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What's important and what's not for sales and discoverability
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message 51:
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Michael
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Jun 04, 2019 03:45PM

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This is more of an accomplishment if you get on the also-boughts of someone famous. My alter ego now has four books listed on one of R.L. Stein's Goosebumps books...I'm waiting for the day when I'm listed on his author page as an also-bought author.

As someone who's tried to follow their advice, my experience is the author suggestions are either too pricey or a tremendous timesink, e.g. list books read (I've read thousands), review books read (to do a decent job I'd need to read again), engage with audience (not possible until I've built one), advertise books (expensive). It's on the latter point where I have to put my business hat on. Goodreads is a self contained business ecology, promotion costs are set to skim the top of the market, pitching authors that aren't established against big earners. It doesn't need unsuccessful authors to become successful but does need us as a backdrop to the big earners. It'd be empty without the unpaid scenery, and besides, who would readers engage with? Amazon's business model doesn't work in our favour and in this sense Goodreads has lost its way.
Returning to the o/p, what we can do: Goodreads suggests we imitate successful authors here - I doubt many budgets will stretch to that (mine doesn't). The answer lies in what level of interaction we are comfortable with. Does that mean stop writing? The door hasn't opened for me and it may never do so, but if it does, what have I got in the locker?

It is not just us. Tom Clancy couldn't make any headway until he got a little help in terms of a mention from the Reagans. Then, all of a sudden, everyone wanted to read it. Somehow, you have to make reading one the thing to do, but how you achieve that eludes me.

Tried it, but mostly as a supplementary to a bigger promo elsewhere. Anyhow, don't remember anything huge coming out of it..


Inspired by the last Champion's League Final streaker show and speaking about thinking out of the box, don't know how this could promote books, but an interesting thought to toy with: https://www.marca.com/en/football/int...
Imagine your series name on her swimsuit? -:)
And btw, look at the economic side: 18K in fines vs 3.5 mils in subsequent publicity income.
No, no, I'm not Vitaly, before you ask

Bl..."
My own experience is limited and I don't blog often enough - i use the blog also to list books as well as my more political comments. try it and see but it means for me less time with real writing

Author interviews are another avenue of promotion. I've been interviewing a different author each w..."
I'm still with Ask David and tweeting every now and then as just a regular advert - cannot say it has made any difference by its an easy way to tweet

My two cents

Result Nada except lots of lost time better spent writing the next book and the lost cash on Ads
I know the answer write a better book that attracts readers or entice (bribe) some hot mainstream media reviewer to get my book out there (like the main publishers do) - Not going to happen.

A friend of mine is a trad published non-fiction author. As far as I understand his publisher allocated a few K budget to launch the book, blast it with promos and pitch every media outlet, but only for the first month after the publication. After that it should either sink or float on its own.
Not an unreasonable approach. If a book has a virality potential a massive promo should trigger it..
Probably wouldn't dare to do it myself though

If the author feels the joy of creation whilst writing, enjoy.
If the author experiences the pleasure a reader gets from reading something he/she has written, that is reward in itself.
So, when you don't feel you are making much progress by trying to get yourself known out there, remember your creation will remain long after you. Just keep writing and improving.
