Cozy Mysteries discussion
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Suggestions on where authors should not cut corners in their writing
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I know I did a huge amount of research for my books (Safe House and Safe Beginnings) from visiting battered women's shelters to the fire department to spending weeks in the citizen police academy--and all of that was apart from calls I made to experts and internet research and books I read.
I just read Suzanne Arruda's The Serpent's Daughter (a historical mystery) and I can tell she's done a ton of research. I read the book because I wanted to learn about it.

Christine:
Thanks for the input. Since this is a Cozy Mysteries group, my post was meant for those books only. Sorry for the misclarification, I just thought that would be understood. On short fast reads like cozy mysteries I've heard a lot of comments from people in general (on here and in my life) that these kinds of reads tend to be more story oriented than factually based, which is fine, but people who work or participate in areas (such as the renaissance faires or book binding businesses which I listed above) have gone on what they know or have heard of more so than experience or research and many readers I have come into contact with have expressed that it is kind of annoying to read about something you are involved in personally and it is misrepresented. It's like me being in law and watching Law and Order...fun show but legally inaccurate in many ways. The books you are stating you write about are WAY out of cozy mystery league and were not even in consideration when I posted this. This post would not pertain to them in any way.


My live book club, with authors, found it most helpful. There is one series I read that the timeline is impossible generationally, but I simply overlooked that. However, I would have enjoyed the books more if I could have related the past and present information and experiences in a more believable fashion. In this case, true historic events were referenced over a person's lifetime that there was no way the person could have lived through and experienced all of these events happening and be the age they were. Timelines can be an issue for authors because they get lost in writing the story and lose track of the plausibility of things happending when they do. I found more than one book/series with this issue and I would make the suggestion to any author that this be paid attention to. If this does not pertain to an author then that is not something for them to worry about. If an author writes and uses events that can be outlined in a timeline, it may be helpful to know that readers do pay attention to this sort of thing and to be careful that their times match up believably with other events in thier books. That is simply all I was trying to faciliate there. I also know a couple of authors who do no research at all and it was helpful for them to know that people do pay attention to these things, no matter how small a fact may seem. These people just liked to write stories.
My apologies if the subject offended you, as I had not heard of your books or you prior to your post, so without reading your writings I could not venture to agree or disagree with you factually concerning your subjects, but I believe you when you say you put the time and effort in your research. Maybe this discussion is a little too deep for this site, but it went over well in person.
Best of luck to you in your future books!

I signed up for the cozy mysteries discussion group recently. I have no comments on how authors research their books or critical remarks. I either like something or I don't, if I don't I don't say much about it. I'm interested in finding new cozy authors to read. Could you let me know what your name is and titles so I can look for them at the library?
Thanks
Lisa

Safe House is just coming out in print this month.
and my name is Christine Duncan

Safe House is just coming out in print this month.
and my name is Christine Duncan
"Thanks Christine, for letting me know, I will put those on my to be read list right away. And as far as writters go, more kudos to you and any writter for putting themselves and their creative ideas out there, I feel that way about anyone who would write something irregardless of wether I like a certain style, genre or not. Thank goodness someone has the dream or toughness to do that, so that we all have such wonderful stuff to read about and explore!

Sometimes, the issue of how much to explain/or leave out is in the hands of the publisher and the author and editor/publisher might disagree on this issue.
I had this experience when I was writing non-fiction and enough said, I won't go into it. But when I decided to switch to paranormal mystery fiction, I knew I wanted a publisher who would appreciate my need to add author's notes at the end that would clarify some of the background reserach that goes inot my novels. I hate for readers to be left wondering and since my novels involve topics/elements that I spent a great deal of time researching, I wanted the reader to be able to relate to these topics/elements (some of which include Celtic history and Victorian sleight-of-hand magic)wihtout putting the book down and hopping on the keyborad to get the background needed to relate to the story.
Not all publishers are agreeable to a fiction author including this kind of notes in the back matter, especially since doing so takes up as much paper and ink as a couple of chapters.
Elizabeth Eagan-Cox, author of the Shannon Delaney cozy paranormal mystery series.
www.ElizabethEaganCox.net

Sometimes, the issue of how much to explain/or leave out is in the hands of the publisher and the author and editor/publisher..."Thanks for explaining that, makes a lot of sense. I'm glad there are some publishers willing to allow the research info, it helps so much.

Having my characters "speak the lingo" is all-important to me because that more than anything gives that semblance of reality. I also try to get someone in the hobby/occupation to review scenes for me after I write them to make sure they are authentic sounding.
As a reader, I like to learn something when I read, so I appreciate it when other authors go to the same trouble to research their history in a historical mystery novel or the hobby or occupation in a cozy mystery that features that hobby or occupation.

As a writer, I've learned that research is essential. It's a little like lying, oddly enough. One lie leads to another, until things spin out of control. Same in writing. One idea, fact, or supposition leads to another. If those are not accurate, then your whole story can veer off track.
An off-the-cuff example: The diva shows up one spring evening at 7:55 to sing for an 8:00 show, angering everyone. She claims it's because she forgot to reset her watch after arriving from Saskatchwan, plus yesterday's switch to Daylight Savings Time. A crime ensues, and the time discrepencies are crucial to your beloved detective solving the case.
The book comes out and, to your dismay, is raked over the coals: every single review and fan letter points out that the whole premise of the book is impossible as Saskatchewan doesn't observe DST. Your story was built on an incorrect assumption that led in the wrong direction.
Barbara DaCosta
http://www.barbaradacosta.com

Beth, I think that's great. I know writers invest a lot of time and study, and like you, do the activities or at the very least learn about them from a good source. Have you read Victoria Houston's fly-fishing series? Probably in a different vein than you are thinking of, but I will be interested in your book when it comes out. I've often thought of trying it, my fishing experience has been mostly salt-water. This is what I like so much about books, and particularly mysteries seem to have a lot of facts and history in them, and cozies are no exception.


I always enjoy learning something about a subject I'm not that familiar with...and cozies are written with so many different subjects, I've learned about cooking, glass blowing, fine art, bookbinding, libraries, the TV industry, flower shops, crafts, etc...even if its not something I'm immediately interested in, I find it interesting to know something about these things anyway. You never know what you can learn from a book!
Lisa



How can your sister not read books at all. That is such a foreign concept to me. The first thing I look at (or for) when I walk into a person's house is their books. It amazes me when people don't have any. Of course then when people walk into my house they say "wow do you have a lot of books" and I usually say, "yep I do". I have multiple bookshelves in just about every room. I have 10 bookshelves in my dining room which I use for a library. I don't even own a dining room table because there isn't anyplace to put it. I have bunches of boxes of books that I don't have room on any of my shelves for (and I double row my bookshelves if the shelf is wide enough as well as stacking books on top of the double rows.) My best guess is that I have more than 10,000 books in my house.
Sorry, I went way off topic but I just can't imagine someone not reading at all (and having a PhD).

The first thing you would see in my house are the bookshelves, when you walk into the first room...( but those are full, once I've read something I usually take it to the used bookstare and trade them in for more) but, I sure would like to be able fit in some more bookshelves) The best would be to have a room just as a library....( a big room!)
That's great that you have the dining room for that, you didn't really need that dining room anyway right??
Funny you should say that about bookshelves in each room....I was just thinking wouldn't that be great!


In defence of your sister, I know that if you ahve to do a ton of reading or writing for your degree and/or career you often don't want to do any reading for your pleasure. You can even burn out for quite a few years. Don't know if that is the case here but I know that I didn't do any reading that wasn't directly related to my Masters degree for the entire time I was working on it and then for a number of years after.
And, I can also understand doing other things. But, yes, I do read now. And when I do, I like the books to be logical, teach me something, accurate and use hte correct words (recently came across a book that talked for 2 pages about the casket that the father tenderly made for his stillborn child only to find out that he then nailed it shut because it was a coffin! I needed to change the image I had built in my head and it also made me suspect much of what was said later in the novel).


I think research shows through in the little details - how the characters act and talk about things - so it doesn't need to be (in fact, shouldn't be) an infodump.
So, yeah. I think research is important, because you need to know the world the characters live in.



Someone who is just a lay person reading these and enjoying them may not notice, but I wanted to ask if anyone had any constructive advice for authors regarding what the minimum research should be on any specific topics relating to what they are writing about. I know that if I were to write something, I could probably swing a story about a ren faire thinking that I knew what I was talking about because I have been to a few. But I am not an avid faire attender, so there may be crucial things that someone who does go often could offer guidance on what really should be covered.
While cozy mysteries are just that, cozy, and are meant to be relaxing, enjoyable and not extremely thought provoking, and I am not by any means suggesting that one write a 500 page book to accommodate an lengthy explanation of something,I think it is important to keep in mind that people of all walks of life read these, and butchering facts or falling short on research can really turn off an entire group of people who are familiar with the background setting.
Having said that, what I am really asking for here are thoughts and suggestions that readers have found somewhat repeatedly throughout their reading experience that authors seem to cut corners on (maybe at the suggestion of editors and/or publishers) that really make the difference between an “okay” story and a “great” story. Any suggestions?
Thanks and happy reading!!!!
Violet