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Write something else for a while. Keep practicing putting one word after the other until the words run smoothly. Write a blog article, a letter to Santa, a grocery list, anything at all to get things flowing again.

Write something else for a while. Keep practicing putting one word after the other until the words run smoothly. Write a blog article, a letter to Santa, a ..."
I'll try this:) I'm actually working with my sister on an urban fantasy story which flows in a much different vein than my book, and I've tried for three days now to write a scene flash for our group story and nothing flows:(



Do you ever find it hard to call on the voice of a character. I roleplay with my sister, especially when we'er working on a group story and sometimes I feel like my characters and their voices aren't as present when I write alone. Have you guys ever experienced that?

But — have you tried building a biography for your characters? Background, physical, mental, emotional, events, people, experiences in their past that helped make them who they are? What do they like to read? Favorite music? Pets?
Make 'em real and they'll likely never shut up.
Sometimes I've wondered if the character Pinocchio wasn't an allegory for characters Collodi was having trouble with.

Hmmm... I've never thought of Pinocchio being an allegory like that, but that definitely sounds cool. Can you elaborate?:)

The puppet business, having strings that someone else needs to pull and tug and twitch and dip to contrive action, then, he loses the strings and gains the ability to act on his own, but he's still not REAL. Not until he shows the Blue Fairy that he's fully developed the fundamental potential for growth does he get to be a Real Boy.
Writing characters is like that, for me, anyway, but I've heard many other writers venting frustration about their characters seeming like puppets, not being real, and I've read (or tried to read) way too many stories where the characters are never more than puppets.
As writers, we're the Blue Fairies to our characters. We've got to wield the magic to give them reality — once we know they're in earnest.

The puppet business, having strings that someone else needs to pull and tug and twitch and dip to contrive action, then, he loses the st..."
This makes perfect sense!:) our characters really do seem to be puppets until we do break that third wall and listen to their voices. Pinocchio shows us that he is more than a static character and that's the hardest part of writing moving from that area of ideas to concrete action. I like to make the basis for my stories Jungian archetypes, this way I can tell a story that all can relate to on some inherited level, but at times they seem to be just that- an archetype, so to move from a perfectly molded model to a character that feels like flesh and blood is a bit like cutting our characters's strings.



Brittany, did you mention you RP? When I first started writing my book, it took me a while to switch from creating things with someone else to carrying it all on my own. It's a very different beast, and you could be having an issue in trusting that you can do it. (Making groceries, are you a NOLA girl too?)
Thoughts on how to avoid this problem?