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Miles Vorkosigan--SHARDS OF HONOR - favorite/least favorite characters
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My favorite character? That's a harder one because the likable characters were all so well-drawn in my opinion. I liked both main characters immensely, but for different reasons. Cordelia, because she was sassy, followed her heart while doing her duty, which came completely naturally to her. Aral, because he always endeavored to "do the right thing". It was a conscious effort on his part, which cost him a lot most of the time. He could have chosen the easy path and perhaps benefitted "more" from it.

This book really doesn't get a grasp on any of the characters, IMO. Everyone is a bit of a cardboard cut out, but they're well filled in later.

While Cordelia seemed more immediate, throughout, I felt she was also presented with better care in the opening shots of this book. To me, she fell short toward the ending. She was portrayed as smart enough to keep thinking through the whole survival march, and through out her various bouts of imprisonment. She always managed to think forward and respond under pressure, and used every instinct and skill she possessed to outmaneuver a sticky situation. But when she arrives back at Beta, suddenly she starts acting naiive to the point of stupidity.
From her fanfare reception at the landing with the president, and throughout the period where the "system" is mishandling her case, she totally lost my respect. Yes, she had been under the gun, and was traumatically stressed - but, as reader, I didn't buy that she could become so utterly blind to her fate. Paranoia alone should have made her suspect traps - the reader could see the traps - and she just walked into them like a string puppet with no head.
Even if she had been through a complete mental breakdown, her innate intelligence would not have evaporated. The resourcefulness she showed earlier - I'd have bought it, that it could be misdirected or blind-sided by her superiors - but not that it ceased to exist. If they thought her a brainwashed spy, she would have been a dangerous one - the handling seemed too simplistic, and the conclusions, a bit too pat.
She was, at this point, (to me) walking through a plot without the sense of a living human reaction. Shown with a bit more depth, the same idea would have played with a neat, taut suspense.
The fact that the later books in this series never lost my credibility in this way - I wonder what the "rush" was to finish this volume, or what other factors may have been in play for the author - because one of Bujold's capital trade marks is the ingenious solution and the unpredictable route to the finish. Miles never stops thinking and reacting. Never marches to the system's drummer. Neither does the problem confronting him feel shallow or ring short of credibility. He is well matched, as protagonist, to his challenges.
Without the (apparent) over-simplification, this book had the hard blueprint for the same kind of brilliance. Although I don't think it was published first out for the author's debut, (if I remember correctly) it may have been written much earlier on.
Past question, it is the insights from the later volumes that shore up this one. This is not a careless author, just possibily, here, inexperienced?
Just my thought. (I am an admirer)
Mine was definitely Bothari. I felt like Bujold kept adding layers to him throughout the book. The most touching moment of the book (for me at least) was a brief reference by Aral to how Bothari was pretending to be married to Elena and in a normal family, when she was in her cell - I forget the exact wording but that was so incredibly sad.
I also thought the contrast between Bothari and Vorrutyer was really well done. Bothari used/needed the structure of the military to control his darkest urges - whereas Vorrutyer used that structure to fulfill those urges. The scene where Bothari turns on Vorrutyer was the pivotal point of the story for me.
Janny - I agree that Cordelia lost some consistency in the second half of the novel, when she returns to Beta Colony. I guess she needed to lose some of her customary composure for the plot, but you're absolutely right - Bujold usually doesn't need such tricks. That's one of the reasons why I always considered this the weakest novel in the series (aside from Falling Free - which isn't really part of the series anyway).
I also thought the contrast between Bothari and Vorrutyer was really well done. Bothari used/needed the structure of the military to control his darkest urges - whereas Vorrutyer used that structure to fulfill those urges. The scene where Bothari turns on Vorrutyer was the pivotal point of the story for me.
Janny - I agree that Cordelia lost some consistency in the second half of the novel, when she returns to Beta Colony. I guess she needed to lose some of her customary composure for the plot, but you're absolutely right - Bujold usually doesn't need such tricks. That's one of the reasons why I always considered this the weakest novel in the series (aside from Falling Free - which isn't really part of the series anyway).



Apparently Shards of Honor, Warrior's Apprentice and Ethan of Athos were all published in the same year. I seem to remember hearing that Shards was the first to be written.
I agree that Cordelia's return to Beta Colony was one of the weaker bits of the book. I can understand Cordelia not behaving the same as in the rest of the series, because she is still in shock after her traumatic experience, but even considering that she didn't really feel like Cordelia. It is an unusual example of Bujold's characterisation being unconvincing since it is normally one of her strengths, I can't immediately think of any other examples in the series where the characterisation was so weak.

Jim, I understand what you mean, but I think the Emperor sacrificed those people deliberately, to the greater glory of his son's reputation - and thus the reflection on him [the Emperor:] as his progenitor. Sure, he could have had him quietly die of some 'accident' at a country estate or something, but the way he planned it, his son goes out as something of a hero, with a huge PR machine to paint it the way the Emperor wanted it remembered.
The moral thing to do? No, but definitely in character for this Emperor.
(I'll save my own answer for later!)