Around the World in 80 Books discussion
PALESTINE: Baddawi
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As You Read - What do you think about Baddawi?
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Cait
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May 02, 2018 07:02AM

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First thought - I requested that Hennepin County Library buy this and they bought two copies, but then I didn't put it on hold right away and now I'm #4 on the list. I'm glad that non-book club people are also into this book, though!

Basically, this is one family's immigration story. I think it's really important to listen to such stories. At the same time, you see a just particular piece of the larger conflict. The Israel-Palestinian conflict is complicated, and it will take many stories to get a well-rounded view (for example, last year I read a collection of essays by Raja Shehadeh about living in the West Bank during the occupation, which is a very different yet equally important picture compared to being in the Palestinian diaspora).
I look forward to seeing what you guys have to say about it! Not sure how much I'll be able to contribute to the conversation once I'm traveling, but I'll definitely look to follow along. I'll chime in if I can.



I loved this one. I’d echo what y’all had already stated about the impact of the Made in USA designation on the bomb (understated yet so powerful). I was also interested to learn about the Palestinian community in Lebanon - I didn’t know much about that. I’m much more familiar with the situation within Palestine and neighboring Jordan. So I’ll definitely be looking into more of the history now that I’ve gotten a taste from this one story.
One of the main things that stuck out to me so much throughout the whole book is how the specter of war and violence is continually lurking in the background, coloring most other aspects of life. I felt it was a powerful visual representation of what it might be like to live in the midst of war: people live their lives, but the fear and the evidence of violence and terror is also constantly present.
Finally got a chance to sit down and read this one! I also really enjoyed it - I thought it was a really good, approachable starting point to a a complicated (awful) situation. One of the things I really like about this club is that these books generally make me want to read a million more books about the same country, and that was definitely the case with this one.
I enjoyed her style of art, with the side-by-side narratives that for me really showed what Sylvia said, about the specter of war and violence always lurking. A few of the parts that stood out to me were the 'made in the USA' bomb, like you all said, but also the scene where he's out getting groceries, there's a bomb, and he just brushes himself off and brings his groceries back to his mom. That one was just... wow.
Also, similar to Persepolis, I was struck by the (forced) independence of Ahmad. Yes, he had family and friends looking out for him in Baddawi when he was away from his parents, unlike how Satrapi was isolated in Europe, but the story of staying where you could, working where you could (and getting abused by employers, etc.) still echoed some of that isolation, I thought? I don't know, not sure I made sense there!
Like Claire, I also thought about the impact of being stateless. It reminded me of my undocumented friend, who lived in America for almost all of his life, but if he had left the U.S. would not have been allowed in - but what if in addition to that he wouldn't have been allowed back in Mexico either? An impossible situation, and one SO MANY people have to deal with!
I also just really appreciated hearing some of the timelines she included to ground the narrative - I knew only a couple of the 'big' events, but there are 75 years of really big events spread everywhere.
I enjoyed her style of art, with the side-by-side narratives that for me really showed what Sylvia said, about the specter of war and violence always lurking. A few of the parts that stood out to me were the 'made in the USA' bomb, like you all said, but also the scene where he's out getting groceries, there's a bomb, and he just brushes himself off and brings his groceries back to his mom. That one was just... wow.
Also, similar to Persepolis, I was struck by the (forced) independence of Ahmad. Yes, he had family and friends looking out for him in Baddawi when he was away from his parents, unlike how Satrapi was isolated in Europe, but the story of staying where you could, working where you could (and getting abused by employers, etc.) still echoed some of that isolation, I thought? I don't know, not sure I made sense there!
Like Claire, I also thought about the impact of being stateless. It reminded me of my undocumented friend, who lived in America for almost all of his life, but if he had left the U.S. would not have been allowed in - but what if in addition to that he wouldn't have been allowed back in Mexico either? An impossible situation, and one SO MANY people have to deal with!
I also just really appreciated hearing some of the timelines she included to ground the narrative - I knew only a couple of the 'big' events, but there are 75 years of really big events spread everywhere.
Also: I really loved the tatreez patterning used throughout! Nothing like combining my love for needle arts and books <3
