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Borne - AuthoReadeR Discussion
message 51:
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Jeff
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Jul 24, 2017 09:48AM

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LOL! I'm a firm believer in letting the copy description on the book do some of the work.

W..."
Whoa! Lot of spoilers in there along with good questions. I'll try to answer some of them. But readers be advised that that requires additional spoilers. SO DO NOT READ IF YOU HAVEN'T READ THE BOOK.
--Rachel admits she has no good reason for defaulting to referring to Borne as "he". There's a passage about it and then a passage in Borne's diary dealing with it.
--I think if Rachel hadn't volunteered a lot of data to Borne early on the outcome might've been much different much earlier. To allude to something without coming out and saying it. I also think Borne began substituting other things when he could've sampled his immediate surroundings more aggressively, to stave off that decision.
--I think your fourth paragraph answers itself by suggesting an internal argument.
--Why would anyone want to get involved in a conflict that distracts from a day-to-day attempt to survive? That only happens in really escapist fiction.


I love it. It's difficult to do a cover for a novel like this that isn't too literal and if you go figurative you can be too far apart from the reality of the novel. So they struck just the right balance.


I'm going to push back against this reasoning a bit. I respect that that is your experience with the novel. But in fact lots of genre and mainstream lit readers are really enjoying the novel and neither group, in general, seems to feel there is much of a barrier to enjoying it. I'm sorry there was a barrier for you, but every reader is different.

(Hey--could you possibly redact part of that message 62 as I'm getting a little uncomfortable with all the spoilers you're bringing in. Apologies, but...)
I'm not sure how to process that question. You write the story you feel passionate about and that's organic to you. You can't satisfy every reader so trying to anticipate that aspect of things is a fool's game.


Fair enough. I can only report my own comfort level as I read the questions. I've only felt this in the one or two instances. You can ignore my comfort level and let me be uncomfortable. That's your call!

***
MICE, SOLEMN-LOOKING (139) – As distinguished from ordinary mice found in the City, a “solemn-looking mouse” is slang in certain neighborhoods for mouse-based diagnostics and medical repair. Some species are small enough to live within the human throat, exuding a liquid through their paw pads that numbs the scratch. Such mice provide triage services. Developed as “in-house” medics for soldiers in foreign wars, a strain of “solemn-looking mouse” clings to a precarious existence in the City. Most scavengers revile these mice, consider them unclean or cursed, and recycle their parts for other biotech projects. A few revere the mice and actively participate in their use and trade these mice amongst their various throats to create the best medical combinations. But because these mice have regressive genetic markers, they often lose out to “real” mice for food and other resources when they fend for themselves sans human cohabitation. Thus, their range is limited to the boundaries of an unpredictable territory: the unnamed countries formed by the bodies of their hosts.


Maybe just a ground rule that spoilers about the very end of Part 2 and once they're in the Company building would be of help to me. Everything else fair game? I can still answer questions about those bits without spoilers because I know the novel very well. :) I think it's because the novel was just published three months ago. Apologies.

Nope-and thanks. And sorry for bringing it up.

Yeah, I guess that expresses something I didn't want to presume to say. I've already had conversations like this one wind up quoted in or just airlifted entire into full-on articles at other media outlets. Even had a casual facebook comment about the Annihilation film become the basis of an article. So I have become wary. That's the answer to a WHOLE other question.

I Don't think you need to remove spoilers if you spoiler tag them. That way people can choose to click on the spoiler or not. To spoiler tag follow the directions below: With Out spaces-
< spoiler > What ever you want to say < / spoiler >
This way you only have to click (view spoiler) if this works for everyone it good with me.

This aspect of Borne reminded me of Valentine Michael Smith's teachings of 'Grok' (understanding something so well it becomes a part of you) and the ritual cannibalism his followers practiced in 'Stranger in a Strange land".
And this " The physical, mental and emotional stress that this deprivation put on Born very likely changed his outcome.
Wasn't that stress & deprivation an integral part of the development of Borne's humanity? Didn't that human part of Borne help him do what he did?
Jeff, I've read the Trilogy & Borne. I've just started fooling around with your Wonderbook (which, fellow aspiring writers, is an absolutely mind-opening experience). I looked here on GR for a discussion of Borne, never expecting to find one with 'the writer' in attendance (lucky us!).
All my questions contain spoilers, but I'm enjoying the heck out of this discussion.

Yes exactly! but do we have the right to expect something other than his nature? " would you make a wolf feel guilty for killing its prey? Would you make an eagle feel guilty for flying? " Can you get angry at a bird for flying? You may be able to clip it's wings so it walks on two feet and teach it to say human words but that does not make it less of a bird. I believe the bird will always want to fly.

I've spent the late spring and summer watching a momma osprey teach her eaglets (two! unusual) to fly. At first, she taught them to hover and catch the small thermals that the evaporation from our pool makes above our courtyard. Rachel was Borne's human mother. Her job was to teach him humanity, which includes the concept of sacrifice. Everything else I can say is a spoiler.

Yes exactly! but do we have the rig..."
I think it's worth remembering that biotech is made for a particular purpose. Perhaps the foxes jury-rigged Borne too, or messed with his "programming". But regardless, the Borne Rachel encounters is not the usual nature versus nurture situation. It is an artificial situation.

I think all of these comments about intent re Borne and upbringing and whatnot are really interesting. The other interesting thing about them is that I like to write novels that do not tell you what to think. So there's what Rachel thinks about the situation, there are other opinions, including Wick's, there's Borne's self-evaluation. Then there are little foxes messing with everything and the Company's spectre out there. Where is the truth? Does resolution have to resolve thematic questions or just make sure that thematic questions are posed in an appropriately messy context?
Hey guys! While I was hard at work, you all got down into the nitty gritty pretty quickly!
I apologize for not being a better host and prefacing the conversation with a spoiler tag alert. I've made a mental note to do this with all discussions going forward. Thank you all for being sensitive to that once it was pointed out and a special thank you to Diane for sharing how to hide spoilers.
I apologize for not being a better host and prefacing the conversation with a spoiler tag alert. I've made a mental note to do this with all discussions going forward. Thank you all for being sensitive to that once it was pointed out and a special thank you to Diane for sharing how to hide spoilers.

Borne was veer conscious about that label. Rachel felt he was a person, but Wick did not. Hummmm. One of those problems that I guess really can't be answered.
I think these questions you create in your writing is why I like it so much. I hope the movie of Annihilation is as good as the book. I think Borne would be a great movie.

Personhood has to do with intentionality, in my opinion. Some animals have been given the rights of "persons" in some countries. And in a broadly political sense, whole rivers have been given the rights of people since we also extend these rights to corporations. But I personally do not think of a "person" as having to be a human being. An intelligent alien would be a person. Although, I know my German translators tell me the use of person in the text along with human causes confusion for them.
I found Borne and his internal struggles so incredibly endearing but also heartbreakingly frustrating, because you always had the sense that what he was deep down inside, whatEVER he was, would always win in the end. No matter how conflicted he was with what he was becoming, I felt he kind of knew that too.
I was also shocked at how introspective I became as I read the book, with every turn of the page.
I was also shocked at how introspective I became as I read the book, with every turn of the page.

Them's the breaks. World isn't fair.

Thank you so much for the kind comment! It sure wasn't easy to write. I must admit I cried a lot.

Jeff, I absolutely loved this book (and the Southern Reach books). I apologize if this has been asked already, but how do you come up with your stories?


Awesome first day, you guys! I think this is the most questions ever thrown at a visiting author during day one of the discussion : )
And Jeff, you were an absolute trooper! We appreciate you spending so much of your day here with us.
And Jeff, you were an absolute trooper! We appreciate you spending so much of your day here with us.

And Jeff, you were an absolute trooper! We appreciate you spen..."
Hey, thanks. I'm here now again so happy to answer more.

I adored the Southern Reach Trilogy, and felt very much at home in the Borne world. I am continually awed by your ability to tackle the macro issue of what we're doing to the environment ( and how it might be fighting back) as well your ability to really make us care for your characters navigating such unique situations. Can you say more about how you develop the environment as a character vs. actual humans or "persons" as characters? And how you determine their interactions and influences on each other?
Jeff, of all of your novels, do you find your readers have a strong preference towards once over another? Do you personally feel more proud of, or more pleased with, with any one particular novel you've written?

Do you mind sharing some aspects of your writing process that characterize your individual works? One obvious example is that you depersonalised the members of the Expedition in the Southern Reach trilogy by referring to them by their roles, and on the flip side humanised Borne by calling it a he and making him aware of his personhood.


I adored the Southern Reach Trilogy, and felt very much at home in the Borne world. I am continually awed by your ability to tackle the macro issue of what we're doing to the environment ..."
It really all comes out of character point of view, or if not that initially, the landscape suggests something about the character whose point of view I want to write about. But once I'm passionate about a character, for whatever reason, and want to write about that person, then I feel a responsibility to "report" what they would notice or find important and not anything I feel they wouldn't. So the biologist in Annihilation isn't much interested in the human world but is interested in the wilderness. It made sense she'd summarize some conversations and instead emphasize description of landscape, that this would come alive--that this would surround and infiltrate the characters and that the characters would come to seem to be peering out of a vast wall of vegetation.
Borne was different in that Rachel's concerns and her struggle to me suggested that she was more in touch with people than her surroundings, in the sense that "place" was something that was dangerous and to be combated or survived. People were what would make her believe in the future again. She's always striving for connection, to make things work, really. And so the characters stand out from the setting, even the non-human ones, and the landscape recedes a little bit, even in terms of less description than in the Southern Reach novels.
Mostly, I have to be viscerally and completely in the moment of my characters' lives, whatever that entails.

This is a good but tough question because although I have some thematic concerns and preoccupations--the environment, the role of animals in our culture, climate change--the structure, tone, and style of my novels changes sometimes drastically from novel to novel. Case in point, Annihilation versus Authority.
That said, I did feel I had something special in Borne, in the sense that if I pulled off the contrast of the epic to the personal right, and got the emotional core of the novel correct...I could still have the weirdness of my prior novels but also this lush dramatic inner landscape that I hoped would move the reader. I have had so many people say they read the end of Borne in tears, but tears that were of sadness and of hope...and in turn I've been quite moved by this reaction.

Well, it's already happening because gene-splicing is getting easier and easier and biotech experiments are accelerating. So it's almost out of the hands of scientists. Artists may soon begin creating creatures. High school students. It's fairly scary, in that we still haven't come to terms with our crimes against animals and yet here we are accelerating the dissolve of the boundary between product and creature, creature and art.

I'm not sure the expedition members are depersonalized--a name is in the end just a name and not always that important. Sometimes, of course, it's everything. But the biologist is definitely one of the best characters I've ever written, so she must not mind the lack of a name all that much. Perhaps if given the choice she would've preferred not to have a name known to all in the first place.
Rachel misunderstands Borne in several ways, and one of those ways is in assigning Borne a gender. Especially given how Borne talks about that in his diary.
So the biologist is depersonalized by the Southern Reach but the depersonalization suits her in a sense. It is ineffective against her because of who she is to begin with. Rachel is a good and true person who simply is dealing with a creature that has more senses and exists in more places than she does. Misunderstandings are bound to occur.
But the point is...none of these approaches is just one thing. They're all messy, they're complex, they start as one thing and become something else. That's what I like in the fiction I love. It's what I try to write.

Right now I'm addicted to the novels of Tana French. To be honest, while I do read some science fiction and fantasy, I mostly read mainstream realism, mysteries, etc., for pleasure. We do so much research on SF and F for our anthologies, I can't read too much of it in my leisure time.
I've very much LOVED Catherine Lacey's The Answers this year, the stories of Leonora Carrington, Jac Jemc's The Grip of It, Karin Tidbeck's Amatka. Just to name a few.
Ooooh! I so want to read Jac Jemc's new novel. I adored her book My Only Wife. She's an amazing writer.
Have you tried Each Vagabond by Name by Margo Orlando Littele, or any of Cynan Jones' novels?
Have you tried Each Vagabond by Name by Margo Orlando Littele, or any of Cynan Jones' novels?
Sorry. on my phone and it won't let me edit. here's the link in case you're interested...https://www.downpour.com/borne?sp=127946

Insightful answer, thank you! I'm completely obsessed with Tana French too, her characterisation is something else.
Books mentioned in this topic
The Strange Bird: A Borne Story (other topics)The Strange Bird: A Borne Story (other topics)
The Strange Bird: A Borne Story (other topics)
Each Vagabond By Name (other topics)
Borne (other topics)