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Using the thesaurus
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David
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May 05, 2013 02:56PM

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As far as improving your vocabulary, something that facilitates that is a good thing, don't you think? Personally I don't think there is anything particularly "authentic" about a lack of words :)

I think it depends on the word chosen, if you pick a word the reader is unlikely to have ever heard of or used and will have to stop and look up then you risk seeming pretentious and breaking the flow. However if you are using a more common synonym it gives a broader use of language.

http://www.amazon.com/The-Describers-...




It's impossible for me to appear smarter than I am. (joking)

It..."
I frequently appear smarter than I am. I'm not setting the bar very high.

I would think someone named Ubiquitous lives inside a thesarus.

hey!
yes,i think readers do notice when words are repeated several times.
personally,i don't think i have much problem with that.to name one i'd name the Harry potter series.
but i din't find it bothering!
in fact,there's several good books which has the same thing.
what i feel is a problem is, when one uses the same word often but keeping different angle or different meanings.
its not only confusing but also a lil' irritating(oops!rude!)
cheers!

“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.”
I think I have a pretty good memory for words, but when I don't feel that the word I'm using is right, I don't hesitate to use a thesaurus. I also find that looking at 'similar' words sometimes triggers a completely different 'slant' on a description that I hadn't thought of before.

When it comes to repeated words, I think Jasper Fforde summed it up nicely:
“Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’
Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’
‘Go on.’
‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’
‘So what’s the problem in Progress?’
‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’
‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’
‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’
‘So the problem with that other that that was that…?’
‘That that other-other that that had had approval.’
‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’
There was a very long pause.
(From The Well of Lost Plots)