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Go Set a Watchman, Initial Impressions_August 2015
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Lawyer, "Moderator Emeritus"
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Aug 02, 2015 08:42AM

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There is so much more life in TKAMB than this book which I find to be a series of static views of the South. All the freshness and possibility of change that makes up TKAMB s charm is absent -just a thought

I agree, Jane, especially with the point made in your second paragraph. It's almost as though she bought into all the stereotypes of the South in Watchman and needed to rant about them. There was no real life in this first version.

What do I think? To Kill a Mockingbird had the most brilliant editor. If the stories about draft are true, then every editor and writer in the world should read these 2 books.
Good for Monroeville being divided. And now that I've learned a 3rd novel exists bridging the two, I think someone (corporate) is exploiting Harper Lee.
I'm one of those who pre-ordered Watchman on the first day that Amazon was taking orders. On the day it arrived I made a spur-of-the-moment decision to reread Mockingbird before starting Watchman. I am very glad I did. When I finally began to read Watchman I could instantly recognize that the voice of Scout in Mockingbird is the same voice as that of Jean Louise that we meet in Watchman. That went a long way in helping me to see the two books as one continuous story, even though there are definite discrepancies between them.

I agree Tom, and in many ways this is why the voice didn't work for me in Watchman, it seemed to come across, in some scenes -the Dance scene - as rather naïve or worse childish and uppity as when Jean Louise is criticising the men s observations of the Klan without seeing the whole picture she is too quick to judge This turns into Atticus' walking in someone else s shoes in Mockingbird. so, that was ironed out.

Flash Beagle wrote: "I recognized the lively voice right off and it was a delight. I was also really surprised at the opinion she formed of Atticus seeing him at that meeting. He didn't say one word and she jumped to..."
I took that anger as the result of finding tarnish on a figure she had revered for her entire life. (I.E.: "What a hypocrite! That's not how you raised me!")
I took that anger as the result of finding tarnish on a figure she had revered for her entire life. (I.E.: "What a hypocrite! That's not how you raised me!")


-Jean Louise Finch
The voice of Scout ? Very much so. I think her editor took one look at this manuscript and rejected it and told Harper Lee to re-write it as Scout. She went from being a novelist to being a storyteller.


-Jean Louise Finch
The voice of Scout ? Very much so. I think her editor took one look at this manuscript and rejected it and told Harper Lee ..."
That rings true to me. I've been speculating on the circumstances that brought this about, and I think you hit the nail on the head.

What Jane said. This book is an excellent example of the importance of a good editor. If she had intended to publish it, she would have worked on it a lot more, with her editor, and writer friends. It's so similar to the fiasco of McCullers last novel. Both, however, are better than anything I have finished, so I'm not going to dis them.

The money folks will always publish anything by a successful writer with no regard for their artistic integrity. The moral of this story is to have a very good lawyer, and not to leave anything private in a safety deposit box.

I agree with your seeing this for what it is. If one expects TKAM, one will be sorely disappointed.

I read in someone's review that if Lee hadn't wanted this published, she should have destroyed it. Surely she knew, (if she doesn't now) that the vultures would be all over anything she's ever written, including grocery lists.


I considered this to be a rough draft or the seed of TKAM .
Jane wrote: " I have finished it and I really don t believe that it needed to be published at all -never thought I d say that "
I think that there are a lot of autobiographical elements to Watchman. Both Harper/Jean Louise grew up in M___, Alabama, went to live in New York, and returned home during the height of the Civil Rights era. With that in mind, I believe she wrote the book to express her concerns about what was happening in the place of her birth. Unlike her New York friends, she didn't have the luxury of rejecting southerners out of hand. She was one. They were her people. What was happening must have been tearing her apart.
I think that there are a lot of autobiographical elements to Watchman. Both Harper/Jean Louise grew up in M___, Alabama, went to live in New York, and returned home during the height of the Civil Rights era. With that in mind, I believe she wrote the book to express her concerns about what was happening in the place of her birth. Unlike her New York friends, she didn't have the luxury of rejecting southerners out of hand. She was one. They were her people. What was happening must have been tearing her apart.
If Atticus' was based on her father, I can see some of these things actually happening or being discussed on her visits home.
Diane wrote: "If Atticus' was based on her father, I can see some of these things actually happening or being discussed on her visits home."
Her father, Amasa Lee, practiced law and served in the Alabama State Legislature. Her maternal grandmmother's maiden name was Finch. Do you think for a minute that she wasn't writing about people near and dear to her heart?
Her father, Amasa Lee, practiced law and served in the Alabama State Legislature. Her maternal grandmmother's maiden name was Finch. Do you think for a minute that she wasn't writing about people near and dear to her heart?

I took that anger as the result of finding tarnish on a figure she had revered for her entire life. (I.E.: "What a hypocrite! That's not how you raised me!") "
I think's that's the reason too. That is where an editor would come in: Ok, she's known Atticus forever; knows he is thoughtful, carefully thinks things over. He is cagey: when Scout's falsies were found in the tree (very funny scene), Atticus is the one who basically said if all the girls had falsies then how could anyone tell who they really belonged to. He also said something like he wouldn't mind pulling the wool over a juryman's eyes.
Given those facts, Mr./Ms. Imaginary Editor should question Scout seeming to forget her father's own caginess, thoughtfulness, and jump to conclusions and scream at him. It's story content and making it make sense; a better way do something. It's really unusual to critique a book that is a draft/didn't receive final go-ahead until only recently.

I think that there are a lot of autobiographical elements to Watchma..."I agree with you Tom.

It is probably impossible to honestly evaluate Watchman because we are all stained by TKAM. It would be interesting to find an adult out there who has not read or seen TKAM and get his unbiased opinion of Watchman.

The only time I noticed a strangeness was when I spent my summers with my Grandparents in Tula, MS . Right outside of Oxford. My grandmother would use the "N" word and it was as though I had heard a cuss word .
I still would never use it .
I will let y'all know when I finish ....
Dawn
Afternoon all, I've been absent of late, though I try to keep the train on time. I'm approximately three-quarters through Go Set a Watchman. I've been following the discussion threads, both initial and final impressions. And both threads are proving fascinating to me.
First and continuing impressions: These are two very different books. For me they bear no resemblance to one another. GSAW is the story of a young adult woman at conflict with the values of her father whom she did not know he possessed. She questions her heritage. The values of her home. She believes that she is the only color blind person in Maycomb County. Incidents central to TKAM are absent in GSAW. Only in flashbacks do we catch glimpses of young Jem, Scout, and Dill whom we recognize as the children of TKAM. At this point, I question the value of GSAW. Had it been published, would it have become a hallmark of American literature? My current thoughts are absolutely not. Are my impressions subject to change? Of course. And, if so, you'll catch them in final impressions.
I've done much back story reading. And the story of the development of TKAM is a fascinating one. I'll not delve into that here. However, look for it in final impressions. It is a revealing look at the close working relationship between author and editor.
And, what's the story on Harper Lee's consent to publish this work? Well, we'll never know. However, there's interesting information regarding that, too. I'll include that in final impressions.
One final note on GSAW. This work IS highly autobiographical. Considerably more than TKAM. An excellent companion read is Mockingbird: A Portrait of Harper Lee by Charles J. Shields.
First and continuing impressions: These are two very different books. For me they bear no resemblance to one another. GSAW is the story of a young adult woman at conflict with the values of her father whom she did not know he possessed. She questions her heritage. The values of her home. She believes that she is the only color blind person in Maycomb County. Incidents central to TKAM are absent in GSAW. Only in flashbacks do we catch glimpses of young Jem, Scout, and Dill whom we recognize as the children of TKAM. At this point, I question the value of GSAW. Had it been published, would it have become a hallmark of American literature? My current thoughts are absolutely not. Are my impressions subject to change? Of course. And, if so, you'll catch them in final impressions.
I've done much back story reading. And the story of the development of TKAM is a fascinating one. I'll not delve into that here. However, look for it in final impressions. It is a revealing look at the close working relationship between author and editor.
And, what's the story on Harper Lee's consent to publish this work? Well, we'll never know. However, there's interesting information regarding that, too. I'll include that in final impressions.
One final note on GSAW. This work IS highly autobiographical. Considerably more than TKAM. An excellent companion read is Mockingbird: A Portrait of Harper Lee by Charles J. Shields.

Thoughts on why Jem was not part of her adult life? Why was he killed off?
Someone mentioned destroying writing if didn't want published. Maragret Mitchell asked her husband to destroy her work on Gone With the wind at her death which he did except he saved a few documents in case It was ever questioned that she actually wrote the novel. She didn't want people to see what it looked like before the finished product.
Someone mentioned destroying writing if didn't want published. Maragret Mitchell asked her husband to destroy her work on Gone With the wind at her death which he did except he saved a few documents in case It was ever questioned that she actually wrote the novel. She didn't want people to see what it looked like before the finished product.

Jem and Dill were necessary only so that she could interact with in the flashback scenes. The whole goal of the flashbacks (and therefore the boys) was that we got to see how spunky she was and how revered her father was. The trial was mentioned just as briefly as Jem was.
One really has to give kudos to Ms Lee's editor and publisher - and of course the author herself - for seeing that the charm and morality lessons in the flashbacks was worth their very own book.
Jem didn't disappear in Watchman, so much as he was conjured in TKAM.

Someone mentioned destroying writing if didn't want published. Maragret Mitchell asked her husband to destroy her work o..."
Well, she did originally name her character Pansy O'Hara, didn't she? It is good that her book underwent an editing process, for that reason if for none other.
LeAnne wrote: "Jem didn't disappear in Watchman, so much as he was conjured in TKAM. "
Well said.
Well said.
Her own older brother had died, and I think Watchman was taken from her own life and circumstances at the time she wrote it. I can see her being as testy and argumentative and opinionated as the adult Scout. I preferred the childhood version, and had a hard time accepting Jean Louise as an adult.
Diane wrote: " I can see her being as testy and argumentative and opinionated as the adult Scout. I preferred the childhood version, and had a hard time accepting Jean Louise as an adult. "
I had no trouble at all. I just looked at Lee's picture on the dust cover and said, 'Yep. That's Scout alright.'
I had no trouble at all. I just looked at Lee's picture on the dust cover and said, 'Yep. That's Scout alright.'

When I found out that Jem was dead, I was disappointed, sure.
But the tone, Scout's "voice" was there. Yes, she's been living "outside of the World" by living in NYC, but she quickly adjusted, knowing all her people, their characters, well. And they accommodated her, keeping her in comfort.
Yes, it could use some editing. But, I keep track of ALL the errors in the books I read (check out some of my latest reviews), and most times, I'm very picky. I'm on pg 93, and have ONE error, and ONE quibble. (I leave what I call "style markers" alone.)
I'm enjoying the book. A lot. Like Scout, um hm, Jean Louise, I accept the old town as old, stuck in its ways. "Colored people" is honestly what I learned to name African Americans in public, (though in my heart, there never was any more difference between me and my friends except hair color or eye color. We all ran all summer long like almost naked savages, playing all the day, getting food where we could, crab apple trees weren't safe; neither were mulberry bushes, apricot trees, or sweet old ladies with cookies and milk).
I feel that flavor, that of the Time That Was, in this book.
One of my reviewer notes says: I hope the sales of this book and the excitement it brings will give Miz Lee all the $$$$ needed to keep her comfortable for the rest of her years. I can't believe she's hung onto this manuscript all these years!
So, exploited or not, she will get income, more than she had. ALL the publishing houses look for old manuscripts in cases like these! The sensation it generates, regardless of lack of stars, will sell books. It's a fresh injection of blood into the business.
And honestly, I'm glad the book isn't ~too polished. If it were, I'd greatly suspect a ghost writer at work. ;)
Oh, and whether it should have been published or not? I have read MUCH worse books, that are ~very popular, that aren't worth the match to light them up. Yet, they are published. They won't be remembered 20 yrs from now (thank the powers that be!). This one will be there. Maybe reclassified as an autobiography, who knows?
And of Scout herself... At 25, I was a know it all ~snot, weren't you? I knew better than anyone, at least when it came to morals... Yet I was a mess, I made wrong assumptions all the time. I believe, entirely, that Jean Louise would react as she has, so far. And will, if what I'm reading from y'all is correct. ;)
Love your assessment , Meran. I feel exactly the same about the book's publication, and Jean Louise' 25 year old persona. You stated it perfectly.

To put this in perspective--
Harper Lee is very wealthy from royalties from Mockingbird. According to court papers filed against her former agent, HL earned $1,688,064.68 in royalties for the first 6 months of 2009. Mockingbird has been in print for 55 years--you do the math.
(http://www.celebritynetworth.com/arti...)
Even if HL does benefit financially from sales of GSAW, what about the ordinary people who bought GSAW expecting a good book and a valid sequel to Mockingbird? They have been disappointed, and according to some reviews on amazon.com, they feel cheated.
Also, IMO, book publishing does not need a publication like this--the first draft of an already published book, marketed as a sequel and a "newly discovered novel," which it is not. There has been widespread criticism of GSAW as a scam. One example:
http://www.nytimes.com/2015/07/25/opi... A triumph for the publishing biz? I don't think so. Many reviewers on amazon.com say it is a disgrace, and I agree.
I choose to look at this as a piece of literary history. Can you think of any other classic novel where we have a chance to see the rough first draft as opposed to the novel it became?
Did publishers make money? Absolutely! I really can't understand why so many people are against the publication of this book. I certainly do understand why some people choose not to read it. I hope Harper Lee is getting some good laughs from all the publicity surrounding it.
Did publishers make money? Absolutely! I really can't understand why so many people are against the publication of this book. I certainly do understand why some people choose not to read it. I hope Harper Lee is getting some good laughs from all the publicity surrounding it.

Finally, perhaps a bit more honesty in advertising wouldve made everyone happy. If sold merely as her first draft, then expectations would have been lower, and it couldve opened peoples eyes as to how long and hard authors & editors work to make the final work pop off the page.
LeAnne wrote: "Finally, perhaps a bit more honesty in advertising wouldve made everyone happy. If sold merely as her first draft, then expectations would have been lower, and it couldve opened peoples eyes as to how long and hard authors & editors work to make the final work pop off the page. "
It's not like this was a secret. I knew exactly what I was getting into before I received the book. Granted, I ordered it on Amazon the first day it was available but, considering the author, I would have bought a phone book if her name was on the cover.
Having had my expectations adjusted by the truth of GSaW's publishing, I enjoyed it for what it was, an opportunity to get further insights into TKaM.
It's not like this was a secret. I knew exactly what I was getting into before I received the book. Granted, I ordered it on Amazon the first day it was available but, considering the author, I would have bought a phone book if her name was on the cover.
Having had my expectations adjusted by the truth of GSaW's publishing, I enjoyed it for what it was, an opportunity to get further insights into TKaM.

I would have had no objection if GSAW was included in a collection of the author's papers and made available through a research library. That is the typical practice for first drafts, memos, etc by an author.
I also would have had no objection if the publisher explicitly stated that GSAW is a preliminary work. Instead, the book was promoted and sold as a regular commercial novel, which it does not deserve to be. While the people on goodreads are informed about the nature of this book, a large number of other readers out there never got the message. They believed the promotion by the publisher and got no farther. I don't blame them for that, either. People typically buy books without researching the publishing back story, and they shouldn't have to. They trust that a book that is sold as a commercial novel is a commercial novel for recreational reading, not a literary artifact.
I've been reading the reviews on amazon.com. A large number of readers, especially those who pre-ordered or bought GSAW in the first week of its release, don't comprehend why the book is so poorly written and doesn't match up with TKAM. They are confused and disappointed, and they feel cheated in the money they spent. Some of them are heartbroken by the changes in their beloved characters. That's the wrongdoing right there: hurting readers like that for the sake of greed. If Harper Lee were aware of what is happening in the world with her book, I don't think she would be laughing about it.
LeAnne wrote: "If Im not mistaken, Ms Lee has a scholarship fund, so whatever readers paid for Watchman can be considered a partial donation to deserving kids...perhaps a bit more honesty in advertising wouldve made everyone happy."
When I googled HL's history of charitable giving, I found no information about sustained or regular charitable gifts, to a scholarship fund or anything else. She doesn't even fund the literary award named after her--a corporation funds the prize. This year she and her attorney set up a nonprofit to insure "the literary significance and historical contribution made by To Kill a Mockingbird." As far as I can tell, the nonprofit is set up but unfunded. Nor has it announced any plans for substantial charitable giving. For now I'm assuming that most of HL's book royalties are held as her personal fortune, estimated to be $1-$3 million dollars in income per year.
I realize you mean well by your remark, but "honesty in advertisement" is not a courtesy. It's the law. I've checked out information about violations of false advertising laws on the Federal Trade Commission website. I don't know if HarperCollins' practices meet the level to support a lawsuit. I sure would like an informed legal opinion, though. It's possible that someone will file a class action lawsuit against the publisher. The FTC also has the power to conduct an investigation, if it receives consumer complaints.
Tom wrote: "It's not like this was a secret...
There was plenty of pre-publication controversy about GSAW, but almost all of it centered on whether the book was being published with Harper Lee's valid consent. I don't recall much discussion about GSAW being a first draft of TKAM. The unpublishable quality of the book became an issue after the book was released, and enough people got a chance to read it. Also, IIRC, the publisher departed from usual custom, and permitted few professional reviews prior to the book's release. IMO, this secrecy meant that consumers were slow to find out exactly what GSAW is.
I'm sorry CS, I just can't agree with that reasoning. I don't believe you can expect any publisher to guarantee that you're going to like a book just because you shelled out money for it. I've bought lots of books that I was disappointed in after reading, and there are a lot of books on bookstore shelves right now that, in my opinion, are a waste of paper. But it's a free country, and that's the nature of the beast.

Hmm...let me try again. I am not saying that a customer is entitled to "like" a book simply because he/she has paid for it, or that such a thing should be guaranteed by the publisher. That would be ridiculous, and if you don't mind my saying so, a farflung interpretation of what I posted. We've all bought new books and lived with dissatisfaction after reading them. I've tossed out so many disappointing books in my lifetime that now I just shrug when I discard another one.
I am saying that GSAW has been marketed as a sequel and a "newly discovered book" when it is not. In that sense, readers are entitled to expect a valid sequel to TKAM, which GSAW is not. GSAW is a flawed and inconsistent early draft of TKAM, as has been discussed on this topic and elsewhere.
One bookstore in Michigan decided to come clean with its customers and offered refunds because GSAW is not what it has been promoted to be.
http://www.brilliant-books.net/go-set...
also:
http://www.usatoday.com/story/life/bo...
I have heard anecdotes of refunds given by other retailers, but none have been as upfront about their policy as this bookstore.
IOW, some ethical bookstores recognize why these readers are disappointed and distressed, based on how GSAW was marketed, and they have tried to correct the situation.
Books mentioned in this topic
Go Set a Watchman (other topics)To Kill a Mockingbird (other topics)
My Father and Atticus Finch: A Lawyer's Fight for Justice in 1930s Alabama (other topics)
Go Set a Watchman (other topics)
Mockingbird: A Portrait of Harper Lee (other topics)
More...