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"Using a big word" made me laugh. I actually had a beta reader make me take out some of my 'big words' because he said no one would know what they mean. Doesn't anybody use context comprehension anymore? (rhetorical...)
Jenna wrote: ""Using a big word" made me laugh. I actually had a beta reader make me take out some of my 'big words' because he said no one would know what they mean."
Those words are keepers. Thing is, when it's suggested I remove a word, there's really no other word to replace it with, such as petrichor.
Those words are keepers. Thing is, when it's suggested I remove a word, there's really no other word to replace it with, such as petrichor.

I write children's books so have to be careful that any 'big' words that are introduced are explained in the context of the story.
e.g. Owl was nocturnal, he worked at night.
If children aren't challenged by a few words here and there then their vocabulary won't grow.
Jan wrote: But you have to beware of too many in case it puts readers off.
Some readers will be put off by "too many big words", yes. Some will be put off by "not enough big words". It's like, well, everything else in writing. Write where you are comfortable. There will be some readers who love it, some who hate it... and most probably won't even care.
Some readers will be put off by "too many big words", yes. Some will be put off by "not enough big words". It's like, well, everything else in writing. Write where you are comfortable. There will be some readers who love it, some who hate it... and most probably won't even care.


Takes on new meaning if you write erotica lol

Jan - I think we live in a society where we get instant knowledge/gratification so quickly that no one knows how to pick up an actual dictionary (not google) and thumb through looking for a word. It's even harder when you hear it and don't know how to spell it, so you're trying all sorts of combinations and reminding yourself that t comes after s and....good times.

Number 20 is just snarky, unnecessary, and reinforces my belief that indie is the better option.

So all that writing, editing and publishing is devoured in an hour... comments?

I was anti-ebook for a long time, then I got one. One of my favorite benefits is the ability to get definitions right on the page.
Anna Faversham wrote: "So all that writing, editing and publishing is devoured in an hour... comments?"
To each his own, I guess. I would think you'd miss an awful lot by rushing through the book. I prefer to take it slow and savor the book, paying attention to how the author constructs sentences, brings in new characters, etc.
To each his own, I guess. I would think you'd miss an awful lot by rushing through the book. I prefer to take it slow and savor the book, paying attention to how the author constructs sentences, brings in new characters, etc.

So all that writing, editing and publishing is devoured in an hour... comments?"
This reminds me of Christmas day - all that planning, preparation and cooking and it's devoured in an hour (and you still have to clean up afterwards!)

Me too. The flow, the layered meanings, the alliteration, the... oh the joy when one finds a well written book!
I'm refraining from commenting on people who say they can read a book in an hour. Superhuman? Oh blast! I commented!
Jan - yeah. When I used to host the family Christmas (17 years in a row) I felt exhausted. I had a hissy fit (privately!) one year and refused (we'd moved house mid December) and my mother-in-law wanted to know the reason why. After that, I resumed the task. No help in the kitchen except my father-in-law would wash up - bless him. My father, seeing the mammoth task, bought me a dishwasher - I've been blessing him almost every day. Now I'm spoilt; my husband took to watching Nigella Lawson (all of her) and enjoys cooking Sunday lunches and more! And we go to my son's for Christmas.
For Americans - Nigella Lawson is a TV chef who enjoys smacking her lips as she tastes things and...

I always thought Erotica was a girl's name?

I loved the 20 rules, but i don't miss my typewriter. As to using big words, I don't do it to show off but use words i'm comfortable with and mean what i want to say. It becomes a problem when peopke beleive you should be writing on a sixth grade level. My thought is to tell them they graduated high school so use at least a 12th grade vocabukary.
As to typos, minor issues are expected but whe you are finding issues on each page, my guess is the writer didn't care enough about their writing to do more than a second draft before publishing. If you take the time to read your manuscript aloud, you will discover most of the mistakes prior to publishing.
Mostbofmthose twenty rules still apply to writing today and there were a couple of gems which hit home for me....such as deleting words and sentences....lol


Actually, I did just acquire a typewriter, a 1960's Olympia. A friend was using it to hold down a tarp on his patio. I replaced it with a large brick and brought it home. I haven't really used it, yet, except as a prop for a play I acted in earlier this year. I bought new ribbons, but suspect the operating cost is going to be zero.

Even worse? My mother reads the last few pages to see if it's worth reading the book. I'm serious.

So all that writing, editing and publishing is devoured in an hour... co..."
Goo points to bear in mind.
But read a book in an hour? Wow! I was impressed when a reader emailed me that she had read my book in 24 hours. Unfortunately, she tried to post a review, but failed, she said. She emailed me the review instead.
BTW, I still have a portable typewriter somewhere. Why I keep it, no one knows including me.
1. PROOFREADING – if you find one error while proofreading, there are likely to be several more in the same or contiguous paragraphs. Cheryl Russell, demographer.
2. WRITING A MAGAZINE ARTICLE – when writing a magazine article, begin with a snappy lead sentence, then write the piece to match the tone of the lead. Before submitting the article, delete the lead sentence. Gordon Hard, assistant editor, Consumer Reports.
3. USING A BIG WORD – if you’re writing something and you have to look up the definition of a word, you probably shouldn’t use it. Scott Parker
4. GETTING USED TO COMPUTING – it will take you about a year to feel comfortable using a home computer if you’ve never used on before. Mark McMullen, accountant.
5. WRITING A POEM – when you’re writing a poem, eliminate nine out of ten adjectives and adverbs in the first draft, and cut everything you’ve heard before. Jennifer Welch, poet and editor.
6. DEALING WITH DOUBT (WRITING) - when in doubt, throw it out, along with gems, and jokes, and brilliant strokes. Robert Lieberman, author.
7. WRITING – limit yourself to one thought per sentence. The sentences will end up being different lengths because some thoughts will be long and some short. The result will be a conversational tone. Albert Joseph, President, International Writing Institute, Inc.
8. WRITING SOMETHING IMPORTANT – if you feel that you need a thesaurus to write something, you are probably trying too hard. John Shed, language instructor.
9. WRITING A BLURB – it takes four times as long to write an effective book jacket blurb that is five words long as it does to write one that is thirty words long. But the shorter copy is seven times better. Walter Pitkin, literary agent.
10. FREELANCING RULE OF TWO – if you want a merely adequate return on a freelance project like writing an article or speech, figure out what you think you can get away with charging, and then double it. In 90% of the cases you will get what you ask, and in 100% of the cases the final expense and aggravation will exceed your original estimate by a considerable margin. Joel Garreau, author.
11. PUBLISHING A BOOK – you can hype a book by a famous author to 250,000 copies. After that, success or failure depends on word of mouth. John Gill, publisher
12. BUYING A TYPEWRITER – portable typewriters cost four times more to operate than office models and last only one fourth as long. Scott Parker
13. WRITING A MAGAZINE ARTICLE – after your note are prepared and your outline written, count on one hour of writing time for every double-spaced typewritten page. Brad Edmondson, writer.
14. WRITING SENTENCES – professional writers average about twenty words per sentence. Scott Parker
15. WRITING IN ENGLISH - about half the elements used in writing are chosen by the writer, the rest are required by the structure of the language. Scott Parker.
16. WRITING A FINAL SENTENCE – when writing, if you’re searching for a final sentence, you’ve probably already written it. Cheryl Russell, demographer.
17. USING SEMI COLONS – when in doubt, use the semi-colon; the average reader won’t understand its use and will give you credit for erudition. Denis Smith, school counsellor.
18. LARRY COOPER’S RULE – most semi-colons are unnecessary. If God had wanted us to use them he would have put one next to our large intestines. Larry Cooper, manuscript editor.
19. WRITING A SCREEN PLAY – one page of an average screenplay equals about one minute of screen time. Therefore the script for a typical film should be about a hundred pages long. In fact, many studios and producers won’t look at screenplays much longer than a hundred pages. John Griesemere, writer and actor.
20. BOOK PUBLISHING – if you ask a publisher if a new book is selling well and she replies, “It’s too soon to tell” – it isn’t – and it isn’t. Walter Pitkin, literary agent.
21. FINDING TYPOGRAPHICAL ERRORS - cheap paperback novels average one typographical error for every ten pages. John Applegate, typo hunter.
22. WRITING A SPORTS BOOK – the sales success of a sports book is inversely proportional to the size of the ball used in the sport. Frank Deford, senior editor.
23. REPRESENTING AN AUTHOR – a prospective client for a literacy agency who begins his letter of application with the words ‘My name is …’ should not be seriously considered. Walter Pitkin, literary agent
24. EDITING A MAGAZINE – you should plan on reading at least two hundred unsolicited manuscripts to find one that is usable. M. Lafavore, editor.
25. EDITING AN ARTICLE - when editing an article you rarely go wrong crossing out the first page and a half. Bryant Robey editor.
26. EDITING A MAGAZINE – three double-spaced typewritten pages of manuscript can be edited into one magazine column without anyone, not even the author, noticing that 20% of the words are gone. John Kelsey, editor.
27. ANNOUNCING THE NEWS - it takes about one minute to read fifteen double-spaced typewritten lines on the air, or about four seconds per line. Charles Osgood, CBS news commentator.
28. TIMING A SCRIPT – it takes 1 ½ to 2 minutes to perform an average page script. A seventy page script is about right for most plays. Kelly Yeaton, teacher and stage manager.
29. NEEDING AN EDITOR - an author’s willingness to allow his prose to be edited is inversely proportional to its need to be edited. Larry Kessenich, editor.
30. WRITING A BOOK – to determine how long it will take to write a book, figure out how long it should take, double it and add six months. Ben Bradlee, executive editor.
31. DEALING WITH DOUBT (EDITING) – when in doubt, cross it out. Bryant Robey, editor.
32. WRITING - the greater the sense of exultation and accomplishment upon completing the first draft of a work of fiction, the greater the need for revision. James McConkey, writer.
33. COMPARING MOVIES TO A BOOK – comparing a movie to a book is easy when one inspired the other. The one created first will be better. Mark Alber.