Rebecca
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My husband is a murder- No problem according to second Mrs. De Winter
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I was very fortunate to see an amazing stage adaption of this book many years back. Definitely the most enjoyable play I have ever seen.

I haven't yet seen anyone mention that Rebecca is a Gothic novel. I think this is an important point because it's yet another aspect to analyzing the book and the characters. For me, one of the most horrifying scenes in the book is when Max confesses to the murder of Rebecca...and then starts kissing (I rather think "sexually assaulting") our dear sweet narrator! I had such a visceral reaction to it, it made my skin crawl. And almost just as bad: "None of the things that he had told me mattered to me at all. I clung to one thing only, and repeated it to myself, over and over again. Maxim did not love Rebecca. He had never loved her, never, never." It's horrific! She's glorying in, reveling, basking in the fact that 1) he was so so so unhappy with Rebecca, for DECADES, that 2) he f*@$ing killed his wife!!! It fits in well with other Gothic novels I’ve read, where they are both horror stories and love stories. Shirley Jackson’s We Have Always Lived in the Castle is a Gothic novel where there is no romantic storyline, but which gives me a very strong "love story" feeling nonetheless, a horrible twisted insular isolated sort of obsession. The Picture of Dorian Gray includes this as well, and even Frankenstein who loves his ambition. These stories do not have romantic love plots, but they deal with a certain special strong emotional investment we might call "love." Wuthering Heights is another Gothic "romance" that, for me personally, contains very strong horror elements. (One of the creepiest things about it is that people hold it up as a love story when there is just so much abuse.) I read Rebecca hoping for suspense and creepy-crawly psychological thriller aspects and I can say I was not disappointed.
There is no justification, no excuse for what Max did. I believe very strongly that saying "oh but he was provoked" is just a way of victim blaming. Whether or not Max or any abuser was provoked (and in this case, he obviously and purposefully was), they are responsible for their actions. No matter how provoked, people have an obligation not to murder each other. But Rebecca is the "monstrous other" in this Gothic tale, someone who epitomizes evil. She knew Max had moods and she had been warned and she knew she was dying and had told Mrs. Danvers herself that she wanted a quick death. When Max says "It doesn’t make for sanity, does it, living with the devil,” he’s not merely expressing his distaste for Rebecca; in the Gothic convention, Rebecca is the villain--"the epitome of evil," someone fallen from grace (http://cai.ucdavis.edu/waters-sites/g...). Even Mrs. Danvers who loved her described her as winking "like the devil" after engaging in sexually precocious behavior at the age of 12. And it is this Gothic convention--the evil Rebecca, fallen from grace through adultery and lies and broken promises and "things I shall never repeat to a living soul," to use Max’s phrase, that allows readers (even me, though I detest domestic violence) to hope that Max is acquitted of his crime. However Max doesn’t get away with it completely; sure, he doesn’t go to prison, but he loses Manderley--the one thing he loves, the one thing he would sacrifice anything for--and by the description from the beginning of the book, his and the narrator’s lives together I would not describe them as "happy" or satisfied or even content at all. Rebecca and her death and his part in it and the resulting loss of Manderley are like a constant, chafing itch...
And of course that’s just one angle, and there are so many more. A rich and satisfying read with so much depth :)

That is why in the movie they could not let Max be a killer. No killer could go unpunished in a movie in the 40's.

I agree! The second Mrs de Winter is actually very shallow if all she can think about is that Maxim never really loved Rebecca. That's really lame.

I didn't mind the narrator being a doormat, but I definitely didn't buy that her only reaction to Maxim's confession would be relief. I think any woman in the world would always have at the back of her mind "He did it to her, he could do it to me..." Maxim is such a jerk.
Team Frank.

Yeah, I thought she was going to end up with Frank too. The person she's with at the beginning of the book is never named, I don't even know that it's stated the person is her husband, only that he is a "he." I suppose if you really stretch your imagination it could still be Frank, nothing really rules it out except for the description she gives of his face clouding over, like Maxim's did. I suppose Frank could have fits too, especially since he seems attached to Manderley. But honestly, given how attached to Maxim she was... I think we would've heard about it!
And yes, Maxim is a jerk. It sounds like he and Rebecca were jerks to each other, it's the little ways he's abusive to the narrator that really grate me.

We hear people in the village talk about her, we learn society gossip, we get plenty of Maxim's side of the story about what a supposedly psycho bitch she was, and we hear Mrs. Danvers worshipful impressions of her.
And really, because the whole story is revealed through the first-person narration of the second Mrs. De Winter, all of our information is filtered twice through others' impressions, often layered over with pretty heavy personal agendas.
I found myself reading it with an eye to devil's advocacy--i've certainly known people who, for example, after a nasty divorce, completely demonized one another and, having been friends with both parties, i saw that neither person was actually the horrid psychopath that the other claimed. I wondered throughout the book whether Rebecca was actually as horrific as Maxim said she was, or whether they were just two people extremely ill-suited to one another, stuck in an arranged marriage which spun out of control.


But, if he demonized her so much, why did Mrs Danvers made also a devlish portrait of her, to the 2nd Mrs De Winter? Maybe he was telling the truth, me thinks....


But, if he demonized her so much, why did Mrs Danvers made also a devlish portrait of her, to the 2nd Mrs De Winter? Maybe he was telling the truth, me thinks.... "
I do happen to think Maxim was telling the truth about Rebecca, and my boyfriend did by the end of the novel too. It's still really interesting to note that we never actually see Rebecca and as Rachel points out, our view of her is shaped by a double filtering. Yet it is her name that makes the title, and her name that is repeated so much. Even out of sight she is able to control so very much of Maxim's and the narrator's lives, the true reason for the whole story.

Rebecca still holds control over Manderley, even after her death, that´s why Manderley had to burn - so that her influence could disapear.

I don't think the novel supports the idea that Maxim has the "right" to kill Rebecca. It punishes him in the worst possible way (for him). Like many people of his class at that time, he has been raised to sacrifice his personal desires for the sake of the family estate. So, he marries the "right sort of person", disastrously.
Max does seem to think that he is morally above the law - that is, he has the right to execute her for her "crime", for fathering a bastard on him. But the novel punishes him for it, by taking from him, in recompense, the thing that he does love most in the world - Manderley.
What I find disturbing is not just that the 2nd Mrs de Winter goes along with this view - after all, she could hardly have married him if she did not accept his views regarding his own status - but thatshe interprets the murder in such a completely selfish way. She almost seems to find it erotic...

that's the point!

And there was another person besides Mrs. Danvers who painted a devilish portrait of Rebecca: the idiot Ben was terrified of her and said she gave you the feeling of a snake.
All in all I was more shocked by the second Mrs. deWinter's reaction to Maxim's revelation that he killed Rebecca than I was by the fact that he shot her. "My heart was as light as a feather; he had never loved Rebecca." Shudder...


Agreed. It's typical of Rebecca, 'suicide by husband' (excellent phrase) with the added satisfaction that she might just get Maxim hanged. At the very least, she delivered a final torment. It's what sadists do. Hence her final smile.

We are told that Rebecca makes her suggestion to Maxim five days after the marriage had taken place. Why is that? Let us assume for one moment that he could not consummate the marriage. He feels like killing Rebecca until she comes up with the proposal that they live in a sham marriage. We might even assume that he has led a double life as well. He no longer has to kill her then and there; perhaps he had his own confessions as well. He seems content in keeping up appearances for a long time. I have some other ideas about this and I would love to discuss it with someone else.

If one makes the assumption that Maxim for all his charm is just as psychopathic as Rebecca, the book takes on interesting ramifications.We are told that Rebecca made her suggestion to Maxim five days after the marriage had taken place. Why is that? Let us assume for one moment that he could not consummate the marriage. He feels like killing Rebecca until she comes up with the proposal that they live in a sham marriage. We might even assume that he has led a double life as well. He no longer has to kill her then and there; perhaps he had his own confessions as well. He seems content in keeping up appearances for a long time. The second wife does feel frightened in the place where Rebecca and Maxim had had their "arrangement" agreement and was relieved to leave it. There is a lot of evidence throughout the book that indicates that Maxim is very manipulative. Many of his descriptions of Rebecca would apply to him as well.


[Different Ellen than above, who did make some excellent points.]
Aren't we lucky that books end when they do? We don't have to read through the decades to reach the point where the nameless Mrs. DeW. is so tired of Maxim's narcissism and unceasing obligations towards his social class that she finally heaves a teapot at his head and kills him at high tea, twenty or thirty years into the marriage. "Oh, my," I can hear her, "It slipped from my fingers, just like the figurine. Imagine!"
Aren't we lucky that books end when they do? We don't have to read through the decades to reach the point where the nameless Mrs. DeW. is so tired of Maxim's narcissism and unceasing obligations towards his social class that she finally heaves a teapot at his head and kills him at high tea, twenty or thirty years into the marriage. "Oh, my," I can hear her, "It slipped from my fingers, just like the figurine. Imagine!"

Micebyliz wrote: "oh Different Ellen! that's hilarious!!! she could accidentally spill hot tea on him too...or use a tea towel to muffle his choking on a biscuit."
Ha! Perhaps the last tea towel with the scrolling "R" embroidered by the nuns in France?
Ha! Perhaps the last tea towel with the scrolling "R" embroidered by the nuns in France?

Micebyliz wrote: "never drink wine when reading funny responses on Goodreads-- it will go up your nose. thanks so much Different Ellen!!:)"
Sorry about the wine. I belonged to a French order of nuns, the American branch, but the motherhouse was on the rue du Bac in Paris. We'd sit and do our sewing and mending while someone read from spiritual books. But we'd be mending our habits and doing rolled hems on our veils. The idea of sitting and listening to what we listened to while sewing tiny stitches into sheer undergarments to be worn by floozies all over Europe always gave me the giggles.
Sorry about the wine. I belonged to a French order of nuns, the American branch, but the motherhouse was on the rue du Bac in Paris. We'd sit and do our sewing and mending while someone read from spiritual books. But we'd be mending our habits and doing rolled hems on our veils. The idea of sitting and listening to what we listened to while sewing tiny stitches into sheer undergarments to be worn by floozies all over Europe always gave me the giggles.

If a floozie wore anything i touched it would have been a costume malfunction :) I am good reader though! i'd be happy to read while others sewed. maybe a little glass of sherry on the side..
Micebyliz wrote: "That sounds idyllic somehow...i agree i would have had the giggles too. i assure you i could never sew tiny stitches. never learned to sew properly, although i could knit and crochet until arthriti..."
Ahahaha! Yeah, between the arthritis and the eyes, I gave up cross stitch. Life's a real...Rebecca, isn't it?
Ahahaha! Yeah, between the arthritis and the eyes, I gave up cross stitch. Life's a real...Rebecca, isn't it?

Were she to leave Maxim, would she even be able to find another job? She'd be a divorcee (at best). She might even be seen as a gold-digger for marrying above her social station.

Well said Heather! Daphne Du Maurier was totally brilliant! Her characters encompass the best and worst traits of humanity and I agree that if you want to read about nice, safe, perfect people - go elsewhere! I remember the first time I read Rebecca - being shocked to the core that Maxim had killed his wife and yet totally understanding that she deliberately pushed him to it. It made me wonder if we all possess a similar breaking point? Great book - and one you can return to time and again even though you know how it ends!

AnnLoretta wrote: "Micebyliz wrote: "That sounds idyllic somehow...i agree i would have had the giggles too. i assure you i could never sew tiny stitches. never learned to sew properly, although i could knit and croc..."


1. She was a beloved person. I find it hard to believe only a wife killer knew the "ultimate reality" of her character
2. She wasn't pregnant like he claimed, she was ill
3. The cousin was delusional about Rebecca loving him and Mrs. Danvers mentioned Max was a jealous and insecure guy. She also said, Rebecca wasn't that into men despite the attention she got. To me, she just seemed like a women with interests and a social like outside her husband, unlike the narrator who is a little pathetic if I'm being honest. I think he married her because he could control her. He treats her like his dog, she even sits at his feet with her head resting on his knees in that one scene. Eww.
Finally, max never explains what were these "horrible and evil" things she said five days after their marriage. Since she was laughing and they were on a date, it might have been something totally normal that this wife killing psycho had such a problem with. As for the story he old about her "tricking" him to kill her, serial killers and rapists make up "she asked for it" delusional stories all the damn time to justify their actions.
Personally, this guy gave me the creeps right from the beginning and there's a good chance he'll murder the narrator as well one day when she outgrows here silly naive schoolgirl phase.


Everyone loves the husband and hated her. Even the children. She couldn’t cook, couldn’t keep house, wasn’t involved in the Kidd’s lives and the poor husband had to do it all. Everyone believed she killed him out of spite. But when the BAU interviewed her and evaluated the scene they discovered she had been horribly mentally and emotionally abused and manipulated the whole marriage.
That’s what Rebecca did. I think The author was using the second wife to comment on the fact that the upper classes put on a show and nothing was what it seemed to be with them. That cruelty can be disguised in beautiful packages.

Everyone loves the husband and hated her. Even the children. She couldn’t ..."
Absolutely brilliant analysis. I agree.


Rebecca was a sociopath. She presented a different face to each person she met depending on what would be to her advantage. Max de Winter, who is no hero, was prime meat for a sociopath. He cared too much about his reputation and that of Manderly.
From the first time I read the book at age 12, I believed that Rebecca committed "suicide by husband". She pushed all the right buttons to get him to do what she wanted. And the bonus for her was that in the end, he would lose everything: Manderly, his reputation, his freedom, and most likely even his life. The perfect portraits of a sociopath and a flawed, too-proud victim.
The second Mrs. de Winter reacted as too many women do. He may kill many women but he would never hurt me. I have never quite understood that kind of woman, but there are many of them.

I think it's also important to keep in mind that the narrator isn't necessarily that reliable, as we constantly read her thoughts of self-doubt and lack of confidence in herself, in her new role and position, and in her relationship. We don't learn that part of her view of her relationship with Max is skewed until she tells him she knows he still loves Rebecca and then he confesses and refutes this.
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I secund that.