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Creating characters from scratch
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Then you go on to say all your characters are modeled after people you know.
I readily admit all my characters are people I've known and I mix their traits as well.
There's a good reason most authors do the same - because real people are about the weirdest, craziest characters ever.
It never ceases to amaze me what people do.






That's how mine are, but some elements of myself might show up. One of my male characters wrote a poem, and until I read it out of the story, I did not realize that it was somewhat autobiographal.


Some of what they do comes from things I wish I had done or said, so there's a bit of wish fulfillment too.

Neil,
LOL is such a cliché, but you literally made my laugh. It was the bit about you ex and her suspicions. That was hilarious. I don't need to sketch characters modeled after real people. I have an imagination that runs 24/7. That's where my characters start and grow. How it works? I have no idea.
When I begin a story I give my imagination a concept. After that I check back periodically and watch these movie clips that have been prepared for me. In turn I show the reader what my invisible companion shows me.
I never know the ending of my stories beyond the most general terms. The bad guy gets it. I don't know how or where until it's shown to me. I've been shocked more than once by some character's dialog or action.
I've had to kill some very good characters, but not all by design. Sometimes it's demanded of me. Oh, I've tried to resist. I suppose you've heard of writer's block. When I relent or go back and fix whatever problem I've created the creative flow is turned back on.
Yeah, it's that bad. The only thing worse than deviating from the master plan is quitting. I've thrown my laptop in the trash a few times, disgusted with the dysfunction of the publisher/agent/author dynamic, but every time I do my imagination explains that it's either my fingers or my brains on the keyboard.
It reads everything I write.
Help me!
ScaryBob

I knew you were deep and complicated. (Smile)
I allow aspects of myself into my characters--Mae is a runner and fitness professional, Bernadette is a college professor--but at the same time I makes sure none of them are directly based on my personality. My protagonist is inspired by a close friend. After I wrote certain life events into the books, those things began to happen to my friend--before she read the books, too.
My character who gets the strongest reader responses (aside from Mae, the series protagonist), is Jamie in Shaman's Blues. He showed up whole in what was meant to be another book and took over. I had to get to know him, listen to him, honor his eccentricities, do research to get certain details right once I knew his story, but he was a character in search of an author. He ended up requiring me to write Shaman's Blues.

Thanks.
I like the idea of 'a character in search of an author'.


"There are two basic reactions. There are those who hate you because they think you put them in your book, and there are those who hate you because they think you didn't put them in your book."
~ HANIF KUREISHI

I know. I read the graphic novel version by Milo Manara.

"There are two basic reactions. There are those who hate you because they think you put them in your book, and there are those who hate you because they think you didn't put them in your book."
..."
Great quote!

Creating characters is hard? Heck - it's hard *NOT* to create characters!

Sometimes they do seem to just show up. I created a boy for one scene, and he grew into a major influence, and will probably get his own book.

Selena, I have experiences much like yours. I begin with a germ of a character which generally takes a life of his/her own and grow in complexity and completeness.
It is said, don't know if true, that Charles Schultz designed the population of 'Peanuts' from astrology signs and their characteristics.
To each his own, I guess.

It's like, "Hmm. Let's write a story about a woman coming to America in 1820. What is the ship like, how can I make her life hell?"
In my book "The Creek:Where Stories of the Past Come Alive" I wrote a love making scene with a newly wed couple, but thought "What would shock people at this moment?" Then .. well... I won't tell you, but every reader thus far has said, "Wow! I wasn't expecting that!" lol That is because I don't prepare ahead of time. If you know where and who you are going with, then it could become predictable.
www.rhodadettore.com


Oh now there's an idea!




Guess what? My co-workers are telling me what anecdotes to put in the book, AND they want me to use their real names so their families can see it! LOL They even argued over who the characters in the first book were! lol

I write real inspirational books, so I've never had to go through the creative process of making up a character. Seems like an awesome process though.
-Nihar
www.niharsuthar.com
@NiharSuthar

I write real inspirational books, so I've never had to go through the creative process of making up a character. Seems like an ..."
In my case, the story and the scenes come before the development of the characters, and the characters are usually developed based on their reactions to the scenes.


Mine just waltz into the story, put up their feet and ask me what their part is going to be like. I tell them, 'You're going to be a heroin-addicted sniper' and they nod and say, 'Cool, anything else I need to know?', and I'll say, 'Nope, just imagine that you're the main character in your story, despite what the protagonist might say', and then we're off...

These often make the best characters.

Just for fun, I'd like to take this discussion off on a tangent for a bit. How do you guys come up with character NAMES?
For my novel [set in Napoleonic France], it was fairly simple. I needed about 300 names, so I just googled a list of French artists between 1650-1850, printed it out and then went to work.
I would take the first name of fellow #1, then pair it with the last name of fellow #4. Didn't take nearly as long as I thought it would.
For my fantasy books coming up, I did something similar. I looked up baby names in various cultures I am unfamiliar with [like 18th century Latvians] and used them as the base for a series of names. eg: if a real name happened to be 'votyjarer' I would transliterate it as 'varjyt' [which is easier for me to say and becomes original].
But don't tell anybody when the books come out. ;-)
Your Buddy, Chester

I am writing a novel set in Britain of 1890, and have here a Reader's Digest volume about English villages. I am mining it for surnames -- a tip I picked up from Georgette Heyer.
If you're going the full fantasy route, and need Orcish names or something like that, consider Scrabble tiles. You can select the 'look' of the names (frequent use of the letter K, let us say) by picking out a subset of tiles, and then start throwing in vowels and creating variants.

As a result I usually resort to Google, but I think I reuse names in different books/series more than I should, especially since I mostly need men's names and there are far fewer in common usage than there are women's.

For different races/countries/ethnicities, I just choose different countries.
DC - you got the right idea. Did you know there are websites with baby names for Mongolia? ;-) Wheeee!
For every book I put together a list of names of characters [all on the same sheet - no details, just names]. Doing this for your different series should keep you from reuse too much as it will allow you to check each list quickly.
Your Buddy, Chester


Sounds like you had a completely different experience.
How do you get away with so few characters in a long novel? Of course - both of my projects involve military units which sort of needs a roster....
Another fun question - what's some of the most unusual names you've ever made up?
I have a pair of master wizards that were really old before they were buried for 700 years under tons of rock at the bottom of a lake before a critter wizard dug them up [needless to say, there's not much left of their minds at this point - but they're still evil!]. I named them Qehemet and Qiftali. Seemed like the thing to do at the time.
Your Buddy, Chester

Cool, thanks for sharing your process! It seems like you kind of go with the flow :)
-Nihar
www.niharsuthar.com
@NiharSuthar


For different races/countries/ethnicities, I just choose differ..."
I've found this site very helpful in developing names. It provides modern, ancient and mythical first names from all ethnicities. Sometimes I change the spelling a little.
http://www.behindthename.com/

In various American Indian communities in New Mexico I pay attention to interesting and also common last names to use for for characters from those tribes. I have Zak Fatty (who is not fat) and Reno Geronimo (my favorite name I've come up with) as Mescalero Apache characters with accurate but colorful names, in two works in progress.
Another name source : the callers on Car Talk. They use first names only. A woman named Seychelles called once. I am using that in the same book with Zak Fatty (she is not from Mescalero).
I'm reading a book right now that has two Greg characters, both minor, but it's an oversight on the author's part.

For instance, the blind protagonist Bram Merleyn, mostly uses his first name, but for plot reasons I needed a last name that could also be a first name.
His first name 'Bram' has a sober kind of 'no frills' and 'solid' feel to it, without being too common/boring like 'David' or 'Bob' or 'Jan'* or 'Joop'.
Also 'Bram' is almost exclusively a Dutch name, whereas 'David' and 'Bob' are less bound to a certain locale. And while Joop and Jan are names often associated (in the Netherlands) with plainness and 'low' standing, Bram doesn't have such connotations.
* 'Jan', while mostly a female name in English-speaking countries, is pure male in the Netherlands. It's the main abbreviation for 'Johannes' (Dutch name for John the Baptist). Female form of Jan in Dutch is 'Janneke' (from Johanneke or Jojanneke). Even 'Janne' is a Frysian boy's name. The suffix -neke denotes a tiny stature, like in 'manneke' (little man) or 'kanneke' (small pitcher). Here endeth the lesson...

I initially thought about theme naming some of the characters in one of my novels but thought some of my choices were pushing it a bit (fire themed if you're wondering) so everyone's now nameless at the moment.
As for my collaborative project, my friends named their characters themselves, but we all have "significant" names. Or at least our alter egos do.

Each of my individual characters are a conglomeration, a mix, of people I’ve known and associated with over the course of my life. This naked truth always perplexes my friends who often tell me that a certain character is just like them in every way and how much they relate to that particular character. I’ve even had an old girlfriend (before I was married) get angry with me because she thought a character in one of my novels was too much like her. I had to assure my ex that the psycho girl (who needs to be highly medicated but isn’t taking her anti-psychotic pills) in my novel was not based on her, but on at least eight different people, most of whom I went to college with. I’m not certain if she believed me or not but I recently noticed that she un-friended me on Facebook..
When I write I transform into and become my characters. I become the clairvoyant prostitute and the daring young man fighting an alien insect invasion. I am the disfigured 9/11 hero and the dignified young woman dying of cancer. I immerse myself in these characters and their worlds and live for a time in the fantasy. It would be hard for me to pretend to be someone I know as a person, if that makes any sense.
To read more about my world and my books please check out my blog: ALWAYS WRITING
http://www.neilostroff.blogspot.com