Eat, Pray, Love
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Why do people not like this book?
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Dec 23, 2013 07:23AM

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Well said Colleen. I very much enjoyed both books as well.

I saw the mov..."
I loved the book. But hated, hated, HATED the movie. It was truly awful. It had very little to do with the book and, because of that, just didn't make sense on any level.
It just looked like the protagonist got sick of her marriage, so got divorced in order to frou frou around the world, watching football matches on TV and meditating a little, eventually ending up in Bali where she meets a guy and gets into another relationship.
It just made no sense at all.

Yes, its shocking that an autobiography would be all about the person writing it, right?
I didn't like the book - I got about 2/3 through and couldn't get through any more. In defense of the narrator: having the ability to travel and doing so is a fantastic way to learn more about yourself. Not everyone can relate but who can relate to every book one reads? If you say, 'I can' - you either have a fantastically tragic life story or a very narrow one and it's probably the latter. All of that said, the narrator whined through the book. WOE IS ME! Give me a break.
Plus as Farah mentioned above - it got boring too.
Plus as Farah mentioned above - it got boring too.
Roo wrote: "I've read the book, and watched the movie, in my opinion it's because the writer isn't really someone you can relate to, she leaves her husband and has different love stories with other different m..."
On second thought, maybe Elizabeth Gilbert wasn't as successful as writing the character as the book's and movie's success would suggest. As I mentioned in my earlier comment, it's rare to be completely relatable (if at all) to a character. But I think the success of a character is due to the author's ability to make the reader feel empathy with the character in question despite how different the perspectives are. Maybe Elizabeth Gilbert was given too much praise for this book....
On second thought, maybe Elizabeth Gilbert wasn't as successful as writing the character as the book's and movie's success would suggest. As I mentioned in my earlier comment, it's rare to be completely relatable (if at all) to a character. But I think the success of a character is due to the author's ability to make the reader feel empathy with the character in question despite how different the perspectives are. Maybe Elizabeth Gilbert was given too much praise for this book....
Overall I enjoyed the book. I like learning about different cultures and like most can't afford to travel very often so for me seeing different parts of the world through another persons eyes is fun and this book gave me that.
I also fail to see the woman as writing a book which is "all about me" as some have stated in previous comments as it is a memoir about her life...there is no other way to write it. She was on a journey to find herself and since she had the opportunity to do it by traveling then why shouldn't she? I believe that most people would if they were just handed the chance.
I could even relate to the parts that some have called whiny as she is very clearly dealing with some form of depression. Those that saw it as whiny just haven't been there and can't relate. Which is fair but don't say the book as a whole is crap just because you can't relate to the life experiences off another person. We all go through our own things and deal with our pain in different ways.
The only part of the book that bothered me was when she was in India. I found this part extremely preachy.
I also fail to see the woman as writing a book which is "all about me" as some have stated in previous comments as it is a memoir about her life...there is no other way to write it. She was on a journey to find herself and since she had the opportunity to do it by traveling then why shouldn't she? I believe that most people would if they were just handed the chance.
I could even relate to the parts that some have called whiny as she is very clearly dealing with some form of depression. Those that saw it as whiny just haven't been there and can't relate. Which is fair but don't say the book as a whole is crap just because you can't relate to the life experiences off another person. We all go through our own things and deal with our pain in different ways.
The only part of the book that bothered me was when she was in India. I found this part extremely preachy.

Sort of an older female version of The Catcher in the Rye. Both were on a journey of self-discovery, moving from extreme discomfort to revelation and comfort. Both in an uncomfortable whiny first-person narrative voice.

This sums up part of the problem for me Kelsi. I don't think I learned about the cultures she was visiting at all. She did very little narration of what life was like for those she visited, only explained how they felt about her. And yes, I would take the opportunity to do what she did in a heartbeat. I have no problem with her accepting money to go on this journey. But she whined, quite loudly and quite a lot. I can relate to depression and huge life issues. I have been there. Those of us who have had to struggle through such things without the support of a 6 figure advance to send us on our travels get a little tired of being slapped in the face constantly by someone who is begging our pity. It got old, and seemed like she felt she had to defend herself because she wasn't sure she had done the right thing.
If she had spent more time having empathy for others, for the people she was visiting and their cultures, I would have been more likely to show empathy for her.

Herein contains something valuable in the book. The reader is forced to see the world the way the narrator sees the world. However flawed that view may be, we, assuming we are capable of it, are made aware of those flaws and are invited to learn from them.
The same is true of other first-person narratives: The Catcher in the Rye, The Great Gatsby, The Old Man and the Sea, Huckleberry Finn.
It is useful to notice the way we react emotionally to any work of art, writing especially. Are we repelled by a character because we are afraid those flaws exist within us or might lurk within us or someone dear to us, waiting to spring full-fledged at an unsuspecting moment?

And as narcissistic as Holden is, he is an adolescent who has experienced trauma. His point of view doesn' mature, but as he is in some sort of therapy by the end of the book, the reader is left with that possibility as well as the author's implication that Holden's emotional state is clearly not ok.
Gilbert is a grown woman, not even a fictional one. Her search for growth is to get to know herself better and indulge herself in whatever she desires, not to empathize with others. What I learned from this book is that it wasn't worth all the hype and that I'm glad I don't know this woman. Again, I didn't feel I was forced to see the world through her eyes as I have in other travel memoir or fictional narratives. I felt I was forced to see her through the world's eyes.

Herein lies the lesson. The success of the book proves there are a lot of women who identify with this character, flaws and all. The self-indulgence Gilbert represents is ingrained in our society, and the book is an expose of that. The sad thing is that so many think it is cool to be like Gilbert. The lesson is lost on them.
In this post-feminist era, many women have become highly evolved, leaving behind a greater number, chiefly younger ones, who are grappling with choices. groping for a value system that is both liberating and sustaining, spiritually and economically. (Similar to The Great Gatsby and The Sun Also Rises, both of which grappled with corruption, depravity and values.)
This may be one reason why The Great Gatsby proved so successful. It exposed the crass emptiness those superficial twins of materialism and self-indulgence. Gilbert is a modern rendition of Daisy.
The question of how to be "happy ever-after" is explored and left unresolved.
Literature is at its best when it holds up a mirror so society can have a good look.
As with The Catcher in the Rye and The Great Gatsby, how much we learn from EPL will be revealed over time. I am no huge fan of Gilbert, but it took guts to write it; I give her that.


No one that I know of has called EPL a serious work of literature, and I doubt they will. A book can resonate thematically or compare structurally with works of great literature without being elevated; it is just a tool of analysis.
Books sell in the millions because they strike a chord in the public consciousness, not because they are works of literary art, as evidenced by Lee's To Kill a Mockingbird (30 mil.) and Hinton's The Outsiders (13 mil.) Lord of the Flies has sold in the millions. I doubt anyone will ever call these books great literature, but their influence and/or representational value have been remarkable.
Women buy EPL for some reason other than literary value, and it is the same with Hunger Games and Fifty Shades of Grey.
When a book sells in the millions it is saying something about the book-buying public. To dismiss it because it isn't "literature" is to risk missing something important about those with whom we share the freeways, or the bus, or whatever.
I can't get past page one of a Harry Potter book, or any book of fantasy or romance (so far), but I am curious why people read them. I still haven't finished EPL, after 3 tries, but I will. Why? Because I am interested in what light it can shed upon my fellow inhabitants of this orbiting sphere.



Lori, you could write a much better book, and one day I hope to read it!


I AGREE COMPLETELY!!! I feel like these assessments of this book are so harsh. We all have to figure out how to pay the bills- who cares if she got the go ahead from her publisher first. I am wondering if this book just makes some people feel vulnerable because they haven't had the opportunity or the desire to really have that AHA moment. I found it inspiring.
Kate wrote: "Colleen wrote: "I really loved the book. I also read Wild: From Lost to Found on the Pacific Crest Trail and have heard similar complaints - well it's a memoir! And I don't know any..."
That's what I think too, a lot of people never reach that point in their entire lives. I am especially feeling bothered by the people that have said she is a middle aged woman going through a phase that most people go through when they are teens. Why does it matter how old she is going through the phase of finding herself? It is meant to be a lifelong journey not something you tackle at one point in your life and you are just done with it. I think a lot of people feel vulnerable when faced with the fact that they maybe haven't allowed themselves to truly go on that journey of self discovery. I also found it inspiring :)
That's what I think too, a lot of people never reach that point in their entire lives. I am especially feeling bothered by the people that have said she is a middle aged woman going through a phase that most people go through when they are teens. Why does it matter how old she is going through the phase of finding herself? It is meant to be a lifelong journey not something you tackle at one point in your life and you are just done with it. I think a lot of people feel vulnerable when faced with the fact that they maybe haven't allowed themselves to truly go on that journey of self discovery. I also found it inspiring :)

Go back and read what I wrote. You overlooked the word "great." I stand by what I said.
The Pulitzer is awarded for works of "distinction." Literary merit is not mentioned in the award, probably because the term involves personal taste.
TKM got the Pulitzer largely because of timing. The book came out on the cusp of the Civil Rights era and had the effect of shaming and shocking white America into facing its bigotry and racism.
The award was well-deserved. Harper Lee is a courageous writer, given that she lived in the Deep South and had to face her neighbors after the book was published and the film came out. She is one of my favorites and most respected.
But TKM is light on aesthetic appeal in my humble opinion, and she had a lot of help from an editor who died within a few years of TKM's publication. Even the fact that she had help cannot take away from the book's importance or my respect for Harper Lee.
The impact of The Lord of the Flies is similar. Golding admitted that he thought he was merely writing a rebuttal to an earlier Pollyanna novel about boys on a Pacific island. His book barely got published and was trounced by the literary critics because it was so poorly written. Then the reading public, battered by the effects of fascism from World War II, saw something in it even Golding himself was unaware of.
I don't think Gilbert is a bad writer, just immature. I think better books will come as she matures.

SOmetimes it is braver to leave a spouse than to stay.
Anne wrote: "Roo wrote: "I've read the book, and watched the movie, in my opinion it's because the writer isn't really someone you can relate to, she leaves her husband and has different love stories with other..."
I agree with this wholeheartedly.
I agree with this wholeheartedly.


This is so true. I thought the same about so many succesful books which I frankly couldn't stomach, besides Gilbert's.
A memoir is of course based on personal experience but it has to convey something else nonetheless. To me, EPL didn't convey anything beside whiney clucking and cliched descriptions of people and places.
Reading this book is like reading the stereotyped thoughts that people have before actually going through experiences and living into places, more what one expects it to be that a real experience of things.
Besides, there's something really sad to me in a woman that starts off a journey of self discovery after realizing that she's not happy in her marriage and finds enlightment and peace only whe she sticks to another man. I can't see any interesting (to me) development in that. What stays with me after reading is only the impression of a feeble woman looking for others, preferrably men, to balance her and direct her in her life and no, I can't nor am interested in relating to that and yes I think is boring and time wasting to read.
Of course it is only an opinion, my personal view, but since the original question of topic was why people do not love this book, well, here's my personal reason not to, after which I think evrybody is free and welcome to even worship both books and author. I just do not understand people saying oh if you can't relate to her experience, then you're insensitive or harsh or never experienced loss/break up/break down/depression. How about having actually gone through a lot but with a whole different attitude? Where different doesn't mean better or worse, just plain different.

Perhaps this is the key. There are said to be only two kinds of ending to a story--resolution and logical exhaustion. In Logical Exhaustion, the characters don't learn from their mistakes and it is clear they will keep doing what got them into trouble, ad infinitum.
Both kinds of ending exist in human nature. Some people resolve their problems and others go through life repeating the same mistakes.
Gilbert has shown us that kind of character, a woman who fails at one marriage and later "trades up" to a perceived better alternative. (Bear in mind I have only read the first third of the book but did see the film.)
This behavior may appear empty-headed, even exploitative. But either way, Gilbert has exposed for our consideration a flawed character striving mightily to find happiness and making mistakes, groping for answers in a murky world beset with self-created antagonists like greed, hedonism, narcissism.
Some will see her as a hero for taking action instead of muddling through as so many of us do, passively accepting the status quo or resigning ourselves to an unhappy lot.
Some will see her as ignorant, selfish and narcissistic and will fault the author for not supplying better solutions. Providing solutions is not the author's job; job#1 is to hold up a mirror so we can get a good look at ourselves. The best example I can think of is The Grapes of Wrath.
And getting a good look at ourselves should provoke in us a desire to come up with solutions.
EPL is "reality" literature, engaging a wide audience by showcasing flawed behavior without providing solutions. A mirror is being held up so people can see (and judge) themselves and ponder what they would do in similar circumstances.

Of course it isn't the author's job to provide solutions and even if some would, I reckon the reader as a thinking individual, should prompt him/herself to develop another, more personal alternative, as a result of book "digestion".
I just do not think that was Gilbert's intention, regardless to result, but I do credit her for writing a book that led to an interesting discussion :)

I agree.
I think that writers sometimes are not cognitively aware of the deeper meaning of what they are writing (e.g. Lord of the Flies). That meaning gets explored and developed by the reading public, over time. And it may or may not resonate with some unrecognized need buried in the author's subconscious at the time of writing.


Excrutiating!

... couldn't have said it better myself Jenny!

I liked it as a on-the-road book and was envious of the opportunity she had to go on a trip, and discover herself.
I think that most violent comments about it come from people who are also envious of the trip she made, of the opportunity to indulge herselves in a bit of whalowing - we don´t get to do that, normally: you end up a marriage, you worry about pension for the kids, where to live, how to pay the bills - practical stuff. You don´t get the break (or the luxury) or taking your own sweet time, to resolve your conflicts within - some lash out in the form of not letting the kids spend the time the court agreed, with the father.
This is not a piece of world litteratue and hardly will, in a few years be called a classic, so, those who enjoyed it for whatever reasons - continue. And those who didn´t - continue also. Too many books to read, not enough time.

I saw the mov..."
I thought I did not like the book, but I just did not like the author. I cannot sympathize with her at all and wah wah wahing about her plight. I get we all have issues no matter how privleged we are but oh how horrid she had to sell her appartment and house and someone footed the bill for all this travel and all she had to do is write about it. I did like the travel aspect.


I find it annoying, too -





Twilight on the other hand was a wild card.




I got the other idea, altogether - my idea of the "love" in title, was that she would eventually love again, when she learned do love herself, and that´s what hapened, realy: she only got involved with a man after she went through all of the stages: indulgence (Italy) self-knowledge (Philipinnes).

It is a rare thing that I am in the minority of reviews on the like side. I am slightly mortified by this fact. I liked the stories, and I just feel a tug in my chest like I want to get closer to my own faith and experience more. Even if it's just a little bit more than what I've seen.
I feel hopeful after finishing this.


I think that may be part of it. I think it's mostly that people see her as a representative of a self-indulgent american woman. Because people aren't supposed to be allowed to go on a year hiatus and seek spiritual balance.
I wish I could do that. Maybe I will do that someday.
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