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    Flashbacks in a story
    
  
  
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      There is nothing inherently good or bad about using flashbacks. If it helps to develop your characters, then it's fine.
    
      yes it's purely a matter of technique and how you do it.I think they got a bad name in film because they were often over done and confusing :-)
      Flash-backs are fine. Its when you start in on flash-forwards or flash-sideways that you have to be careful...
    
      Trying desperately not to laugh...Seriously, I think you can get to a point where there is so much back-story, that you either have to use flashbacks or write a prequel or three.
      Oh dear, it's amazing where threads can end up!!!But thank you everyone, I was thinking of using them to illustrate the information the characters find, otherwise it'll be a lot of reading of texts they discover. So I'll give it a go and see what happens.
      Flashbacks have to be handled carefully. A quick poll of readers will tell you that most don't care for flashbacks. A story should begin with action, so with one of my books I began with the action of the MC beginning a new job, and then showed a flashback of how he got the job. I had another flashback in the final chapters. A reviewer gave me 4 stars but warned readers that it was a 'back to front story' and the end was at the beginning, which it wasn't at all. Sales sort of fell off after that. (I wouldn't read a story with the end at the beginning!)
I then edited the story to make the first flashback a separate chapter, and I took out the flashback at the end.
But the review still sits there and I feel it is hurting sales - so be wary of flashbacks.
      Late to the party, but here's my three pennorth...Flashbacks, if done well, can be great. But they're one of a number of techniques which can often be done badly, along with prologues, multiple points of view, mixing tenses.
New writers often reach for these techniques because they think it will help them to stand out. Unfortunately, it can just leave them looking like new writers.
The usual advice is "use with caution".
      If you adhere to the suggestion that you should start your novel "in media res" that is, at an exciting point, then you will surely always have some length of flashback to explain how your characters got to that point. You may be able to explain it all in dialog, but that's more difficult to do than a well-written flashback.Also just consider : Did reams of flashback (in the form of a diary) hurt the sales of Gillian Flynn's "Gone Girl ?"






Do they work? Or is it a terrible idea? Should I leave the explanations of what they discover just to what is written in the files they discover? Any help or ideas would be appreciated, thank you :)