The Next Best Book Club discussion
Author/Reader Discussions
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There is No End to This Slope Author/Reader discussion:

Physical edition is preferred if that's okay. I agree to participate in the group discussion of the book at the TNBBC reading blog. My post sounds badly written.


Thanks.



I'm in for the discussion also!
Laura

Thanks,
Deanna




I live in Finland and would thus like a digital copy.
Hey everyone! Good news! I've decided to make you ALL winners! Check your email inbox (for an email from mescorn@ptd.et) or your goodreads inbox - I've sent you an email detailing what I need from you.
Hurray!! And I look forward to seeing you over here next month!
Hurray!! And I look forward to seeing you over here next month!
10 days till Richard Fulco joins TNBBC to discuss THERE IS NO END TO THIS SLOPE. Everyone all set? Books at the ready?!
It makes it easier to participate in the discussion with the author if you read it before hand, yes.


First of all, thanks for the book. I appreciate it.
I'm only about a short distance through, so I'm going to hold fire until I feel there's something meaty for me to ask.
Apropos of nothing, I was in Brooklyn over Easter and was lucky enough to get to stay with relatives who live on Sackett St. The Cobble Hill Coffee Shop on Court was a stone's throw away and I was blown away by the city in general and Brooklyn in particular. The books I had with me were there to help my experience and were mixed. I tried Brooklyn by Colim Toibin and didn't get too far - it was clear it wasn't to my tasted and life's too short. I thoroughly enjoyed Paul Auster's Brooklyn Follies, but it wasn't my favourite by Mr Auster as I didn't feel it had the usual power and rhythm. Finally, I read Gravesend by William Boyl and I'd be surprised if I read a better book this year. It's superb.
I guess this is leading to a question. Which books that are set in Brooklyn would you recommend to me for my next visit? I'm happy to look at work from pretty much any period.
Thanks again,
nigel

But I too would like to start on my behalf by thanking both of you. The novel was really enjoyable read and felt incredibly real (how much of it was??) and it's kind of amazing to that this kind of opportunity is offered us and that we can participate here. So thank you.
I am only working on my review just now and hope to have more to say after I'm done with it, but there is one thing I'd like to ask right away:
As John does not recommend writing, should we listen to his advice or is it just better (not to mention in our powers) to avoid ending up where he did by working harder than he?

Thanks for the insight!
Laura
Hey guys! I worked today and am just getting a moment to pop online.
Yes, Lixian, we are supposed to start interacting today!!!
Richard will pop on at some point tonight as well!
Happy Father's Day Richard!
Thanks for agreeing to be a part of the discussion and for making so many copies available to the group! I really loved the book when I first read it and am really looking forward to what the group thinks!
Yes, Lixian, we are supposed to start interacting today!!!
Richard will pop on at some point tonight as well!
Happy Father's Day Richard!
Thanks for agreeing to be a part of the discussion and for making so many copies available to the group! I really loved the book when I first read it and am really looking forward to what the group thinks!

Great Book! I liked it more than I thought I would, after reading the summary. I could not believe how far John let his life deteriorate just by doing absolutely nothing. My first question is, and just because I am curious, was John in fugue states or having hallucinations? I could never figure out if Havannah was real or not! Was that on purpose? Or am I just making a simple street character more complex than she is?
Deanna

Great question!
I had possibly the most fun with Havannah. She began as a footnote and by the final draft had developed into an important figure in John Lenza's life.
I based Havannah on the Greek soothsayer Teiresias. She is quite prophetic and clairvoyant, yet John disregards just about all of her warnings simply because she's a junkie.
Another way of looking at Havannah - I guess - is that she's John's conscience or superego. There are times when John can be quite reckless and impulsive. For instance, one day he decides that he's going to show up at Dawn's front door, unannounced. Havannah suggests that he doesn't, but John does not heed her warning and show's up at Dawn's door anyway.
Thanks for asking such a thought-provoking question.
Best,
Richard

I am a ludite.
Best,
Richard

I often ask, "Why do you want to write," to which most folks don't have a reply.
There are so many things to do in one's lifetime, why sit in a quiet room, on a hard chair, behind a computer screen when you could be falling in love, making love, falling, or making?
I don't think John is a writer. He appreciates literature, sure, but that doesn't make him a writer per se. John never asks himself why he isn't writing. He has it in his head that he should be writing. He should be doing something else perhaps.
He detests his day job and has vague literary aspirations, but he is neither qualified nor prepared to write a play.
Best,
Richard

Thanks for the question.
It took me nearly seven years to write my debut novel, There Is No End to This Slope. The first 2-3 years were an apprenticeship, for I was learning how to write a novel. I have written songs, poems, short stories and plays, but never a novel and I was not equipped to write one back in 2007.
I have always been an evening writer, but with TINETTS I learned quickly that I would have to write any time of day, and that's what I did. I wrote in the mornings before I taught, but mostly when I returned home from 5pm-?
I completed the final draft before my twins arrived in the summer of 2011. I'd work on a chapter at a time. Before every session, I'd read what I had written and just tear it to shreds. I'd cut everything that I didn't like, everything that didn't work, everything that I was on the fence about.
It was important for me to be critical of my work, be as discerning as possible, but it's also important to acknowledge the successes as well. I'd criticize, curse and scoff, but I was also kind to myself when it was appropriate.
When Wampus Multimedia committed to publishing TINETTS, I worked hand-in-hand with an editor from January 2013-June 2013 (8pm-5pm every day, including weekends).
I hope this answered your question, Laura.
Thank you,
Richard

Three novels that come to mind are Motherless Brooklyn, Last Exit To Brooklyn and Desperate Characters.
Let me know what you think.
Best,
Richard
I adored Motherless Brooklyn. great recommendation!
Richard, what's the most flattering thing someone's said to you or written about the book? What's the most painful?
Richard, what's the most flattering thing someone's said to you or written about the book? What's the most painful?


Love this question...I think the most flattering thing (thus far) has been that so many of my friends and family members who aren't necessarily "readers" have read the novel. Their support has been overwhelming.
On the flip side, however, the Portland Review wrote something particularly harsh about the novel: "There Is No End to This Slope might have been a novel that Fulco needed to write but not one that we needed to read."
Their review, I find, is extremely personal and unfair. Critique the work, rip it to shreds, dissect it and defame it, but don't get personal. That's below the belt, but it says a great deal more about the critic than either me or my book. Don't you think?
Best,
Richard

Thanks for your question. And yes, it makes sense.
I think people write in order to make some sense of trauma. For me, I needed to recall as well as analyze a crucial period in my life and apply it to my protagonist, John Lenza.
For several years, while I was working on the book, it was something that I needed to write. It was cathartic (cliche, I know), and helped me to purge so many of my demons (cliche, again), but once it became something that I wanted to write the novel blossomed into something far beyond me and my experiences.
I think readers are also trying to make sense of trauma. I'm often amazed by human folly and shortcomings. It's what drives me and steers my writing. Why does John make reckless decisions that he knows full well going in that it's going to be the wrong decision?
To some degree, most of us are guilty of this. Why do we choose to suffer?
I'm also a teacher, and nearly every semester a student will ask: "Why do we read such depressing literature?" For years, I didn't know how to properly respond to this question - I'm not sure that my response now is proper - but now I say something like, "When you're in a great mood, flying high above the world, feeling optimistic about life, what do you do? Do you sit down and write a book about how wonderful you're feeling? Maybe. Most of us would rather enjoy life with our family and friends than write a book about it. When life sucks or when somebody really pisses us off or when our heart gets broken, we try to make sense of our pain. So we write it down, attempt to articulate the suffering and ask 'why it might have happened or how it can be resolved'."
Does my answer make any sense?
Best,
Richard


You are not alone. I think, some of us find comfort in pain. As ridiculous as that might sound, there is such brutal honesty in sorrow that might provide us with solace.
"Misunderstanding is all you see" - John Lennon
Best,
Richard

Thanks for the question.
It took me nearly seven years to write my debut novel, There Is No End to This Slope. The first 2-3 years were an apprenticeship, for I was learning how to writ..."
We all know how hard writing is, thank you for spelling out the hundreds (thousands) of hours it takes to get from manuscript to book!
Regards,
Laura

Our manuscripts are our babies, and it is so hard to hand them over to someone else, even though it might make them much better - what if it makes them worse?! :)
Thanks for giving us an inside track writer's look at your processes.
Laura

One proposition jumps to mind: my editor suggested that in the final chapter it is revealed that John has written There Is No End to This Slope. I think this would have drastically altered the novel. The point is that John is unprepared for the writing lifestyle. He is unable to commit to the hard work, challenges and dedication that are required.
In the end, I think we made the right choice.
Best,
Richard


Wow, that is a difficult question, Lixian. It's one that I've been thinking about ever since you posed it.
When I write a play - which has been a while - I'm always thinking of action, some sort of movement to complement the dialogue. Dialogue comes fairly natural to me but creating action doesn't.
I don't prefer plays in which characters sit around and talk for two hours, so I rebel against that in my own work.
Thanks again for asking a question.
Best,
Richard
Richard,
Seeing as how the writing process is cathartic and knowing that authors tend to pull in bits and pieces of their own lives into their fictional worlds, can you share a part or piece of the book that is pulled straight from your life, and one that is completely made-up and fictional?
Seeing as how the writing process is cathartic and knowing that authors tend to pull in bits and pieces of their own lives into their fictional worlds, can you share a part or piece of the book that is pulled straight from your life, and one that is completely made-up and fictional?

Seeing as how the writing process is cathartic and knowing that authors tend to pull in bits and pieces of their own lives into their fictional worlds, can you share a part or piece of t..."
Like many first novels, There Is No End to This Slope is fairly autobiographical.
I can tell you that everything in the novel is based on an experience that I have had or a person that I have known. Most of these experiences, such as John's marriage, are embellished, for I've taken quite a few creative liberties. Most of the characters are based on friends and acquaintances, but they're real people made of flesh and bone and not nearly as interesting as characters such as Teeny Duncan.
Best,
Richard

I majored in English, so I am always looking for some inner meaning. Even if one is not there! LOL! Glad to know Havannah was who and what I was thinking she may be.
Deanna

Seeing as how the writing process is cathartic and knowing that authors tend to pull in bits and pieces of their own lives into their fictional worlds, can you share a part ..."
Richard,
I loved Teeny, I was hoping he was based on a real person, he sounds like a great person. However, what made you decide to have Teeny fall off the wagon? Was it just John's influence, or was Teeny on the way there already?

Seeing as how the writing process is cathartic and knowing that authors tend to pull in bits and pieces of their own lives into their fictional worlds, can y..."
The way I see it is that everybody falls off the wagon. After we fall, some get back up, while some don't.
Though John isn't particularly a good influence on Teeny, I don't think he's at the root of Teeny's addiction problems. With or without John, Teeny was going to trip and stumble, but hey, he gets back up, right?
He moves home with Carmen, takes care of his ailing mother and starts writing more seriously, whereas John moves home, thinks about taking Heather to the Madonna concert, relies on his mother's tender loving care and doesn't write a lick.
Teeny is John's foil.
Thanks for the question, Deanna.
Best,
Richard

I'm excited to be sharing this book with you. I fell so hard for it when I first read it and I know you will too!
In order to be considered, you must comment here or on the blog for a shot at winning one and secure a spot in the discussion that kicks off June 15th:
http://thenextbestbookblog.blogspot.c...
This giveaway will run through May 8th.
Winners will be announced here and via email (if you provide one) on May 9th.
Here's how to enter:
1 - Leave a comment here or in the giveaway thread over at TNBBC on goodreads, stating why you'd like to receive a copy of the book, what format you prefer, and where you reside (remember, only US residents can win a paper copy!).
ONLY COMMENT ONCE. MULTIPLE COMMENTS DO NOT GAIN YOU ADDITIONAL CHANCES TO WIN.
2 - State that you agree to participate in the group read book discussion that will run from June 15th through June 21st. Richard Fulco has agreed to participate in the discussion and will be available to answer any questions you may have for him.
*If you are chosen as a winner, by accepting the copy you are agreeing to read the book and join the group discussion right here in this thread next month.
3 - If your goodreads profile is blocked (set on private), please leave me another way to contact you.