chodesh - start of a new month (Jewish months follow a lunar calendar)
Aramaic - everyday language used in biblical times in the mideast. The Talmud is written in Aramaic and so are ketubahs (Jewish wedding contracts).
bat - Hebrew for "daughter"
Yiddish - mostly German written with Hebrew letters, used by Orthodox Jews who only use Hebrew for prayer. (Since my dad knew Yiddish he was able to act as a translator when he was stationed in Europe in WWII).
alef, bet, gimel, dalet, hey, vav, zayin, chet, tet, yud - first 10 letters of the Hebrew alphabet. The author uses "Yod" instead of "yud" for the number ten.
wig - orthodox Jewish women cover their heads with a wig (or sometimes just a scarf) to show modesty after they have married.
More in my next post :)

menorah - candelabra, 7 branches for a shabbat menorah, 9 for a Hanukkah menorah.
shamash - helper
dybbuk - spirit
davening - praying
Simchat Torah - Jewish holiday to celebrate the Torah. Tradition is to march/dance around the temple and/or community with a Torah 7 times during the celebration.
HaShem - literally "the name" - another name for G-d
traif - nonKosher foods, like pork, bacon, shellfish...
Havdalah - Saturday night, the end of Shabbat. The traditions include lighting a braided candle and smelling spices from a box, in order to not be sad that Shabbat is over.
Cheder - religious school for Jewish boys (Orthodox)
Adar - a Jewish month that is usually during March.
Halakic Law - Jewish law
minyan - 10 or more Jewish adults (or 10 or more Jewish men for Orthodox) needed to perform specific religious ceremonies.

I found it interesting that the Hebrew symbol for Yod appears in the title.
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Spoilers- I wish Shira had spent a little time considering that building a new Yod, even if the specs were the same, would never really bring back Yod. Because he was a person, he could never really be recreated, he would never have the same memories or responses and could never truly be her Yod.



Maybe that was intentional. Shiva didn't lay with Yod because of romantic feelings, but for a biological urge to reclaim herself and sexual power. Nevertheless, it was odd and not really enjoyable.

Maybe that was intentional. Shiva didn't lay with Yod because of rom..."
I felt the same, Shira's internal dialogue seems to come from an analytical/almost clinical observational pov so in those scenes, it didn't feel like a familiar sexy kind of passion (which I agree, may have been the point). I actually thought that Yod and Shira's conversations felt more intimate than the actual sex scenes.
Later in the novel, Shira also reflects on the banter between two other people:
'So often she found that with Yod, when she moved into her usual behaviour with men, she was playing by herself. Whole sets of male-female behaviour did not apply. They would never struggle about clothing, what he found sexy, what she found degrading to wear or not to wear, whether she was too fat or too thin, whether she would wear her her hair one way or another. Small pleasures, small anxieties, sources of friction and seduction, all were equally stripped out of the picture.'
Shira's observation of Malkah arguing with Avram:
'Yet she did not think either of them could be described as annoyed: in fact they were having fun. They fought for the pleasure of it - part ritual, part agon, part fencing match.'
I think Shira has a very measured way of approaching her relationship with Yod as her past experiences are challenged by it.

I have found that Malkah is my favorite character but I didn't enjoy the majority of the chapters where she is telling the story.
This is the first in this genre I've read, so I will probably read a few more in this genre to compare it to. I'll probably go for the alt pick and work out from there.
I found lots of ideas interesting in the book, I enjoyed the snippets that revolved around cultures in other places. I thought Malkah was hilarious and wonderful. In the end I really wished Malkah had been the story because I felt Shira to be a bit washed out.

Anyways, stumbled across some pretty big spoilers -- my own fault -- and I'm really curious about the sex. I could see grandma making herself a bang-bot. (Just read the part where she talks about past lovers and suducing women online.)
Has anyone been in Second Life? When they describe going "into the net" -- something that wasn't public when the book came out -- it reminds me of that. Only you don't have it streaming into you brain. And, you can buy great virtual shoes.


I also pictured their time in the net as a sort of "second life" type experience. It also sort of reminded me of astral projection. I remember reading something about it years ago and how one who projects can undergo attacks which reminded me of what happened to Malkah. Pretty weird but that's what it reminded me of.
I was saddened by the events leading up to the end but I also feel like the ending was a bit rushed, did anyone else feel this way?


She was treating him like a sex toy. There wasn't even any sexual build up. I hoping this is just a starting point and the romance/connection builds.
I'm shocked she can still be attracted to first boyfriend. Nothing would kill my attraction to someone more than knowing they screwed a 15 year old.



For me it was the writing style. Everything seems so analyzed and told rather with reason than passion. It gave me a bit of "cold" and "distant" feeling, even though there is a lot of emotional stuff going on between the characters. Maybe that was intended and it is done very well, because you have to read between the lines a lot. But I just don't like that kind of rational storytelling.

They explore this a lot in Star Trek, which I'm currently watching through Voyager now, with both Data and the Doctor. I'm really enjoying how the entire concept is making me think about at what point is a being its own being, and no longer owned.


I agree. Yod is proving to be an interesting character.

Yes, the house is a definite plus in the story.



I've always been a SciFi over fantasy fan. I'm enjoying the mix of futurist world building juxtapose with the 1600s Praha. The re-envisioning of the golum story is great.

I adore the chapters from Malkah's perspective in first person and would absolutely read an entire book about her life. Yod is interesting as well and I enjoy the exchanges between him and Shira. Shira has yet to endear herself to me, but so far, I don't dislike her.

I was thrown when the golem story first started but now I understand the back and forth.
I like that Malkah is telling the story to Yod.


Shira is the most conventional. Nili is the good soldier, accepting her posting overseas. Chava chose to follow her scholarly dreams in place of motherhood. Riva her political goals. Neither are condemned (in the book) for finding alternative homes for their children.
Malkah seems to be a mom of three; riva, Shira and Yod. Ok, not Yod seeing as they had a thing.
Anyways, I like they lack of stereotypes in that area.

Shira is the most conventional. Nili is the good soldier, accepting her posting overseas. Chava chos..."
I have noticed the different mothering styles, and that they have all been treated with acceptance. Good point!

Being Jewish myself (and someone becoming nervous about the revival of antisemitism) I also appreciated it because Jewish people are so rarely a presence in fiction. When the rabbis were asked if Yod could be a Jew and they went off bickering and shouting and hand-waving at each other and the narration said, "She had just made six people very happy," I thought, ahhh, the song of my people! lol
Books mentioned in this topic
Neuromancer (other topics)Oryx and Crake (other topics)
The Golem and the Jinni (other topics)
Neuromancer (other topics)