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To Be Continued
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A good sequel needs to go in new directions. Add depth to characters. And also achieve their own level of charm and intrigue.
I LOVED The Dark Knight. The Joker outdid Batman in amazing character depth, drawing attention during screen time, and making me forget about reality while I watched every second. The 3rd installment not do much.


I agree that doing a sequel can be tough -- in most instances, a sequel doesn't really improve on the first but tends to fall into the trap of falling back on what made the first in the series work so well. That's something I've had to be careful about when I've written my own series.

A good sequel needs to go in new directions. Add depth to characters. And also achieve their own level of charm and ..."
I agree. I was tempted to use The Dark Knight as my example, because it was such a major success at delivering deeper characters. I say characters, because even though Joker did steal the show, I think Batman's character got a better treatment as well. They really made a strong case justifying his moniker as the "dark knight".
Bob wrote: "Though I always liked The Hunger Games as a stand-alone book, I really liked Catching Fire and thought it did a good job following up on the first book..."
I also have to agree. Catching Fire took book one's hints at the psychological and social issues that were part of Panem and the games and developed them for us. I think it is kind of dangerous to try to give more of the same too. There's also a kind of threshold there, I think, for giving the readers something familiar but also making it more than what the first installment was.
Melody wrote: "I think doing a series is indeed tricky, because one of the sequels won't be as strong as the original book that pulled the reader in..."
I totally empathize. I think it makes it even harder if you start reading reviews of the first book, like I have for Tomorrow's Edge Trilogy. I find myself somewhat paranoid about not doing the things that some readers didn't like about the first. I'm not sure if that's beneficial or not though, because it seems really disruptive to the creative process in general.
What are you thoughts?

To start off I'll name a personal favorite and say The Two Towers. For me, The Fellowship of the Ring was a great journey story, but it felt like the characters were swept away in the plot and bounced around in unexpected ways, which I'm sure was intentional. The Two Towers felt like the characters come into their own and I see that as how a story has to progress. At some point, the characters have stand up and begin shaping the plot in kind, because who readers take the journey through the plot with is as important as the events themselves.