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What to read next??
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Erika
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Jul 22, 2015 04:38PM

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For a modern beatdom still author check out the work by Harry Whitewolf



http://www.amazon.com/Collected-Poems...
"The Collected Poems of Philip Lamantia." Lamantia is probably not the first name that comes to mind when you think of the Beats, but he was certainly within their orbit, having read along with Ginsberg when the later first read "Howl" in San Francisco. He was close to Ferlinghetti and Kenneth Rexroth, and as a child prodigy was probably the first of the Beats to be actually published - in 1943.
He began his career as a Surrealist poet, and was endorsed by Andre Breton, one of the major figures in that movement. As for Surrealism, I think it works well in painting, put in poetry, I have my doubts. Lamantia's Surrialistic poems tend to be highly obscure and he uses personal symbols that are impossible to translate without a commentary. Lamantia also writes about some of the subjects that interests him but that are unknown to the average reader: alchemy, medieval philosophy, Egyptian hieroglyphics, etc
There is an excellent Introduction in this book to Lamantia's life, which is quite interesting. He suffered from Bi-Polar depression and abused hard-core drugs. Several times in his life he would withdraw from Society and be "reborn" with some new interest.
In the 60's I bought one of his books: "Selected Poems 1943-1966," which was part of the "Pocket Poets Series." I struggled with the poems at the time, and found them impenetrable. I am going to give this new book a fair shake - I'll see if my initial impressions are still valid, or my early impressions were the fault of an immature, and then, careless reader.
Jackson wrote: "I feel like part of understanding the texts is understanding the history and culture of the generation as well. I thoroughly enjoyed Literary Outlaw: The Life and Times of William S. Burroughs"
It's a great biography, but the new Burroughs bio, Call Me Burroughs, by Barry Miles, is more comprehensive.
It's a great biography, but the new Burroughs bio, Call Me Burroughs, by Barry Miles, is more comprehensive.

Cassady was Dean Moriarty in On the Road, but he was Cody in Visions of Cody, and for this novel which wasn't published until the early '70's, a few years after Kerouac's death, there is almost no narrative, which freed up Kerouac's poetic mind to imagine Cody growing up, or in the present, or even the future, and let loose every stream of consciousness thought he had about the great protatgonist of the Beat generation. Kerouac wrote it at a time when he was at the height of his literary powers, and though Visions of Cody wasn't as accessbile as On the Road, it's much freer. On the Road, which Burroughs jokingly called On the Root, was loosely tied to a narrative, not to mention edited with much tighter tough sentences than Cody, but that doesn't make it better art, and if anyone ever questions the greatness of Jack Kerouac's musical intuition they only need read a few pages of Visions of Cody to be convinced that he was truly one of the greatests prose stylists of his generation.
Visions of Cody is a very long book that can't be read in a sitting or two and is almost like taking on Ulysses, or dare I say it, Infinite Jest, but it's well worth it. Like all great massive tomes that try to transcend the structural limits of their day there is a long section towards the end of a taped conversation between Neal Cassady and Jack Kerouac that does its best to capture the mad cryptic enlightened way that Neal Cassady put together sentences, and strung out thoughts. It was done at a time when the tape recorder was a new device much like the internet or any new technology, and I'm sure people at the time thought it was going to make writing obsolete, or change it forever, since all you'd have to do is dictate your thoughts into a tape recorder, but obviously that didn't come to pass. You get this sense of experimentation in the novel, and after hundreds of pages of some of the most glittering prose you'll ever read the tape recorded section comes as a relief, even if it's not quite as radical an idea 50 years later. It sort of remdinds me of how James Agee, another great writer, was obsessed with making a multimedia book out of Let Us Now Praise Famous Men, and included those famous photographs by Walker Evans.

Books mentioned in this topic
Wasting Talent (other topics)Digging the Vein (other topics)
Permanent Midnight (other topics)