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Even in non-fiction, it has to do with the tone. If you want academic, formal English, then take out the contractions. If you want an informal, intimate and chatty tone, leave them in.



I think good editors are wonderful, but the economics of their business model sucks. There's no incentive for authors because there's no tie to sales.
I reckon editors should form a guild. Set standards, moderate them and put a brand on professionally edited work. Then there is an incentive.

I was mentored when I wrote my book. Passed the NZ Writers' College course with distinction, which I thought deemed it publication standard. I proof read it God knows how many times. Thinking it was ready to publish, I sent it to the Oceanbooks editorial team only to have it ripped apart and put back together. Then I had to proof read it another six times before having it professionally checked before it went to press. Pheww!!!
Books mentioned in this topic
Reprobate: A Katla Novel (other topics)UnWholly (other topics)
And I like your comment that the contractions when used in course of narration causes the reader to come to a thudding halt.