The Cuckoo's Calling
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Nothing Happens!
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FriscoKid
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Sep 21, 2013 09:48AM

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Sounds like you'd be better off reading something else then. It's not an action book.

It's a little late for that as I've already read it.
It's not an action book.
I didn't say I was looking for "action." I only wished that more things happened in the book as opposed to people talking about things that happened. Tons of stuff happened in the Potter books. Tons of stuff happened in Casual Vacancy. Plenty of stuff happens in other mysteries, but virtually nothing happens in Cuckoo's except conversation. Show, don't tell, as the axiom says.

Detective novels, like crime dramas such as Law and Order, seem to rely heavily on the protagonist interacting with the potential suspects, primarily through dialogue/interviews. This book didn't seem unusual in that regard.

Are you sure you read the same book as everyone else?-)
No, it's not an action novel in the Chandler-if-the-action-slows-down-I-introduce-a-new-guy-with-a-gun vein (particularly not the gun part, but that's another story and another thread). A lot of the action is more low-key. There's some time for description and getting into characters' heads. And the notion that the private eye job includes a lot of meticulous compilation of notes to ensure that the bad guy gets convicted at the end of the story… to my mind a nice bit of realistic atmosphere that gets ignored by other authors.
If all you want to do is say you read the book and didn't get on with it… why don't you just get over it and try reading something else? And… if what you want to do is troll, why don't you go over to one of the Dan Brown forums and say that his books are shite? That should get some fun responses. And at least I'd agree with you:-)


IMO the poison green dress scene is pivotal as it's when Strike really sees Robin & IMO is the basis for future adventures by this pair (hopefully)

Puh-lease! I absolutely detest the namecalling and "troll" label that gets thrown around every time someone posts a criticism to a popular novel.
So FriscoKid didn't like this book, that's fine. He actually posted some intelligent criticism of the work. It's true that the story is rather slow, and that there is a plethora of dialogue in lieu of action. It's also true that this book is written in the vein of classic mysteries. That style is not for everyone.
It's a-okay to check something out, decide you don't like it, and then TALK about your dislike. He wasn't trying to force it down anyone's throat. If you loved the work so much, you'd do much better at stating the reasons why this is such a fantastic work of fiction, why the points raised by the OP work well for you, and why you'll continue to read/like books of this nature. You (Peter) did a little of that, but the namecalling is too much.

Everything else you mentioned happened off-book or we learned about through dialogue
Not really. But if people here are going to deliberately ignore irony that's been underscored by two bloody smileys, I don't need to bother, do I?
Finally: who started casting aspersions, ``FriscoKid''?


I thought the characters were really one dimensional and totally superficial. I could almost feel her thinking "oooh, a screaming queen (or a mentally ill homeless girl), that would be fun to write about..."
I didn't think any of them were fleshed out. The whole Guy Some interview was totally pointless and went on for far too long.
Strike has no redeeming qualities at all, he's fat and hairy and probably stinks yet we are expected to believe gorgeous women just drop at his feet?
I also came away with no idea why Lula was a screwed up as she was.
I could almost buy into the 'nothing happens' type of story, but the book doesn't even take you on a journey of finding out who the killer is via Strike's thoughts. It just suddenly gets revealed out of nowhere. At no point are we privvy to what he's thinking when he does all these pages of asking questions. Even the L&O type shows explain to us what the various investigators are thinking and allow us to piece the crime together as the show progresses. There's discussions and dialog about who they think did it and why.
There's none of that in this book.
Are you sure you read the same book as everyone else?-)
If there's two versions of this book, then I read the same one that FriscoKid did, because I agree with him.


You are braver than me. I got to about the same length with that one, but closed the cover and put it respectfully to rest. It's still snoozing.


I think I made it to page 52 and couldn't get anywhere with it. It bored me. I have it on my to do list to finish but it feels like it would be more laborious than enjoyable. I did like The Cuckoo's Calling and look forward to another Strike book.


For me, it failed as a mystery—I mean there were really only about 50 pages devoted to the mystery. I will say it has a surprise ending and the denouement of the mystery is okay, it only has a few surprise clues that materialize at the end to make it plausible. On the other hand, as a story about London and some interesting characters there, it was excellent. Well, London is like a fantasy world to me. So I enjoyed it – though I think I know all I want to about Strike, so I probably won’t be reading the sequels.

That being said, I immensely enjoyed this book and had completely forgotten who it was written by by the time I got to the end. I adore Jo Rowling and she is an amazing writer. I'm looking forward to the next book in the series :)

Also, as someone who made a living writing about law enforcement for more than 20 years, I can tell you that even the highest profile murder cases require a lot of grunt work. Detectives do spend a lot of time tracking leads and talking to a lot of people. There's really nothing glamorous about it. So to me, the fact that there wasn't "a lot of action" added to the story's authenticity.
All of that being stated, I can also see why some people don't like the book and agree that it's perfectly fine not to.

I had the same issues with Casual Vacancy, but I kept going...glad I finished it. The ending makes up for the beginning.

Thanks for emphasizing that point. I think I'll see the Casual Vacancy in that light, nudge it from its long winter nap on my shelf and see if I can get back into it, with the expectation that the ending will make up for the beginning.

I totally agree. It got going for me at about 40% in, and then I finished it quickly.

Even in David Baldacci, Michael Connelly, and Kathy Reichs books the main action occurs in meetings and dialogues or internal dialogues while looking at lab results. Occasionally there are "action" bits but they don't necessarily move the plot forward. I agree that some of the characters were a bit one dimensional (Matthew) but there were lots of interesting characters and many red herrings. I thought I had figured it out and all the reasons (my killer) did it were the same reasons that the (ultimate) killer did it.

As a mystery lover I thought it was an intelligent plot. It wasn't really predictable but to the less keene mystery reader it would have kept the guessing to the end. As always her sentence structure is a bit clunky, which is fine for me because I have a similar style personally and it resonates with me. But I understand how others criticisms of her writing style can dissuade one from pursuing the long dialogue.


I completely agree. Well said.

When one hears so much hype about a book/author, there are expectations. I began to think...this is dragging a bit and I didn't expect to "hohum". Glad I did finish, the twists resolved was worth it.






as far as John is crazy...not really...John was greedy and wanted her money ad I think probably severely jealous as well


there was no shadow of doubt that it was anything but suicide. all the police files had been put away.
I think it was a dumb story line.


This book was not about "action", it was more about figuring out whodunit. Characters are developed, and the minuscule details are given, so the reader can think alongside and slowly put things together. We need the repetition and the dialogue. It's not a book that holds your hand. If what you want is to be dazzled by action and cleverness and on the edge of your seat, this is not the book for you. If you like to mentally interact with the book, to think alongside, to puzzle things out, to try to see why characters are doing what they are, then you'll enjoy it.
Personally, action books often read as over-the-top to me, annoying me rather than entertaining. I'm knowledgable enough in certain areas that the many common plot holes and stereotypes just set my teeth on edge when I read them. This book was a breath of fresh air-- it avoided all of that, it gave me real, fleshed out characters rather than caricatures, it presented a whole world in which to puzzle out the characters and their actions, and things made sense, and the author didn't leave out the real meat of the work of actually solving the mystery, and didn't hold back in information, except all of Strike's conclusions, which let me think it out to the end. That's what Rowling does well and what I loved about this book.
Not as much action? That's not a bug, that's a feature, for me.
Don't read J.K. Rowling books anymore then, if you don't enjoy them. I appreciate hearing your thoughts on her books though. I enjoyed this one, thought it was amazing.



I don't think this many people (except JKR fans maybe) would talk about it (good or bad) if not for this little drama of the author. This makes me dislike the book although it was an OK read for me.



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