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The Forsyte Saga -In Chancery - Part II


Isn't it their parents (Winifred and young Jolyon) who are first cousins? But I don't recall the answer to your question, Rochelle.


Right, but it still bothers me. They're still related by blood.


While it is part his own fault that he is in this situation, on account of his not simply getting a divorce when he should have both I think because he is still infatuated with Irene and because of his Forstyian ideals in which he cannot let go of his "property"
While I understand why Irene does not want to go back to Soames, and do not think she should, I feel bad for him because he is just so clueless. He is so wrapped up in his own ideology which is tied into seeing everything in terms of value and property, that he cannot even convenience of why Irene wouldn't want to get back together with him.
Also I feel bad for him being denied the opportunity and possibility of having a legitimate son, by being stuck within this estranged marriage. Though even his desire for a son is tied in with property, and his wanting someone who he could rightfully pass down his own legacy too.

It's the sense of incest coming out in me."
I don't think any culture, including the USA, considers marrying a second cousin as incest.

Perhaps for family dynamics; for sheer genetic DNA considerations, maybe less risky than some of the issues beginning to occur in our society with the prevalence of IVF.


Also, incest is not illegal in several European countries and there are moves to decriminalise it in Germany:-
http://www.theguardian.com/world/2007...

http://www.ceejbot.com/EricPorter/For...

http://www.ceejbot.com/EricPorter/For..."
Good article! Really hit the mark for me.

What's OTT? I know OT.
OK for siblings too? How about parents with son or daughter?
It's illegal in some places because offspring can get 2 copies of a recessive gene, although that wasn't known many years ago. The taboo goes farther back than the Nazi law they cited. I can't imagine why it's legal in so many countries.

Other countries perhaps do not ban cousin marriages because state inference in such personal matters is considered unnecessary and redolent of eugenics. Incest taboo is a very complex subject and incest is defined differently all over the world. I love this quote from the anthropolist Margaret Mead when an an Arapesh man was asked about sleeping with sisters:-
'What, you would like to marry your sister? What is the matter with you anyway? Don't you want a brother-in-law? Don't you realize that if you marry another man's sister and another man marries your sister, you will have at least two brothers-in-law, while if you marry your own sister you will have none? With whom will you hunt, with whom will you garden, who will you visit?'
Nothing about hereditary illness, all about alliances.

'What, you would like to marry your sister? What is the matter with you anyway? Don't you want a brother-in-law? Don't you realize that if you marry another man's sister and another man marries your sister, you will have at least two brothers-in-law, while if you marry your own sister you will have none? With whom will you hunt, with whom will you garden, who will you visit?'"
I love it too!
I haven't read that particular book, but maybe she felt the Arapesh man wouldn't have understood the part about hereditary illnesses.

BTW the high incidence of haemophilia in Queen Victoria's extended family led to research into cousin marriages and publicity about this so affected my parents that I was prevented from seeing my male first cousin, of whom I was very fond, after my menarche began.

Since old Jolyon died, I don't have much positive feeling toward anyone in the saga. Why am I reading novels about 15 or 20 unpleasant people? ;-)

I see it more as a comedy of manners and appreciate the descriptions of London as it was and the behaviour of those times. I also like the descriptions of clothing and interiors. It is like reading about my great-grandparents, had they been rich Forsytes:) As it is, I probably have more in common with the Rougons:(

Since old Jolyon died, I don't have much positive feeling toward anyone..."
I have not yet finished this section yet, so maybe something will occur to change my opinion, but I have to admit that thus far there is something about Val that I rather like. I find him amusing.
I have to say it is Jolly, I find I do not care much for. There are aspects of Jolly that to me seem to be very Forsyte like in spite of the fact that he was raised away from the family and that his own father rebelled against the Forstye's and do not hold their values.

Reminds me of Maggie Smith assessment of her son's American mother-in-law in Downton Abbey, "She makes me appreciate the English."


Since old Jolyon died, I don't have much positive feel..."
I've seen the 2002-03 series, and I found Fleur fascinating, but she's not in view yet at my point in this book.

Edgar Allan Poe married his first cousin when she was 13 and he was 27 and nobody called the cops. How times have changed.

I recall once upon a time I came across this article online about cousins who married cousins within the U.S. I cannot recall if it focused only on political figures or just famous/well known people in general, but needless to say some of the individuals listed are still alive today.

The Forsyte's, even if they sympathised with Winifred, would not have liked the publicity and shame of such a court case - it would all have been published in The Times. (view spoiler)
Judicial separation instead of divorce was often sought by women with young children and by those too old to earn their own living or unable marry again. It was also acceptable to religious people who did not believe in the dissolution of marriage.

I don't particularly like or dislike any of the third generation, by the end if Part Two. They all seem so 'unformed.' Or, rather incompletely formed, still finding themselves and where they stand. A mixed bag of Nature, Nurture, and Social Pressure. I don't know too much about the Boer War and its effect on the British at home, but, at this point, the atmosphere seems to suggest that of landed Southerners just before the Civil War. I have to wonder how much the war experience will take its toll on the forming personalities of Holly, Jolly, and Val.


To Let starts in 1920. I will be interested to see how Galsworthy will work this into the lives and opinions of his characters. I have this impression in my mind of this brittle, glittering, desperate hedonism in the "bright young things" of the 20's, in reaction to, well, all that death. But, that may be from too many movies. (And, maybe Dorothy Sayers and Agatha Christie) (And, okay, early Barbara Cartland.)

I think your analysis is correct about the hedonism after the Great War. I have been reading about Hemingway and his experiences during and after the war and that seems to be what occurred to many. His book, The Sun Also Rises, is about this generation.

'... we should not tell with such high zest
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori [it is sweet and right to die for your country].
Countries, kings, governments, parents etc commanded less respect after WWI and thereafter.

I just got the video version of The Forsyte Saga from the library. I didn't watch during the original run because I knew I wanted to read the books.

http://www.nytimes.com/2013/08/11/mag...
Interesting section contrasting the middle generation of Forsytes-the Soames-Irene-Young Jolyon triangle and the Winifred-Dartie relationship-with the younger generation now coming into adulthood.
Soames continues to struggle with his unacknowledged passion for/obsession with Irene, trying to package it as an ownership issue. In chapter 2:
"And alongside the dry and reasoned sense that it was now or never with his self-preservation, now or never if he were to range himself and found a family, went the secret urge of his senses roused by the sight of her who had once been a passionately desired wife, and the conviction that it was a sin against common sense and the decent secrecy of Forsytes to waste the wife he had."
He tries to buy her back with an expensive brooch, and gets rebuffed. When he asks for reasons she replies " 'You can't have a reasonable answer. Reason has nothing to do with it. You can only have the brutal truth: I would rather die.'.....Something within him-that most deep and secret Forsyte quality, the impossibility of letting go, the impossibility of seeing the fantastic and forlorn nature of his own tenacity-prevented him (from leaving)."
So Soames continues to press his suit, but now arranges to have Irene followed, more for the knowledge of what she is doing than to gather evidence for divorce.
Later, in chapter 12, after he and Jolyon meet and Soames tries to warn Jolyon off Irene, Jolyon thinks to himself
"'I ought to have told Soames' he thought, 'that I think him comic. Ah, but he's tragic too!'
Was there anything, indeed, more tragic in the world than a man enslaved by his own possessive instinct, who couldn't see the sky for it, or even enter fully into what another person felt!"
We also see a little of June and her passion for lame ducks, and there is a telling section when she asks her father if there is any way she can touch her capital to allow her to open a gallery:
" 'Our name is Forsyte, my dear" replied Jolyon...'we live by the principle that so long as there is a possibility of keeping wealth in the family it must not go out; if you die unmarried, your money goes to Jolly and Holly and their children if they marry. Ins't it pleasant to know that whatever you do you can none of you be destitute?' "
There is also the Winifred-Dartie relationship- steps are being taken to prepare for divorce but Dartie confounds them by returning home. Winifred, like Soames, is torn-she still has feelings for Dartie but is consumed by jealousy that his passions were only truly roused by another woman. Winifred initially goes to see Soames to discuss her situation with him, and after explaining her position, Galsworthy writes ..."Their hearts were full of feeling, but they could give it no expression-Forsytes that they were." Later, when she goes to her mother he continues "As a family they had so guarded themselves from the expression of all unfashionable emotion that it was impossible to go up and give her daughter a good hug. But there was comfort in her cushioned voice, and her still dimpled shoulders under some rare black lace." There is also discussion about the return of Dartie as a return of Winifred's property.
The closing scene of this section, the mobs celebrating a small victory in the war, is a metaphor for the changing society:
"The stream of people came from every quarter, as if impulse had unlocked flood-gates, let flow waters of whose existence (Soames) had heard, perhaps, but believed in never. This, then, was the populace, the innumerable living negation of gentility and Forsyteism. This was-egad!-Democracy! It stank, yelled, was hideous! In the East End, or even Soho, perhaps-but here in Regent Street, in Piccadilly!...Restraint, reserve! Those qualities to him more dear almost than life, those indispensable attributes of property and culture, where were they? It wasn't English!...Their want of stolidity, their want of reverence! It was like discovering that nine-tenths of the people of England were foreigners. And if that were so-then anything might happen!"
I am really enjoying not only the plot and characters but also the beautiful writing. The parallels between the family and the society at large are brilliantly done and there is tremendous skill in portraying the emotional life of so many of the characters in the saga.
Soames continues to struggle with his unacknowledged passion for/obsession with Irene, trying to package it as an ownership issue. In chapter 2:
"And alongside the dry and reasoned sense that it was now or never with his self-preservation, now or never if he were to range himself and found a family, went the secret urge of his senses roused by the sight of her who had once been a passionately desired wife, and the conviction that it was a sin against common sense and the decent secrecy of Forsytes to waste the wife he had."
He tries to buy her back with an expensive brooch, and gets rebuffed. When he asks for reasons she replies " 'You can't have a reasonable answer. Reason has nothing to do with it. You can only have the brutal truth: I would rather die.'.....Something within him-that most deep and secret Forsyte quality, the impossibility of letting go, the impossibility of seeing the fantastic and forlorn nature of his own tenacity-prevented him (from leaving)."
So Soames continues to press his suit, but now arranges to have Irene followed, more for the knowledge of what she is doing than to gather evidence for divorce.
Later, in chapter 12, after he and Jolyon meet and Soames tries to warn Jolyon off Irene, Jolyon thinks to himself
"'I ought to have told Soames' he thought, 'that I think him comic. Ah, but he's tragic too!'
Was there anything, indeed, more tragic in the world than a man enslaved by his own possessive instinct, who couldn't see the sky for it, or even enter fully into what another person felt!"
We also see a little of June and her passion for lame ducks, and there is a telling section when she asks her father if there is any way she can touch her capital to allow her to open a gallery:
" 'Our name is Forsyte, my dear" replied Jolyon...'we live by the principle that so long as there is a possibility of keeping wealth in the family it must not go out; if you die unmarried, your money goes to Jolly and Holly and their children if they marry. Ins't it pleasant to know that whatever you do you can none of you be destitute?' "
There is also the Winifred-Dartie relationship- steps are being taken to prepare for divorce but Dartie confounds them by returning home. Winifred, like Soames, is torn-she still has feelings for Dartie but is consumed by jealousy that his passions were only truly roused by another woman. Winifred initially goes to see Soames to discuss her situation with him, and after explaining her position, Galsworthy writes ..."Their hearts were full of feeling, but they could give it no expression-Forsytes that they were." Later, when she goes to her mother he continues "As a family they had so guarded themselves from the expression of all unfashionable emotion that it was impossible to go up and give her daughter a good hug. But there was comfort in her cushioned voice, and her still dimpled shoulders under some rare black lace." There is also discussion about the return of Dartie as a return of Winifred's property.
The closing scene of this section, the mobs celebrating a small victory in the war, is a metaphor for the changing society:
"The stream of people came from every quarter, as if impulse had unlocked flood-gates, let flow waters of whose existence (Soames) had heard, perhaps, but believed in never. This, then, was the populace, the innumerable living negation of gentility and Forsyteism. This was-egad!-Democracy! It stank, yelled, was hideous! In the East End, or even Soho, perhaps-but here in Regent Street, in Piccadilly!...Restraint, reserve! Those qualities to him more dear almost than life, those indispensable attributes of property and culture, where were they? It wasn't English!...Their want of stolidity, their want of reverence! It was like discovering that nine-tenths of the people of England were foreigners. And if that were so-then anything might happen!"
I am really enjoying not only the plot and characters but also the beautiful writing. The parallels between the family and the society at large are brilliantly done and there is tremendous skill in portraying the emotional life of so many of the characters in the saga.

[g] To my mind, including portraying the emotional life of those who supposedly don't have emotions!
That (British) unwillingness to display and share what is beneath the shell [in kind and humane ways] -- one could perhaps include Irene among those. Somehow, the sense that emotions are "irrational" and hence are to be hidden or denied, instead of being able to lift them up for (rational) inspection.

I like that approach. Instead of seeing it (our lack of Irene's inner thoughts) as a flaw in Galsworthy's writing, I can view Irene as being "British" "stiff upper lip," not thinking it worthwhile for her and Soames to go raking through all that.


The great historian of WWI."
Historian???"
Joke.

My sentiments today when I see gatherings of English people, at football matches, even at Ascot!!! Everyone lets it 'all hang out' there is no longer any English reserve:( Bah Humbug!

We explored this issue in the Background forum, and
found it was because Irene was based in G's wife Ada, not because of any flaw on his part.
Book II - IN CHANCERY
Part II
CHAPTER I—THE THIRD GENERATION
CHAPTER II—SOAMES PUTS IT TO THE TOUCH
CHAPTER III—VISIT TO IRENE
CHAPTER IV—WHERE FORSYTES FEAR TO TREAD
CHAPTER V—JOLLY SITS IN JUDGMENT
CHAPTER VI—JOLYON IN TWO MINDS
CHAPTER VII—DARTIE VERSUS DARTIE
CHAPTER VIII—THE CHALLENGE
CHAPTER IX—DINNER AT JAMES'
CHAPTER X—DEATH OF THE DOG BALTHASAR
CHAPTER XI—TIMOTHY STAYS THE ROT
CHAPTER XII—PROGRESS OF THE CHASE
CHAPTER XIII—'HERE WE ARE AGAIN!'
CHAPTER XIV—OUTLANDISH NIGHT