FABClub (Female Authors Book Club) discussion

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Under the Udala Trees
Women of Africa
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Under the Udala Trees group discussion (Jan '16)
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Alexa
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Jan 02, 2016 08:18AM

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My library copy of this is "in transit." I'm hoping that means I'll be able to pick it up today or by Monday at the latest. Does anybody else have it yet? Who else is planning on reading it?
I just now started this - l love this sentence from the very beginning: "It was 1967 when the war barged in and installed itself all over the place." And just before that she was talking about living life like butterflies - I thought that was a beautiful contrast.
This is a great story! I'm really enjoying it. I particularly like the way it is told from the child's perspective, but she still has a lot of insight into her mother's character and motivations.

I think we originally defined "Woman of Africa" as someone who was either born there or spent a significant chunk of her life there. Since she was born in Nigeria and lived there until she was ten I think she counts. It would be nice though if we can also get in some authors who are full-time residents. (It does kind of feel a little bit like cheating when they're currently Americans, doesn't it?)
So what are people's initial reactions to this? I thought it was interesting how the child appears to understand the mother better than the mother herself does. (And perhaps better than the mother understands the child?)


I especially like how the father's name is "the way"/and Ijeoma's name means " safe journey" as an offshoot of his.

Similarly, are her reveals. Ijeoma tells you or hints at what is to come, before going back in time to explain how all this came to be.
Has anyone else noticed this? What do you think of it?
I really enjoy the way she shifts time about! I thought it was quite interesting to give us the whole section about her mother's reaction - before we ever get to see exactly what the mother is reacting to. I found that very powerful! It's such a novel way to create tension.

Just ran across this interview of hers: http://www.consequencemagazine.org/re...


(view spoiler)
I thought it was beautifully written! It's interesting that in many ways it's a deeply religious book. I'm thinking I want to read this all over again, just to savor her language. I also was interested in how her perspective on things is slightly different as she ages - I can't recall another story in which the narrator herself is clearly aging as she tells the story.

What other ways do you see Okparanta being religious?
Well it seemed like during almost all of her struggles she's reading The Bible and praying in church. All of the second section, where her mom is trying to "save her" she only thinks that her mom's interpretation is wrong, never that The Bible is wrong. She seemed to get a great deal of her faith in herself from her religion.

Once I figure out how to write spoilers using the app/ get home to my personal computer, I'll explain my thought process.
Actually I do agree with you, I don't see the epigraph as evidence of her religious beliefs at all, but rather her discovery of the importance of her faith in herself.
I do see her religion in her epilogue though; she wants to see acceptance of herself in her bible and in her religion, and is hoping that's what she sees when she thinks about the "new covenant."
I do see her religion in her epilogue though; she wants to see acceptance of herself in her bible and in her religion, and is hoping that's what she sees when she thinks about the "new covenant."

I was just remembering one point in this that truly infuriated me. There is a lot of horror going on in this, the war, the persecutions, the rapes - yet we as readers really are sheltered from a lot of it. One relatively minor piece of injustice, that I didn't feel at all sheltered from, is when her husband brings home the toy car and refuses to let the daughter play with it. I was furious! (And I feel rather shallow that that small bit of gender injustice pushed all my buttons!)

Horrible things happen around Ijeoma, but we the audience are either stuck in a cellar or Okparanta reveals it by explaining everything BUT what happened. I never felt worried for her. Even during the rape scene. I never felt concerned that things weren't ever going to be better because some of Ijeoma's reactions felt so... distant.
I think Sokoto nailed it when she said "I thought that Okparanta's storytelling is true to how people tell oral stories. Memory comes in and out. Some things get revealed and then get fleshed out in non-chronological order.
I'll even chalk this up to growing up in a post-traumatic world where everything goes wrong so you walk around being numb. If so, hats off to Okparanta. But it left me unconnected and even indifferent to Ijeoma.
Interesting! I think the fact that everything happened at a distance left me feeling more connected to her. It's as if I was able to enjoy knowing her and admiring her coping techniques and spirit, while not needing to get too caught up in the trauma. Yes, the trauma was there, but it wasn't the focus, she was.