The Readers Review: Literature from 1714 to 1910 discussion

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Moonfleet
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"Falkner uses the local geography of Dorset and the Isle of Wight in the book, only changing some of the place names. The village of Moonfleet is based on East Fleet in Dorset by Chesil Beach. The headland in the book called The Snout is Portland Bill. The castle is Carisbrooke Castle on the Isle of Wight." (Wikipedia)
For info on the village of Fleet: https://en.m.wikipedia.org/wiki/Fleet...
(I tried to find a webpage with a good selection of photos, but couldn't find anything special - you're probably best off googling for images.)
For Carisbrooke Castle ("the quintessential romantic castle") see: https://en.m.wikipedia.org/wiki/Caris...
and: http://www.english-heritage.org.uk/vi...
And to get an idea of how rough the sea can get around Portland Bill, try this video:
https://m.youtube.com/watch?v=XiiK0fy...

Always a pleasure! I used to visit many of these places as a child, so it was nice to revisit them!
Thanks! I'd never heard of this book or author; looking forward to getting started. I remember when I was reading Hardy, that he also had a lot of places whose names were changed, also in the Southwest (mostly near Plymouth, if I remember correctly).


"Falkner uses the local geography of Dorset and the Isle of..."
Yes, thanks for the links, Pip!
I'm finishing Wind in the Willows today so I'm going to start Moonfleet tomorrow. Can't wait!


Seems that he was a businessman - was the chairman of an arms manufacturer during World War I. I'm not sure what I think about that given the brutality of WWI. But since I know nothing more about Falkner or the manufacturer, I will withhold judgment.
https://en.m.wikipedia.org/wiki/J._Me...

I only noticed the correct spelling when I looked him up on Wikipedia - and even when I was getting it right, autocorrect kept changing it back into Faulkner! From now on, he's going to be JMF for me ;-)

I have to say, though, that in the photo on his Wikipedia page he looks much more like a stern Victorian industrialist than a writer of adventure stories for kids...

As I wrote in that thread, I just started reading it - I wouldn't call it a YA book. At all. The protagonist is a young boy, but I think we could compare it to Tom Sawyer and Huck Finn - not in content, but in audience. They are also considered "childrens books" but have far more advanced concepts embedded in them.
Moonfleet is a bit gothic, though.
I was a bit skeptic going into it, but it pulled me right in. I'm hooked.
I like reading YA books and not all are created equal. There are some that are trendy, but others deal with serious themes in a very mature, age-appropriated level. And there are others that are just plain fun.
I haven't started Moonfleet yet, but it looks like it will be fun.
I haven't started Moonfleet yet, but it looks like it will be fun.


Abigail wrote: "Not precisely “background” per se, but a friend alerted me that there was a 1955 movie of Moonfleet directed by Fritz Lang! She says it’s good in the moody black-and-white British style. Might be i..."
That's background :) - info re what we are going to read
That's background :) - info re what we are going to read


The original Blackbeard - nothing to do explicitly with the legend told in Moonfleet, I don't think, but I would imagine Falkner gained some inspiration from him:
https://en.m.wikipedia.org/wiki/Black...
Dr Sherlock John's aunt says, in chapter 3 "'Bed is the place for youth when night falls, but if this seem to you too early you can sit with me for an hour in the parlour, and I will read you a discourse of Doctor Sherlock that will banish vain thoughts, and leave you in a fit frame for quiet sleep.'"
I've done a bit of research, and the Right Reverend Thomas Sherlock looks like a good candidate as the producer of the discourse in the quote. Poor John! TV is still such a long way off...
https://en.m.wikipedia.org/wiki/Thoma...

https://en.m.wikipedia.org/wiki/Juras...
Here is a nice pic of Moonfleet Manor, now a luxury hotel:
http://m.visit-dorset.com/accommodati...

Falkner would have been inspired by true stories of smuggling along the English south coast. The motive behind smuggling was to avoid the revenue collected by the government, which was very high on certain goods. A profit could be made by purchasing goods in France and selling them on in England. The goods in question included tobacco, tea and various spirits, such as rum, gin and brandy. The revenue mark-up could be as much as six times the source cost, which is why smuggling was such a lucrative venture and punishment was severe. Smuggling, wrecking and piracy were big business. business in places where the coast was difficult to patrol, enabling the perpetrators to go about their activities relatively risk free. The south coast was suitably rugged in places and faced France, making it useful for these clandestine careers. Smuggling became a problem as soon as governments began charging import duties. In England, this happened during the reign of King Edward I, in 1275. A customs-collection system was established and immediately people saw the fiscal benefit of smuggling those goods that were taxed the most.
Smuggling became part of English culture, not least because the authorities were never able to get the upper hand. The smugglers themselves were perceived as rather daring and brave ‘Robin Hood’ characters, because they were able to provide goods to the poor at reduced prices. Although they were roguish types, they were often protected by the general public, making it almost impossible for the government to deal with them. Some smugglers entered into English folklore, such was their infamy. After 500 years, things reached a head when a battle was fought between a gang of smugglers and members of customs and excise at the town of Christchurch, on the Dorset coast. The Battle of Mudeford (1784), as it became known, was a conflict that saw the death of one of the customs officers. A smuggler named George Coombes was subsequently tried and hanged for murder. His body was chained up outside the local ale house, the Haven Inn, as a warning about the consequences of smuggling. The Battle of Mudeford captured the public imagination, causing smuggling to be seen as both romantic and legendary.
By the time Falkner was writing his novel, smuggling was in decline, which only served to mythologize it further. The smuggler had become an antihero in industrial Victorian England, not least because smuggling harked back to a pre-industrial era in which people were imagined to have lived with less social oppression. That Victorian longing for psychological freedom generated a ready market for stories about characters living their lives to the full. That is to say, their choices may have been high risk and illegal, but that also made for excitement and spontaneity.
I have to admit that I haven't started looking into the novel yet. But I will in a couple of days.