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Ready Player One
Ready Player One
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Corrigan
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Jul 21, 2014 10:16PM

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I am clearly getting smarter the longer I am out of school


I know that feel, bruh. If you can find a benefactor to buy you this one, do it. I've heard nothing but good things. ;)

Grabbing it from the library this afternoon! I totally thought I already bought it, but apparently not. Liking it at 44% is a great sign! Can't wait to start!
On a related note, I considered getting the audiobook of this. Saw it was narrated by Wil Wheaton. I love Wil, but let's be real: Not known for his smooth vocal tones. Listened to the sample... you guys. It's worse than you could ever have imagined. So much worse.

That's depressing.

Oh! Good question! Glad you working stiffs brought that up! 6pm PDT, so errbody can be included. That's 9 EST and maybe some other time for any central/mountain people. Who can keep track. ;)

TOMORROW, Y'ALL! Even if you haven't finished, stop in! I'll be posting a link to where you'll find us sometime during the day. :)
Here's a fun Spotify playlist/Ready Player One soundtrack I found... which also explains my confusion about the Dead Man's Party starting with horns thing. I'm definitely used to the version that does not start this way. (I am probably the only one who had this confusion, I know) http://open.spotify.com/user/ernestcl...
Version of Dead Man's Party in my head https://www.youtube.com/watch?v=iypUp...
Version of Dead Man's Party in my head https://www.youtube.com/watch?v=iypUp...
Alright y'all! Here are the links:
The Google Hangout = https://plus.google.com/events/c9uo07...
Or watch live (and later) on YouTube = http://youtu.be/DgSyiqeqFrY
The Google Hangout = https://plus.google.com/events/c9uo07...
Or watch live (and later) on YouTube = http://youtu.be/DgSyiqeqFrY

Thanks, Gerry! So glad you made it! What a great group of folks, right?
For anyone who wants to experience it again and again, here's the link: http://www.electricfeast.com/fancave-...
For anyone who wants to experience it again and again, here's the link: http://www.electricfeast.com/fancave-...

I was wondering where you ended up, Matthew! Hope you had a good time with the fam.
The exposition was definitely a bit of a buzzkill, but perhaps a necessary evil? We were all at least KINDA there for the era this is hearkening back to. I wonder if the editor/publishing company were like, "Um, yeah, but we'd still like to be able to sell your book 20 years from now" and made him add all that. Hard to say. I'm gonna hafta track him down.
The exposition was definitely a bit of a buzzkill, but perhaps a necessary evil? We were all at least KINDA there for the era this is hearkening back to. I wonder if the editor/publishing company were like, "Um, yeah, but we'd still like to be able to sell your book 20 years from now" and made him add all that. Hard to say. I'm gonna hafta track him down.

Ah! We do have at least one '90s baby in here to back that up! Just imagine kids born in the 2000s trying to read it! A teenager on twitter told me this is his favorite book, and he could not possibly have been born later than 1997 or '98. I feel like some of this stuff would've been gibberish to him.
hahaha. I do what I can to remind you you're ancient, Gerry. But if it makes you feel any better, this kid is the only person I have ever "met" on the planet with the same first name as me, and he's an infant. So everything he says makes me feel 100. Now I know how you must feel all the time. ;)

I...didn't really like it all that much. I found being stuck in Wade's head suffocating. A break from his narration for the exposition digressions would've been a little bit appreciated, but they had the same sort of structured knowledgeable word vomit that even I've found myself doing and try not to now.
Other things just never clicked in for me. Didn't care for Wade as a figure: Oh, good, another white dude saves the Internet with the help of an Asian, a black lesbian, and a girl (why weren't Art3mis or Aech our protags?)
The ideas of OASIS sort of drove me nutty, but it was mainly from a media industries perspective and my overwhelming desire to know how the media products in the world were being licensed and used and how copyright functioned. All that pop culture seems to exist without any apparent corporate ownership, and given how into the history of OASIS Cline was, my brain wanted THAT information and how that worked out.
The ending was pretty 80s, though, in that affirms the power of love ("Change a hawk to a little white dove.") as an alternative to being jacked in and lonely...I just hope Wade and Samantha never break up...
EDIT: On the upside, I have been listening to Rush all day. So some good came out of it.
I caught myself asking some of the same questions about OASIS throughout the book... and then just deciding to go with it. ;)
Just a thought on the protagonist: Book's written by a white dude, right? So in writing the main character, there's obviously the write-what-you-know factor, but then there's also the danger of speaking for a group of which you're not a part. Say he writes as Aech and we're supposed to be inside a black, lesbian character's head as written by a straight, white guy... I feel like that opens up a whole new set of issues,not that they're insurmountable. But there'a part of me that likens it a bit to Jared Leto and Andrew Garfield playing trans and totally pissing off actual trans people. I'm by no means saying people can't write or play anything outside of what they are. That'd be silly. I just think it might have some bearing on why a book that takes place so largely in the protagonist's thought process shouldn't try to take on a marginalized voice. I dunno. What do you think?
Of course, let's be real: I'm also sure there's a lot of wish fulfillment for the author here. In writing it, I'm sure he seems himself as Wade, and is getting to live out a cool, '80s fantasy through him.
Just a thought on the protagonist: Book's written by a white dude, right? So in writing the main character, there's obviously the write-what-you-know factor, but then there's also the danger of speaking for a group of which you're not a part. Say he writes as Aech and we're supposed to be inside a black, lesbian character's head as written by a straight, white guy... I feel like that opens up a whole new set of issues,not that they're insurmountable. But there'a part of me that likens it a bit to Jared Leto and Andrew Garfield playing trans and totally pissing off actual trans people. I'm by no means saying people can't write or play anything outside of what they are. That'd be silly. I just think it might have some bearing on why a book that takes place so largely in the protagonist's thought process shouldn't try to take on a marginalized voice. I dunno. What do you think?
Of course, let's be real: I'm also sure there's a lot of wish fulfillment for the author here. In writing it, I'm sure he seems himself as Wade, and is getting to live out a cool, '80s fantasy through him.

The entire book actually reminded me a lot of Tad Williams' Otherland series. Anyone else read this? Mammoth 4-novel series that basically takes epic fantasy structure and cyber-punks it up, complete with massive virtual reality stuff. Huge cast of characters, but the main character is a capable (but not too capable (everyone in the book is not-too-capable, something I liked about it)) black woman from South Africa. (Of course this gets balanced out by a mystical Bushman who serves as the group's wizard for want of a better role, so nothing is ideal; though Williams spends a lot of time talking about San culture; how accurate it is, I can't say)

I agree with you that the possibility is open for a Jared Leto-type situation where perhaps the author is careless in writing from a perspective with which they aren't familiar. However, I think authors in general are much more capable of being responsible in this regard than say, a casting director for a Hollywood movie. It seems like the pressures an author faces aren't the same as a casting director. Part of the writing process is doing great research and I think authors are able to get the perspectives required to write protagonists unlike themselves. Involving editors who aren't their race and gender is also a possibility, especially where giving credit is involved. Perhaps I'm naïve in thinking this way..it would certainly require extra work on the part of the writer. At the same time, the work that comes out of that process would be one-of-a-kind.


I'm right there with ya. I liked it.

As for nostalgia, it is, and that's why nostalgia is not always a great thing.
Definitely all great points on all sides. I basically agree with everyone. Haha. Like Bri, I often find myself thinking, well, if I wanted a different protagonist, I should've read a different book. It's not the author's prerogative to write the character I want to read. But Noel, like you're saying, the problem is that we don't REALLY have much in the way of alternatives. You may be onto something with perhaps the book being improved by shifting the narrative view. There's obviously a lot going on with how Aech sees her place in society if she felt the need to cover her female AND lesbian identities within what's supposed to be an idealized world. It totally would have thrown off that big reveal, of course, but there's depth there that could definitely be explored more fully. I certainly wouldn't have minded having an alternating viewpoint -- especially if done in third person. I don't know if anyone's read Divergent, but my prior disdain for shifting first-person narratives grew exponentially reading that. I never had a CLUE who was supposed to be narrating each chapter. But I digress.
I'm still a little wary, of course. I cringe at the thought of a white dude thinking he could research enough to understand what it's like to be me as a black chick, but obviously he's not trying to represent a WHOLE experience. Sydney, I like to think you're right that authors could at least theoretically treat representations with far more care and caution than Hollywood. I'd like to see more doing it, but more than anything, I'd rather see more people of color writing books with people of color -- and not just the "cultural" books like Life of Pi [edit: even LoP isn't written by POC! Good grief!] or House on Mango Street (which are fine and good and important), but even these fun, nostalgic books that are supposed to appeal to a broad audience. Publishers need to believe that you could have a book like Ready Player One still SELL if Aech or Art3mis is the main character. And as we can see from reactions to people of color in Hunger Games, they have reason to doubt that.
Where do we get our pitchforks? ;)
I'm still a little wary, of course. I cringe at the thought of a white dude thinking he could research enough to understand what it's like to be me as a black chick, but obviously he's not trying to represent a WHOLE experience. Sydney, I like to think you're right that authors could at least theoretically treat representations with far more care and caution than Hollywood. I'd like to see more doing it, but more than anything, I'd rather see more people of color writing books with people of color -- and not just the "cultural" books like Life of Pi [edit: even LoP isn't written by POC! Good grief!] or House on Mango Street (which are fine and good and important), but even these fun, nostalgic books that are supposed to appeal to a broad audience. Publishers need to believe that you could have a book like Ready Player One still SELL if Aech or Art3mis is the main character. And as we can see from reactions to people of color in Hunger Games, they have reason to doubt that.
Where do we get our pitchforks? ;)
Also, I love this conversation. You guys are awesome. Gerry and Ryan, don't pretend you ain't intellectuals. ;)

HAHAHA!! Ohmygawd. I can only imagine how delicious (but potentially dangerous) a space pupusa would be.

A video relevant to the Ready Player One experience, I think: https://www.facebook.com/video.php?v=...