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Shantaram
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Shantaram next chunky with reading schedule
message 51:
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Sheila , Supporting Chick
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May 08, 2016 07:56AM

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I went to his website to try to learn more about him, and this is all it says:
"Dear Friends, Readers and Fellow Writers,
I retired from public life in January, 2014, and no longer attend breakfasts, brunches, lunches, afternoon teas, cocktails, dinners, events, festivals, speeches or launches. I don't do interviews any more, and don't have email, a mobile phone or a social media presence. All of my time is devoted to new projects and my family of loved ones.
I'm not running away from life: I'm moving into a creative seclusion. I love humanity and the world that sustains us, and I want to do as much new work in the coming years as possible.
I hope that those who'll miss my public life will be served by new writing from my private life. I hope that those I don't see, and those I can't respond to, will understand my decision when they see and hear the movies, music, graphic novels, essays, short stories and novels I'm working on now.
I leave the public world with a happy heart, knowing that it's the song not the singer that endures. If there's anyone out there who knows how to delete stuff from the internet legally and without compromising anyone's copyright, I'd appreciate it if you'd delete any pictures and film of me or references to me from the internet, especially deleting me from Wikipedia, leaving only my work. It would be very nice, to be erased from cyberspace, because it's not about me: it's about the art.
My literary agent, Joe Regal, and the head of Grove Atlantic, Morgan Entrekin, created a contract for the North American rights of The Mountain Shadow, which allowed me to keep the ebook, agreed to a limited license of the print publishing rights, and established a 50/50 partnership in benefit sharing. It's an evolutionary contract, and one that I hope challenges barriers of unfairness and indignity for other writers. I'm grateful to both men for being game changers, and bringing so much affectionate respect to our partnership.
Being able to retain the ebook rights, I was free to create the kind of ebook that I'd like to buy myself from any one of my favourite writers. I transcribed the text of the novel, but added some Bonus Features to the package.
There are about 24,000 words of deleted scenes, characters and dialogue, which I cut from all of the 23 drafts of the novel. Each deleted piece is annotated with the number of the last version in which it appeared before deletion.
There's an uncut, expanded version of the philosophical debate between Idriss and the sages who challenge him, without interjections.
There's a 180 question Q&A, which is my last interview for some time.
There's a comparison of four versions of Chapter One, from one of the earliest versions to the penultimate, so that readers can see the evolution of the work through many rewrites.
And there are 10 love poems from Lin to Karla, and from Karla to Lin, including the two from Shantaram and The Mountain Shadow.
If you want to buy the ebook, there's an icon somewhere on this site that will get you there. I hope that when other publishers see what writers can do with an ebook, they'll see the rational benefit in more equitable contracts. It was a pure pleasure putting the ebook extras together, and I hope you have fun wandering through the little forest of it.
Since this is a signing off message, I guess I should leave you with something from the slender perch of my experience. I've done wrong, I've made just about every mistake there is, and I dug a trench in my own honour. But as a sinner who tries to sin no more, and who knows that it's never too late to change if you never give up hope, here it is. Connection is everything. Connect with others, and with your spiritual self. Love the truth you find in other hearts, and always listen to the voice of truth in your own heart. Be as fair, honest, positive and creative as you can in all your thoughts, speech and actions. The heart of our human kind is tolerant, cooperative, caring and courageous. That's what we were in the first 100,000 years of our cultural evolution, and it's what we still are inside our common humanity. And when you honour the truth of others and follow your own heart, you walk in the light that you become.
Love and Faith,
GDR
http://www.shantaram.com/
"Dear Friends, Readers and Fellow Writers,
I retired from public life in January, 2014, and no longer attend breakfasts, brunches, lunches, afternoon teas, cocktails, dinners, events, festivals, speeches or launches. I don't do interviews any more, and don't have email, a mobile phone or a social media presence. All of my time is devoted to new projects and my family of loved ones.
I'm not running away from life: I'm moving into a creative seclusion. I love humanity and the world that sustains us, and I want to do as much new work in the coming years as possible.
I hope that those who'll miss my public life will be served by new writing from my private life. I hope that those I don't see, and those I can't respond to, will understand my decision when they see and hear the movies, music, graphic novels, essays, short stories and novels I'm working on now.
I leave the public world with a happy heart, knowing that it's the song not the singer that endures. If there's anyone out there who knows how to delete stuff from the internet legally and without compromising anyone's copyright, I'd appreciate it if you'd delete any pictures and film of me or references to me from the internet, especially deleting me from Wikipedia, leaving only my work. It would be very nice, to be erased from cyberspace, because it's not about me: it's about the art.
My literary agent, Joe Regal, and the head of Grove Atlantic, Morgan Entrekin, created a contract for the North American rights of The Mountain Shadow, which allowed me to keep the ebook, agreed to a limited license of the print publishing rights, and established a 50/50 partnership in benefit sharing. It's an evolutionary contract, and one that I hope challenges barriers of unfairness and indignity for other writers. I'm grateful to both men for being game changers, and bringing so much affectionate respect to our partnership.
Being able to retain the ebook rights, I was free to create the kind of ebook that I'd like to buy myself from any one of my favourite writers. I transcribed the text of the novel, but added some Bonus Features to the package.
There are about 24,000 words of deleted scenes, characters and dialogue, which I cut from all of the 23 drafts of the novel. Each deleted piece is annotated with the number of the last version in which it appeared before deletion.
There's an uncut, expanded version of the philosophical debate between Idriss and the sages who challenge him, without interjections.
There's a 180 question Q&A, which is my last interview for some time.
There's a comparison of four versions of Chapter One, from one of the earliest versions to the penultimate, so that readers can see the evolution of the work through many rewrites.
And there are 10 love poems from Lin to Karla, and from Karla to Lin, including the two from Shantaram and The Mountain Shadow.
If you want to buy the ebook, there's an icon somewhere on this site that will get you there. I hope that when other publishers see what writers can do with an ebook, they'll see the rational benefit in more equitable contracts. It was a pure pleasure putting the ebook extras together, and I hope you have fun wandering through the little forest of it.
Since this is a signing off message, I guess I should leave you with something from the slender perch of my experience. I've done wrong, I've made just about every mistake there is, and I dug a trench in my own honour. But as a sinner who tries to sin no more, and who knows that it's never too late to change if you never give up hope, here it is. Connection is everything. Connect with others, and with your spiritual self. Love the truth you find in other hearts, and always listen to the voice of truth in your own heart. Be as fair, honest, positive and creative as you can in all your thoughts, speech and actions. The heart of our human kind is tolerant, cooperative, caring and courageous. That's what we were in the first 100,000 years of our cultural evolution, and it's what we still are inside our common humanity. And when you honour the truth of others and follow your own heart, you walk in the light that you become.
Love and Faith,
GDR
http://www.shantaram.com/

I wondered if when he started purging so much from his personal life and experiences in India if he was surprised at what came out and maybe how much. He seems to still be sorrowful for what he has done in his life and wondered if that affected his decision to leave public life?
@ Sheila I gave that some thought also. I feel that if he would have strictly adhered to the autobiographical content that it would have been really heavy and depressing to read given the sections we had read so far. I am not sure it would have sold very well.
Does anyone else wonder if the hashish smoking factored into the novel? There seems to be alo t of it during the dicussion chapters.
Meg wrote: "Are you surprised at the level of poverty and how the verge person lives?"
I was more surprised about how quickly the author seemed to adapt to life in the slum, but maybe being an escaped convict he was adaptable to anything.
I was more surprised about how quickly the author seemed to adapt to life in the slum, but maybe being an escaped convict he was adaptable to anything.




I've got one chapter to go in this weeks reading section, but I see he is now getting to experience prison life in India. So maybe we needed a comparison of slum life, to prison life in Australia, to prison life in India?
I think the biggest difference between slum life to prison life is that in the slum you are still in control of yourself and your actions. You face deprivation and poor living conditions but your life is still your life under your control.
I think the biggest difference between slum life to prison life is that in the slum you are still in control of yourself and your actions. You face deprivation and poor living conditions but your life is still your life under your control.



Meg wrote: "The prison was brutal. Do you think it was first hand knowledge? Do you think it was accurate or embellished?"
I am still trying to figure out this book. It is supposed to be a novel, but seems to be based on the author's own life, and is written as a biography. But everything in it is starting to seem so exaggerated. So while I would guess that the author did go to prison and get beaten, I think his descriptions of what happened to him might be "over the top" and embellished to seem more dramatic. He sure seemed to be able to walk out, and recover quickly, when he was freed, which if his torture descriptions were accurate he should have been hauled out on a stretcher and taken to a hospital for long term rehabilitation.
I am still trying to figure out this book. It is supposed to be a novel, but seems to be based on the author's own life, and is written as a biography. But everything in it is starting to seem so exaggerated. So while I would guess that the author did go to prison and get beaten, I think his descriptions of what happened to him might be "over the top" and embellished to seem more dramatic. He sure seemed to be able to walk out, and recover quickly, when he was freed, which if his torture descriptions were accurate he should have been hauled out on a stretcher and taken to a hospital for long term rehabilitation.


I am curious to know what others think of some of the philosophies. This section the evil powers and forgiveness. I am really enjoying these bits that are sprinkled in among the storyline. It has given me a lot of food for thought.
I got a bit behind but started to catch up quickly last night because I hadn't read for a few days and also this section for me has been good reading.



Spoiler if you didn't finish this week's reading
In this section Lin and Karla get back together and profess their love; however, Lin leaves and Karla is gone. Do you think she committed suicide? Why do you think Lin made his decision to leave her?
I don't think she committed suicide, I think she just wanted something from him, wanted a commitment, and he wouldn't give it so she said "it's over". I think Lin is so wrapped up in himself, and his ego, and in boosting his ego by being a savior for other people that he didn't see the good thing he had right in front of him in Karla. He went to all the trouble to track her down, but then didn't really listen to her and what she was saying.

She was adamant about it, but I think she just wanted some kind of commitment from him. Remember, he had jumped out of bed the first night they had sex to run off to help Ulla and then disappeared because he got arrested and spent all those weeks in jail. She was probably feeling slighted, and jealous, and wanted to know that he really wanted a relationship with her, but he had to run back to the city to learn how to make counterfeit passports.

If Lin is supposed to be based on the author, he seems to have an extremely good impression of himself.

http://www.thehindu.com/multimedia/dy...
http://static.englishdictionary.educa...
http://images.newsworldindia.in/2015/...
http://l7.alamy.com/zooms/7565d48907e...
World Trade Center Hutments...
http://l7.alamy.com/zooms/380de3abdff...
https://vernekarshweta.files.wordpres...
http://c8.alamy.com/comp/D2W530/mumba...
Thank you for sharing those pictures of the slums Janice. The fire one is horrifying. To live in those conditions, and then have a fire sweep through....
Irene wrote: "If Lin is supposed to be based on the author, he seems to have an extremely good impression of himself."
The more of this I read, the more I start to roll my eyes at the main character/author. He seems to be one of those people that sees and event, then goes to retell it to others and places himself in the superhero or savior roll. Or reads something on the news, and then tells everyone he knows he was actually there, front row. A total exaggerator.
The more of this I read, the more I start to roll my eyes at the main character/author. He seems to be one of those people that sees and event, then goes to retell it to others and places himself in the superhero or savior roll. Or reads something on the news, and then tells everyone he knows he was actually there, front row. A total exaggerator.


I never cared much for Karla either, but I think this may be the author's fault because he doesn't really give us much to know about her besides how beautiful she is, and her mouth, and hair, and clothes, etc. Which is how he describes most of the female characters in the book. It's not unusual for male authors to have a difficult time creating female characters.
However, I think Roberts does a fine job of building the male characters in his book, with these he seems to be very perceptive and insightful... and his male Indian character portrayals are really excellent.
I think Lin is a strange mix of machismo and highly sensitive & vulnerable (I say as much in my review). I thought much of his prose, and his insights, were wonderful. Many chapters ended with some profound food for thought, and usually seemed to indicate a level of humility in Lin.

I am finding the prose getting a bit over the top. The metaphors and bits of pop wisdom strike me as something I would find in a freshman writing workshop.





Irene, I read the part last night about the horse he named Claire. (poor horse!). Yes, I think this might suggest he does have a pattern of not committing to relationships.
I am not enjoying this weeks reading as much. I am finding myself rolling my eyes and him and his adventures on this "trip". Does anyone think this guy actually did all of this stuff?
I am not enjoying this weeks reading as much. I am finding myself rolling my eyes and him and his adventures on this "trip". Does anyone think this guy actually did all of this stuff?

Since Roberts himself was arrested and jailed for smuggling heroin, I suspect he is very familiar with drug usage, and with withdrawals.