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Martin Chuzzlewit
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Martin Chuzzlewit, Final Thoughts
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Zulfiya
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rated it 4 stars
Apr 21, 2013 10:20PM

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There are some other issues with the novel that made me change my mind about the novel - its unevenness when it comes to narrating the events on both sides of the pond. The meek and eternally good Maries and Ruths have become too ubiquitous in the novels despite their insignificant presence in the books.
On the other hand, characters like Jonas (and the darkness of his human soul) and Merry, who learns what is good and what is bad in the hard way are the most intriguing characters.
Mrs. Gamp is possibly my most favorite eccentric character Dickens has ever created. She is not only bigger than life, but her corpulence is physically palpable, and her gin-enriched breath permeates the pages of his picaresque literary adventure.
Overall I found the characterizations too broad after a while-the good people were angelic, the villains were evil incarnate, the fools were absolutely ridiculous and it became a bit wearing. I felt this was in great contrast to Barnaby Rudge in which there was considerably more nuance to the characters. I also suspect this was reinforced by my reading of Gaskell at the same time-the characters are so much more finely drawn and therefore more believable and enjoyable.
Interestingly, I didn't find his caricatures of America to be much worse than his caricatures of England in this novel-in both countries there was greed and dishonesty and disregard of life as well as those who would help their fellow humans. There also seemed to be little change or development in most of his characters-the two Martin Chuzzlewits and Mercy being the exceptions (and I rather think he overdid it on Mercy-hard to believe anyone who had started out so unpleasant when treated reasonably well by her father would become so good under such abuse).
Overall I am enjoying the Dickens read, but this would not be one of my favourites so far.
Interestingly, I didn't find his caricatures of America to be much worse than his caricatures of England in this novel-in both countries there was greed and dishonesty and disregard of life as well as those who would help their fellow humans. There also seemed to be little change or development in most of his characters-the two Martin Chuzzlewits and Mercy being the exceptions (and I rather think he overdid it on Mercy-hard to believe anyone who had started out so unpleasant when treated reasonably well by her father would become so good under such abuse).
Overall I am enjoying the Dickens read, but this would not be one of my favourites so far.
A note in my edition talks about the double characters. Montague Tigg becomes Tigg Montague, Moddle is attracted to Cherry because she reminds him of Merry. Old Martin plays the part of a dotard to test Pecksniff but that isn't his real self. Pecksniff is always playing a part in public.
Even the Anglo Bengalee company is a false front. Just a week or so ago in the NY Times there was an expose of a company that was supposedly providing preschool education to disabled children, with government funds, and they were embezzling most of the money. The thing that struck me was the mention that parents and officials were so impressed by the beautiful office and quality promotional materials that they didn't ask many questions - same scam as Montague carried out.
Even the Anglo Bengalee company is a false front. Just a week or so ago in the NY Times there was an expose of a company that was supposedly providing preschool education to disabled children, with government funds, and they were embezzling most of the money. The thing that struck me was the mention that parents and officials were so impressed by the beautiful office and quality promotional materials that they didn't ask many questions - same scam as Montague carried out.

I think I know how you feel about Dickens's characters. Gaskell's characters are very refined (in the meaning well-fleshed out and have their weak and strong sides) and nuanced while Dickens's characters are somewhat blunt and very categoric. He definitely becomes more sophisticated in his later novels, but we are not discussing his later books; we are discussing Martin Chuzzlewit, and in this novel, they are often white and black. Fringe characters, on the other hand, are more interesting. Maybe, just maybe, Dickens did not feel obligated that he would have to win the hearts of the readers who would root for the good guys; thus, he had more realistic, although quirky people in his second-tier.

The change of the name was a memory trigger. I immediately recalled Sarah Woodruff who later became Sarah Roughwood in The French Lieutenant's Woman by John Fowles.
As far as Dickens's social criticism, it is still amazing how most of the targets for his bitter, vitriolic critical arrows are still in full swing and prospering. Spurious businesses and ponzi schemes, domestic violence, hypocrisy, plagiarism, etc.

Some random observations:
*Martin Chuzzlewit starts out as a great comic novel and then turns into something darker. It is one of Dickens most cynical novels. Pecksniff is at first presented as a comic character and then revealed to be an evil, evil man (at least in my opinion),
*Dickens made the lead character unlikable. Of course, Young Martin changes by the end of the novel, but he still spends the first half being rude and unpleasant to Pinch and Mark Tapley and pretty much everybody else. Honestly, I never really cared for Martin or what happened to him.
*The American parts of the novel are not that bad. They really aren't any more critical of American society and manners than Mark Twain.
*Dickens outdid himself with character names. Who could every forget Chevy Slyme and Sairey Gamp.
*Dickens is getting better with women characters. He still has Mary and Ruth, but the Pecksniff girls, especially Merry, were actually pretty well-rounded characters. And of course, no one could surpass Sairey Gamp.
*I don't want to put in any spoilers, but there are some plot points that we will see again in later novels.
*I'm still a little mad at Dickens over Tom Pinch's fate. Tom deserved better.

Amanda, I really like your observation how the novel develops as if it is a character. I also think that Tom deserved a better fate. But was there any woman in this novel that could be equal to him in kindness and softness?
P.S. Although I am slightly exhausted after re-reading this novel, I am secretly looking forward to other, more mature novels.

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I rated the novel with 4 stars. I would not count this to Dickens's best novels, but to me it was intriguing with regards to his satirical reflection of hypocrisy, greediness, falsehoods and deceit, which we unfortunately encounter still far too often in our world today, best example his Robin's case she had read in the NYT.
I was sometimes a little angry when realizing similar behavior in my surroundings while reading the novel. It just made me wish for a better world, which is probably just too naïve. ;-)
Even though his female characters were as plain as usual, I think he at least tried to make the Pecksniff sisters a little more believable. Furthermore, I would say that young Martin is probably the first of his characters who seemed to undergo a certain change in character, not very drastic, but a certain development of his character cannot be denied.
With regards to Dickens's description of the USA, I do understand him a little, as a Dutch having grown up in Germany, having lived in the USA and currently living in Sweden. It is not always easy abroad and it is sometimes easier to complain about the bad things than focusing on the good things. This fosters prejudice of course.
Overall I do not think that he was so much harder on the Americans than he was on his English co-citizens. He was actually reflecting both sides with each other, e.g. the company of Eden and the Anglo-Bengalee Company. The scenes in the USA were especially interesting to me, as I was reading a novel about the early Swedish immigrants at the same time. They also arrived in New York (just a few years after Martin Chuzzlewit) and proceeded to the Minnesota Territory via Chicago and the Mississippi River. There were some parallels with regards to the hardships these immigrants faced, e.g. cholera.
However, I was little disappointed that Dickens did not describe e.g. New York in a more detailed way as a contrast to old London.
I am with you, Zulfiya, I got a little exhausted, too, but I am looking forward to the more mature novels. I have never read Dombey and Son and am already curious to know whether this novel will lead to Dickens's growth as a mature author or do we have to wait till David Copperfield. ;-)


Hedi, I love your multicultural background. I am sure it actually heightens the verbal perception of any text and enriches the interpretation.

And again, Christopher. I understand your frustrations. The novel is not based on human drama, and it is driven by sarcasm and criticism. I hope you will find our next read more emotionally powerful. It is about broken hearts, family allegiance, parental love and other ideas readers find attractive.


I felt bad that I couldn't keep up with this one because I do love this Dickens project.

I believe Martin Chuzzlewit is regarded as Dickens' least successful novel. This is interesting to me because it is very cynical with hardly any likable characters as Zulifya and Christopher pointed out.
Dickens is routinely criticized (I include myself in this number) for being too sentimental, but I will freely admit to being bitterly disappointed when Tom Pinch did not receive a happy ending. Tom's fate is probably more realistic, but I was reading a Dickens' novel, therefore I wanted good to triumph and evil to be vanquished.

Lynnm, I am so happy you are back. I know how you feel. Right now I am sitting in my office room in the quagmire of reports and essays:-)

Amanda, I think it was possibly the realistic end for Tom, but as you said, knowing Dickens I stilled hoped for a literary miracle:-)

Christopher, I plan to post the schedule later this week and start the next read May, 27

I think I liked it better than most people here. Dickens always exaggerates his characters, but I love the way he completely understands human nature and is able to explore/satirize those characteristics in his novels.
Most of the topics in his novels are still relevant to today. For example, Tigg/Montague and his Ponzi scheme. There needs to be a movement in university level English departments to get Dickens back as a "must" course.
At first I was annoyed with his characterization of the U.S., but as others have said, he does the same with England. Dickens is an equal opportunity critic. And he made some relevant points - obviously slavery was horrific. And some of his points are still true today (we're number 1!!!), and others, not at all (all the men having military titles - now they throw around business titles).
But I did wish that he was more even handed about the U.S. Many of the people who came here were able to have opportunities never imagined in their old countries. Or even if they didn't, their children did. Plus, NYC was fascinating at that time. Very rough, much like London, but in a far different way. I would have liked to see how Dickens would have treated NYC if he hadn't been so intent on making the U.S. seem as bad as he possibly could.
I loved Tom Pinch. Loved him, loved him. Not as much as Sam Weller. No one could be as beloved to me as Sam. I would have liked to see Tom find a nice woman, but I don't think that would have been realistic. And he seemed happy with Ruth's children and playing the organ.
And had tears in my eyes when John and Ruth became engaged.
Couldn't stand any of the Pecksniffs, which means that Dickens did his job well in constructing them. And Jonas was truly a villain, and I think, a realistic villain.

I also liked Tom Pinch and Ruth's happy ending and was rather disgusted by Pecksniff.

My heart ached for Tom, but let's be honest -it is the most realistic end. Virtue is not always rewarded, and he is an unbelievably nice man, myopic, short-sighted, but kind, giving, loving, and making the life of so many people happier.
I also think that Jonas was a literary success. He was a villain not only in actions but in his mindset as well. Dickens showed human darkness with the amazing depth and insight.
Books mentioned in this topic
The French Lieutenant’s Woman (other topics)Barnaby Rudge (other topics)