Literature 1 discussion
Gatsby Red Group
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After reading chapter 6
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Mariel
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Jun 09, 2014 09:09AM

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I think there is a change in focalisation since we are presented to Gatsby's past through his own eyes.
Lastly, I think the purpose of both the treatment of time and the change in focalisation in the chapter is to let us know about Gatsby's real past so as to understand a little better why he acted and reacted as he did in the following chapters.

Finally, I believe too that the purpose is for the reader to empathise with Gatby and understand better his personality and idiosyncrasy and, of course, his decisions.
Good points! Are we sure this account presents "the truth about Gatsby"? As Sebastian says, we empathise with him. But are we justified in doing so?


I don't know if it's the truth about Gatsby... we may believe his story or not.




...What I see is not a flashforward buy a flashback (analepsis). Chronologically, there is evidently a change in time order. Fitzgerald starts the chapter with a flashback to tell us a part of Gatsby´s past life.
I still don´t have things clear as regards focalization.
So as to bring this forum to a close, let's clarify a couple of things. In this chapter Nick introduces an account of Gatsby's past, provided by Gatsby himself. He explains that this conversation took place later on, and not exactly at the time he includes it.
That is to say, it's a flashforward that introduces a flashback.
As some of you say, the fact that this is Gatsby's account, and that it contains innacuracies makes it suspicious. It isn't any more "true" than all the other stories told about Gatsby.
Why does Nick introduce it here? So that we will be further inclined to sympathise with the protagonist.
That is to say, it's a flashforward that introduces a flashback.
As some of you say, the fact that this is Gatsby's account, and that it contains innacuracies makes it suspicious. It isn't any more "true" than all the other stories told about Gatsby.
Why does Nick introduce it here? So that we will be further inclined to sympathise with the protagonist.