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Oct 2016 Questions for the Author
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Trelawn
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Oct 15, 2016 11:02AM

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He reads the audible book himself, not surprising as he is an actor, does he read what he writes out loud as he is writing a book to see how it sounds? Many writers so this especially for dialogue.
Does he think the audio version of the book and the written version are two different experiences? Ruth Ozeki who also reads one of her own books on the audio version says at the end that she recommends reading the written version too as she thinks they are very, very different.


Many thanks for the interest
CC

I have another planned: BLOOD which would follow the nasty villain of Fire with Coke and Pitman in hot pursuit. Alas, the publishers have kinda shrugged at it despite the last two's success, especially in Canada. So I hope to return - just not straight away.

Many are optioned, few are made, alas. Still hoping. I think Hugh Bonneville would make a great Coke. Or Dominic West. Pitman's harder because he needs both physicality and subtlety. Not sure. For Sarah - I am in love with Ruth Wilson right now (The Affair. Luther) so... her!

I think my acting affects everything I write. I do like to play tension on the stage and create it on the page. Also I do love a good setting. London, its contrasts then and now, is always fascinating.

I am trying to link up nearly all my books from the Rombauds through the Absolutes. It tickles me - and I hope that keen readers will enjoy the continuity. Have you read Shakespeare's Rebel yet? Spoilers!

He reads the audible book himself, not surprising as he is an actor, does he read what he writes out loud as he is writing a book to see how it sounds? Many writers so t..."
I don't tend to read it aloud - though there is a certain amount of muttering! When I did the audio book of ,y first novel, The French Executioner, as soon as I started I smiled with the realization: I write to be read aloud... by me! My cadences are very strongly personal. But yes a different experience each one. I'd certainly try both if you have the time.

It's always a story idea for me, rather than a period to fit a story into. I liked the idea of showing men reacting to the horrors of war in different ways. The aftermath of any civil war is ghastly. The English one as bad as any. The more I read the more fascinated I became. It was a time still with the barbarism of the medieval but moving into the modern.

I'm so glad you all seem so fond of Dickon. I love him. I didn't see him as having a particular condition. Trauma, abuse and neglect, early starvation have indeed given him all these tics and oddities. Loved the suggestion that his fondness for nuts was a reaction to that starvation. By the way, he's named for my cat, who sleeps on my desk as I write.

I have to say I'm a sucker for London based books and probably would have been drawn to this even if I hadnt read a few of your other books.
Are there any of your research books you would particularly recommend for London ?


Books mentioned in this topic
Plague (other topics)Authors mentioned in this topic
C.C. Humphreys (other topics)Ruth Ozeki (other topics)